It is D-Day for the Formula 1 Grand Prix.\u00a0Gucci and Louis Vuitton hit the track.\u00a0From June 4 to 7, 2026, the Principality becomes the center of the world. Yet, beyond the asphalt and the roaring engines, Monaco confirms its status as the promised land for the greatest fashion houses. Between sun-drenched campaigns and historic partnerships, here is an immersion into the heart of a romance that endures.<\/p>\n
Gucci<\/a> and the Rock: A Timeless and Flowering Relationship<\/p>\n A few days ago, Gucci unveiled its brand-new campaign, bathed in the light of Monte Carlo. For the occasion, the Italian House gathered a star-studded cast including Tian Xi Wei, Amelia Gray, Anok Yai, Elisabetta Dessy, Emma Koch, Kayako Higuchi, Felix Friedman, Ibrahima Kane, and Samuel Watson. The common thread of this campaign is none other than the reinterpretation of the Flora motif. A true pillar of the Florentine House\u2019s visual language since its creation in 1966, this print celebrates its 60th anniversary this year.<\/p>\n The history of this motif is inseparable from Monaco. Originally designed by illustrator Vittorio Accornero at the request of Rodolfo Gucci for Princess Grace of Monaco, Flora was conceived as a bountiful field of flowers rendered in 37 distinct colors. It was first presented on a silk scarf. A true demonstration of Italian craftsmanship featuring 27 different flowers, this print has become one of Gucci’s most iconic elements.<\/p>\n Sixty years later, Flora remains an eternal source of inspiration for the house. Today, the motif continues its evolution, as evidenced by its appearance in La Famiglia<\/a>, a fictional family of archetypal characters imagined by Demna<\/a> for Gucci in 2025. It appears there on several striking silhouettes: the character of Flora wears a long dress in printed quilted twill, La Contessa a sumptuous organza gown embroidered with sequins, and l\u2019Incazzata a silk headband. This versatility extends into the Winter 2026 collection, through a silk mini-dress with delicate floral patterns enhanced by a discreet black border.<\/p>\n Monaco is not only the backdrop for the Florentine house\u2019s latest campaign; over the next three days, the Principality is hosting the Formula 1 Grand Prix. It is a competition that has clearly caught Gucci’s eye, as the brand is sponsoring the Alpine team -featuring French driver Pierre Gasly- for the very first time this year.<\/p>\n Louis Vuitton<\/a> in the Slipstream of the Grand Prix<\/p>\n Meanwhile, the French house Louis Vuitton is officially partnering with the Formula 1 Grand Prix for its 83rd edition. The automotive event shifts into a new dimension, becoming the Formula 1 Louis Vuitton Grand Prix de Monaco 2026. This marks a true paradigm shift: while automotive brands historically played the role of sponsors, today it is the luxury brands shifting into high gear. This momentum began last year and promises to be even more significant this year. In 2025, LVMH<\/a> became the “global luxury partner” of F1 with a decade-long framework agreement centered around several of its powerhouse brands: Louis Vuitton, Mo\u00ebt Hennessy<\/a>, and TAG Heuer. Last year, Bernard Arnault, Chairman and CEO of the group, and his family were highly visible around the Monegasque circuit.<\/p>\n This history with the Rock is built on the long game. From the very beginnings of the house founded in Paris in 1854, flat trunks -rather than rounded ones- constituted a revolution for the era. Designed for an affluent, mobile population traveling from port to port, they accompanied the rise of Monaco, which became a resort destination for elites from around the world.\u00a0In 1904, Louis Vuitton crafted a crocodile garment bag for the princely family. Later, in 1997, the house celebrated the 700th anniversary of the dynasty with the Malicieux bag, created as a tribute to Fran\u00e7ois Grimaldi, known as Malizia.<\/p>\n