The regular columns follow: Simona Bordone, in Domus Archive, resurfaces Lisa Ponti’s piece on Alan Sonfist (Domus 561, 1976) and his Time Landscape, a philological reconstruction of Manhattan’s original forest; the editorial team, under Elena Sommariva’s byline, rounds up four new books in Global Reads, on Gianfranco Frattini, Fabrizio Clerici, cartoonist Alan Dunn, and the writings of Giovanni Klaus Koenig; Paul Smith, in Common Places, sets the fates of Kenzo Tange’s gymnasium in Kagawa, slated for demolition, against those of San Siro in Milan; Valentina Petrucci, in Details, tells the story of manager Eugenio Sidoli’s collection, starting from Shepard Fairey’s Afrocentric (Power & Equality); Francesco Franchi, in Graphics, describes Canyon Predict, an information-design system for cyclist safety read through the lens of Edward Tufte; Loredana Mascheroni, in Minimalisms, tells the story of the Solaris lamp, designed by twelve-year-old Sol Rybakken Kallin for Blond alongside her father, Daniel Rybakken; Nicola Barracchia, in The Architecture of Numbers, devotes the chapter on the number Seven to Renzo Piano and Walter Gropius; Alberto Mingardi, in Utopias and Dystopias, writes on L.P. Hartley’s Facial Justice and the series Silo, read as meditations on social control through urban planning.