Taylor Swift just crossed a line in the record books that no other woman in music has ever touched.

On September 30, the Recording Industry Association of America announced that Swift officially sold more than 105 million albums in the United States, which makes her the first and only female artist in history to top the 100 million mark. She now stands alongside the giants such as The Beatles, Garth Brooks, Elvis Presley, the Eagles, and Led Zeppelin. She is the only woman in the group. For perspective, her nearest female competition is Mariah Carey with 75 million. That gap alone shows just how far she has pulled ahead.

It is easy to forget, with all the sequins and stadium lights of her pop empire, that Taylor Swift came from country. Her self-titled debut album in 2006 went eight times Platinum, powered by the wide-eyed teenage storytelling that made Nashville take notice.

Fearless followed in 2008 and became the most-awarded country album of all time, winning Album of the Year at both the CMA and ACM Awards before taking home the Grammy for Best Country Album. At that point, she was still our Taylor, the curly-haired songwriter spinning teenage diary entries into anthems.

Then came Red in 2012, half-country and half-pop, a bridge between two worlds. By 2014’s 1989, she was gone from Nashville’s grip and planted firmly in pop. That shift split fans right down the middle. Some country diehards called it betrayal, while others argued she had simply outgrown the box Nashville tried to keep her in. Whatever side you land on, there is no denying that her country roots built the foundation for the global powerhouse who just made history.

Her best-selling albums prove it. 1989 leads the pack with 14 million sales, followed by Fearless with 11 million. Red, Taylor Swift, and The Tortured Poets Department each sit at 8 million. Add in the Taylor’s Versions re-recordings, which fans rallied behind to give her ownership of her catalog, and the numbers only snowballed. Love her or roll your eyes at her, Taylor’s ability to turn heartbreak into currency is unmatched.

This milestone comes just days before she drops her twelfth studio album, The Life of a Showgirl, on October 3. The record is already the most pre-saved album on Spotify in history, which means her 100 million achievement will not be the ceiling for long. Fans are throwing confetti online, calling her “our showgirl” and declaring that she is “the music industry” itself. Her critics, on the other hand, are groaning at the headlines, arguing that charts and trophies do not erase the fact that she long ago left country behind.

But here is the thing. Every time Swift gets written off, she doubles her footprint. She broke out of Nashville, she bulldozed her way into pop, she dabbled in indie folk with Folklore, and now she is still topping records 19 years into her career. At only 35 years old, she has decades left to push even higher. Some industry watchers believe she could even catch The Beatles if she keeps releasing at this pace. That is not fan hype, that is math.

So yes, Swift is polarizing. Some country fans still see her as the one who left. Others see her as the small-town girl who made it bigger than anyone thought possible. Both can be true. What cannot be denied is that she just became the first woman to stand in a club of music’s best-selling legends, and she did it with plenty of country miles still stamped in her story.

Taylor Swift might have traded boots for stilettos, but the path she carved out of Nashville is still visible in every step she takes. And whether you cheer her or jeer her, the scoreboard does not lie.