Her first solo exhibition, the display includes three textile light sculptures which show the different stages of recovery, along with porcelain sculptures, paintings, a fabric installation and a wooden screen.
Williams said the display encapsulated her road to recovery, which had been “quite painful, but it came with some really beautiful life lessons”.
“I was really inspired by the landscape while I was back on the Isle of Man,” she said, such as the standing stones, the highlands, and trees which had been shaped by strong winds.
Drawn to higher areas where blueberries, gorse and heather would grow, she said those landscapes were “beautifully bleak”.
“I was trying to create this ghostly, beautiful, eerie feeling in the work, like when you lose yourself and you slowly return back to yourself,” she said.
“It’s a love letter to the land that held me, the pain that changed me, and the version of myself I never expected to meet.”
The exhibition, which is currently on in Bethlem Gallery in London until the end of January, will be on display at the House of Manannan in 2027.