Starting from museums endowed with a strong and immediately recognizable architectural identity—buildings that have each, in their own way, helped redefine the never-resolved relationship between container, content, and use—Babina adopts a consciously organicist approach. “I don’t like seeing art and architecture separately”, he explains. “The true meaning of a museum, or any cultural space, is born precisely from the encounter between the two”. The architectural project and the character of the exhibited objects, in his view, form narrative fabrics that together generate a story that is both physical and conceptual, which he translates into a visually accessible system that preserves its layered complexity intact.