{"id":21127,"date":"2026-05-23T04:11:42","date_gmt":"2026-05-23T04:11:42","guid":{"rendered":"https:\/\/www.europesays.com\/france\/21127\/"},"modified":"2026-05-23T04:11:42","modified_gmt":"2026-05-23T04:11:42","slug":"how-a-1984-keith-haring-graffitied-suitcase-inspired-louis-vuittons-resort-2027-collection","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/france\/21127\/","title":{"rendered":"How a 1984 Keith Haring\u2013Graffitied Suitcase Inspired Louis Vuitton\u2019s Resort 2027 Collection"},"content":{"rendered":"<p>Used to promote the show\u2014presented at the Frick\u2014and carried by the first model, this was a rare outing for the piece, which was sold at <a data-offer-url=\"https:\/\/www.bonhams.com\/auction\/25814\/lot\/226\/keith-haring-1958-1990-embellished-louis-vuitton-suitcaseearly-20th-century1984leather-brass-black-ink-signed-with-artists-monogram-dated-84-stamped-with-marks-for-louis-vuitton-and-with-fun-gallery-sticker-on-undersideheight-8in-20cm-width-24in-61cm-depth-15-34in-40cm\/\" class=\"external-link text link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.bonhams.com\/auction\/25814\/lot\/226\/keith-haring-1958-1990-embellished-louis-vuitton-suitcaseearly-20th-century1984leather-brass-black-ink-signed-with-artists-monogram-dated-84-stamped-with-marks-for-louis-vuitton-and-with-fun-gallery-sticker-on-undersideheight-8in-20cm-width-24in-61cm-depth-15-34in-40cm\/&quot;}\" href=\"https:\/\/www.bonhams.com\/auction\/25814\/lot\/226\/keith-haring-1958-1990-embellished-louis-vuitton-suitcaseearly-20th-century1984leather-brass-black-ink-signed-with-artists-monogram-dated-84-stamped-with-marks-for-louis-vuitton-and-with-fun-gallery-sticker-on-undersideheight-8in-20cm-width-24in-61cm-depth-15-34in-40cm\/\" rel=\"nofollow noopener\" target=\"_blank\">Bonham\u2019s<\/a> for about $35,000 in 2020, when it became part of Louis Vuitton\u2019s archive. That Ghesqui\u00e8re got special permission to use it suggests that the house was aligned with the foundation\u2019s mission. As Castets noted, \u201cI think it resonates with the spirit of Keith Haring to be able to share art with as wide an audience as possible and to fuel the philanthropic mission of the foundation, and I think that\u2019s really the most important part. [The foundation] is directed toward HIV\/AIDS, youth services, as well as arts organizations. [Haring\u2019s] philanthropic legacy started during his lifetime and has developed greatly in the decades since his tragically early passing.\u201d Haring was just 31 when he died of AIDS-related causes in 1990.<\/p>\n<p><img decoding=\"async\" alt=\"Image may contain Brenda Scott Kublai Khan Ishmaa'ily Kitchen Adult Person Fashion People Crowd Face and Head\" loading=\"lazy\" class=\"ResponsiveImageContainer-dkeESL cQPiWi responsive-image__image\"   src=\"https:\/\/www.europesays.com\/france\/wp-content\/uploads\/2026\/05\/1467968348.jpeg\"\/><\/p>\n<p>Downtown in Andy Warhol\u2019s old Factory: Keith Haring x Stephen Sprouse, fall 1988<\/p>\n<p>Photo: Fairchild Archive \/ Getty Images<img decoding=\"async\" alt=\"Image may contain Catherine De Lan Fashion Person Teen Clothing Footwear Shoe Dress Runway and Sleeve\" loading=\"lazy\" class=\"ResponsiveImageContainer-dkeESL cQPiWi responsive-image__image\"   src=\"https:\/\/www.europesays.com\/france\/wp-content\/uploads\/2026\/05\/FIO00521.jpg\"\/><\/p>\n<p>Uptown at the Frick: Keith Haring x Louis Vuitton, resort 2027<\/p>\n<p>Photo: Filippo Fior \/ Gorunway.com<\/p>\n<p>As European businesses look to grow their businesses stateside, New York is back in fashion\u2014in addition to Vuitton, Gucci just <a href=\"https:\/\/www.vogue.com\/slideshow\/gucci-resort-2027-new-york-show-front-row-celebrities\" target=\"_blank\" class=\"text link\" rel=\"nofollow noopener\">showed<\/a> its resort collection in Times Square. Haring, who was born in Pennsylvania, was, along with his friend Jean-Michel Basquiat, a quintessential downtown artist of the 1980s. Some of his earliest works were chalk drawings done in the subway and other public places. He believed art was for the people. <a href=\"https:\/\/www.vogue.com\/article\/louis-vuitton-nicolas-ghesquiere-podcast\" target=\"_blank\" class=\"text link\" rel=\"nofollow noopener\">Speaking on Vogue\u2019s Run-Through podcast<\/a>, Ghesqui\u00e8re revealed some of the dichotomies he was thinking about for resort. One was the city\u2019s uptown-downtown divide, which was still in place in the \u201980s, a decade that the French designer returns to over and over again, as he does with sci-fi. (Note his use of Haring\u2019s UFO drawing.)<\/p>\n<p>There was also some time-traveling going on. Ghesqui\u00e8re was interested in exploring the Gilded Age, the period during which Henry Clay Frick made his fortune, much of which he spent on collecting art, from Old Masters to practitioners of the Aesthetic Movement, which he displayed in his <a href=\"https:\/\/www.vogue.com\/article\/everything-you-need-to-know-about-the-frick-collection-reopening\" target=\"_blank\" class=\"text link\" rel=\"nofollow noopener\">Fifth Avenue abode<\/a>. \u201cIt was Frick\u2019s custom to have an organist in on Saturday afternoons to fill the gallery of his mansion\u2026with the majestic strains of \u2018The Rosary\u2019 and \u2018Silver Threads Among the Gold\u2019 while he himself sat on a Renaissance throne, under a baldachin, and every now and then looked up from his Saturday Evening Post to contemplate the works of Rembrandt\u2026or Boucher.\u2026\u201d recounted the art dealer Joseph Duveen, from whom Frick acquired many masterpieces. Into this rarified setting, Ghesqui\u00e8re introduced the graphic, kinetic, street-centric work of Haring to a soundtrack of Peaches, a darling of the aughts electroclash music scene.<\/p>\n<p>The special appearance of the Haring suitcase not only advanced Ghesqui\u00e8re\u2019s narrative, it also brought together the concept of heritage with the physicality and material record of the past. In addition, it showed the scarcity principle\u2014which posits that desire increases in proportion to exclusivity (and which partly explains fashion\u2019s fascination for vintage)\u2014in action.<\/p>\n","protected":false},"excerpt":{"rendered":"Used to promote the show\u2014presented at the Frick\u2014and carried by the first model, this was a rare outing&hellip;\n","protected":false},"author":2,"featured_media":21128,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12704],"tags":[14828,2773,4955,12751],"class_list":["post-21127","post","type-post","status-publish","format-standard","has-post-thumbnail","category-louis-vuitton","tag-collaborations","tag-louis-vuitton","tag-lvmh","tag-nicolas-ghesquiere"],"_links":{"self":[{"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/posts\/21127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/comments?post=21127"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/posts\/21127\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/media\/21128"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/media?parent=21127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/categories?post=21127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/france\/wp-json\/wp\/v2\/tags?post=21127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}