Perfect autofocus is useful, but it can also push you into shooting the same clean, predictable frames every time. A small manual focus lens can change how you move, what you notice, and the kind of mood you bring back from a night out.
Coming to you from Martin Wong, this opinionated video is built around a simple trade: technical certainty versus vibe. Wong mounts a 50mm f/1.2 on the Nikon Zf and leans into the whole point of that body: it is a camera you want to carry. He contrasts it with the big, modern option, the NIKKOR Z 50mm f/1.2 S, which he uses when the job demands clean sharpness and fast autofocus. The takeaway is not that one approach is “better,” but that different setups pull different behavior out of you. If the camera feels like a brick, you shoot less, and you rush the moments that needed patience.
He also talks about building a kit that matches the way you actually spend your free time. He used the NIKKOR Z 28mm f/2.8 (SE) and the NIKKOR Z 40mm f/2 (SE) on the Zf, partly because they keep the camera compact and partly because the styling fits the retro body. That might sound superficial until you notice how often you leave a “serious” setup at home. He treats the camera like something you wear, then he shoots like someone who planned to make pictures, not like someone who brought a tool “just in case.” If you have a camera you love holding, you take more chances in bad light and you stay out longer.
The low-light section is where the video gets practical, and it is also where most people give up on manual focus too early. Wong adds a K&F Concept Black Diffusion filter to push highlights into a softer glow, then goes out with friends in Los Angeles and shoots wide open at f/1.2 around storefront lighting and holiday decorations. You see why a “technically imperfect” lens can still be the right choice when the scene is mostly neon, street lamps, and dark edges. The first tip he gives is to turn on focus peaking and choose a color that stands out instead of blending into skin tones or bright signage. He also shows how focus magnification helps when you cannot trust your eyes at night, especially when the depth of field is thin enough that a small shift ruins the frame. He mentions a few more habits that make manual focus faster in real situations, including a method that feels almost like cheating once you get used to it. Check out the video above for the full rundown from Wong.