Labour, connection on display at Sarnia gallery exhibitions
Article content Mark Stebbins’s paintings tend to be small, and with good reason. Article content The Point Edward…
Tolia Astakhishvili: Figure of the Child and Tolia Curriculum – Announcements
Figure of the Child is Tolia Astakhishvili’s first solo museum exhibition and her largest presentation to date. Realized in situ,…
Suzanne Jackson: What Is Love – Announcements
On May 14, the Walker Art Center will open Suzanne Jackson: What Is Love, the first major museum retrospective dedicated…
OptiColour Expands Into Large Format as Analog Continues Its Resurgence
Large format photographers have a new option on the table as OptiColour 200 makes its debut in 4×5,…
Olson Kundig installs double-decker elevators at the Space Needle
As part of the ongoing renovations to the Space Needle in Seattle, American architecture studio Olson Kundig and…
Igshaan Adams: Unsettling Dust—The Body’s Archive – Announcements
Curator: Lekha Hileman The Guggenheim Museum Bilbao is pleased to present in situ: Igshaan Adams. Unsettling Dust: The…
‘She had a fresh, informed eye’: mural depicting late Venice Biennale curator Koyo Kouoh displayed in lagoon city – The Art Newspaper
A touching tribute to Koyo Kouoh, the late curator of this year’s Venice Biennale, has sprung up in…
bamboo and linen shape komorebi luminous sculptures
Komorebi Explores Filtered Light Through Luminous Sculptures Komorebi by Aki+Arnaud Cooren (A+A Cooren) is a series of…
Peterson Rich Office designs galleries at The Met
Brooklyn-based architecture studio Peterson Rich Office has completed the design of five spaces at the Metropolitan Museum of…
at the MET, sculptural mannequins are crafted from real bodies
real bodies brought into focus at the Met The Metropolitan Museum of Art’s Costume Art exhibition introduces…
A Life in Pictures: Louth photographer Paula Kavanagh reflects on 35 years behind the camera
Louth photographer Paula Kavanagh is preparing to step back from her job in 2027 For 35 years, the…
Lubaina Himid’s British pavilion at the Venice Biennale review – alienation in a green and pleasant land | Venice Biennale 2026
Home comforts aren’t always all that comfortable. Here at the Venice Biennale, Lubaina Himid paints an awkward, tense,…