Her practice spans cyanotypes, fabric stamping, sound recordings, and printed textiles, each piece acting as both an archive and a reinterpretation. By layering surfaces, impressions, and oral histories, Ranim explores how memory can be preserved, disrupted, and transformed. The works are structured in ‘chapters,’ echoing the way memory unfolds, not linearly, but rhizomatically, with returns, interruptions, and stutters that carry both intimacy and estrangement.
