{"id":10451,"date":"2026-05-05T10:44:10","date_gmt":"2026-05-05T10:44:10","guid":{"rendered":"https:\/\/www.europesays.com\/germany\/10451\/"},"modified":"2026-05-05T10:44:10","modified_gmt":"2026-05-05T10:44:10","slug":"filippo-lippi-painting-once-the-centrepiece-of-florences-medici-chapel-to-undergo-two-year-restoration-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/germany\/10451\/","title":{"rendered":"Filippo Lippi painting\u2014once the centrepiece of Florence&#8217;s Medici Chapel\u2014to undergo two-year restoration &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The Staatliche Museen zu Berlin (Berlin State Museums) has announced that Filippo Lippi\u2019s 1459 painting The Adoration in the Forest will undergo a two-year restoration, funded by the Ernst von Siemens Kunststiftung und the Schoof\u2019schen Stiftung. Berlin State Museums did not confirm the exact budget for the treatment, but said\u00a0it was between \u20ac100,000-\u20ac500,000.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The Adoration in the Forest, now in the permanent collection of Berlin\u2019s Gem\u00e4ldegalerie, is a significant painting. The tempera-on-panel work, which shows the Virgin and newborn Christ child in a mountainous forest rather than a Bethlehem manger, was created to be the focal point of the private chapel of the Palazzo Medici, then the banking family\u2019s imposing new Florentine palace. Later, after the painting entered the Berlin collections in the 1820s, it helped usher in a new appreciation for Quattrocento Florentine art.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Like many significant Berlin works, it took a circuitous path to its present spot in the German capital\u2019s Kulturforum museum complex, including a post-Second World War turn in the US as de facto war booty. But it seemed no worse for wear as recently as 2023, when it was set for a reframing. Then the Berlin conservation team, aided by a new high-performance stereo microscope, detected that the varnish layer, likely from the 19th century, was not protecting the tempera paint but degrading it\u2014and in spots actually lifting the paint right off the panel.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cIt\u2019s a huge project,\u201d Gem\u00e4ldegalerie conservator Anja Wolf told The Art Newspaper this week in the museum\u2019s restoration studio, in front of the work itself. \u201cYou have to find a method to remove the varnish, and at the same time stabilise and consolidate the paint layer. And you have to work really precisely,\u201d she said. Wolf added that it is the first time she has done a project quite like this.<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"955.1353355580275\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 955.1353355580275'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/germany\/wp-content\/uploads\/2026\/05\/bf597ee0132fd2d30ca939fbe487d80818f7c15f-2697x4000.jpg\"\/><\/p>\n<p>Spots of paint are lifting off the panel of Filippo Lippi\u2019s 1459 painting The Adoration in the Forest Photo: Staatliche Museen zu Berlin, Gem\u00e4ldegalerie \/ Sandra Stelzig, 2023<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Affected areas include the Virgin\u2019s blue cloak, along with her skin, and sections of the gold leaf that lavishly served to brighten up the Medici chapel\u2014a windowless space, decorated with a celebrated fresco cycle by another Florentine, Benozzo Gozzoli, a pupil of Fra Angelico. In his book about the family, Medici Money (2005), the Italian-based British author Tim Parks writes that Cosimo de&#8217; Medici, the banker-politician who first turned the clan into a dominant force in Florence, used the chapel as a secret conference room.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Neville Rowley,\u00a0the Gem\u00e4ldegalerie\u2019s curator for 14th- and 15th-century Italian painting and sculpture, sees Lippi (around 1406-69) as a broadly transitional figure. On the one hand, 1459 is \u201crelatively late\u201d to have gold leaf, he said; on the other hand, Lippi was an early advocate of oil paint. The restoration treatment will find out if, and to what extent, Lippi used the binding material here, along with egg tempera.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Though the main goal of the treatment is to save the painting, it will also result in giving the work a brighter appearance, Wolf said. More contrast between light and dark will impact, among other areas, the white flowers on the forest floor that now appear to be a faint grey. Sandro Botticelli was Filippo Lippi\u2019s most celebrated pupil, and the floral motif anticipates the flowers at the bottom of Botticelli\u2019s Primavera (around 1480) in Florence\u2019s Galleria degli Uffizi. Back in Palazzo Medici, the palace chapel still has a version of The Adoration in the Woods, in the form of a Quattrocento copy.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Rowley, who included the Berlin version in his 2022 show about Donatello, is looking ahead to another Florentine show after the completion of the new restoration. Filippo Lippi\u2019s son, Filippino Lippi, was in turn Botticelli\u2019s pupil, and Rowley is eager to do an exhibition that will showcase The Adoration in the Forest while also highlighting \u201cthat dynasty of painters\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"The Staatliche Museen zu Berlin (Berlin State Museums) has announced that Filippo Lippi\u2019s 1459 painting The Adoration in&hellip;\n","protected":false},"author":2,"featured_media":10452,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[18,1018,9498,9499,9500,6597,994,6632],"class_list":{"0":"post-10451","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-berlin","8":"tag-berlin","9":"tag-conservation","10":"tag-conservation-preservation","11":"tag-gemaldegalerie","12":"tag-medici","13":"tag-museums","14":"tag-museums-heritage","15":"tag-restoration"},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/posts\/10451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/comments?post=10451"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/posts\/10451\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/media\/10452"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/media?parent=10451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/categories?post=10451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/germany\/wp-json\/wp\/v2\/tags?post=10451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}