{"id":125227,"date":"2025-10-16T06:15:10","date_gmt":"2025-10-16T06:15:10","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/125227\/"},"modified":"2025-10-16T06:15:10","modified_gmt":"2025-10-16T06:15:10","slug":"good-fortune-review-an-angelic-keanu-reeves-rises-above-the-muddle-of-aziz-ansaris-feature-debut","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/125227\/","title":{"rendered":"Good Fortune review \u2013 An angelic Keanu Reeves rises above the muddle of Aziz Ansari\u2019s feature debut"},"content":{"rendered":"<p class=\"mb-4 text-lg md:leading-8 break-words\">Good Fortune is a cinephile\u2019s comedy, patchworked from the likes of It\u2019s a Wonderful Life (1946), Trading Places (1983), and Wings of Desire (1987). It\u2019s more pleasant than it is funny. Its director, Aziz Ansari, has offered us less of the honest, personal insight that allowed <a href=\"https:\/\/uk.style.yahoo.com\/master-none-season-3-review-053000385.html\" data-ylk=\"slk:Master of None;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\" rel=\"nofollow noopener\" target=\"_blank\">Master of None<\/a>, the Netflix series he co-created with Alan Yang, to sit so comfortably alongside its Criterion Collection closet full of references (In the Mood for Love, Bicycle Thieves, Manhattan, and so on).<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">In Good Fortune, Ansari writes and stars as Arj, an LA-based editor currently living in his car, and stuck in the endless loop of freelance odd jobs for the app TaskSergeant. One client demands he wait hours in line to pick up an order at \u201cThere Will Be Buns\u201d \u2013 <a href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/films\/features\/paul-thomas-anderson-julianne-moore-interview-b1988765.html\" rel=\"nofollow noopener\" target=\"_blank\" data-ylk=\"slk:one for the Paul Thomas Anderson fans;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">one for the Paul Thomas Anderson fans<\/a>, there.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Every aspect of his life is hemmed in by money. He can\u2019t sleep, but all the meditation podcasts are subscription-based, so his rest is intermittently interrupted by the Lexapro-high screech of a promotional ad. When he finally lands stable work as an assistant to millionaire investor Jeff (Seth Rogen), he\u2019s swiftly fired after Jeff recommends him a restaurant to take his crush Elena (<a href=\"https:\/\/uk.news.yahoo.com\/keke-palmer-child-entertainer-making-060000228.html\" data-ylk=\"slk:Keke Palmer;elm:context_link;itc:0;sec:content-canvas;outcm:mb_qualified_link;_E:mb_qualified_link;ct:story;\" class=\"link  yahoo-link\" rel=\"nofollow noopener\" target=\"_blank\">Keke Palmer<\/a>) out to on a date \u2013 it turns out the steak costs \u00a3129, so Jeff panics and uses the company credit card.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Hope is not all lost, however. An angel (Keanu Reeves\u2019s Gabriel) has been watching over him. Technically, he\u2019s the angel of \u201ctexting and driving\u201d, tasked with gently tapping people on the shoulder when they\u2019re looking up the Wikipedia page for \u201cketchup\u201d 10 seconds before they slam into a truck. But he dreams of guiding lost souls like the great Azrael (a well-cast Stephen McKinley Henderson).<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">He\u2019ll show Arj that money won\u2019t fix all his problems. Only the gag is, as much as Frank Capra argued to the contrary, money might not fix every problem but it certainly fixes most. It\u2019s a smart pivot, to look at the old, cinematic tropes in the face of bleaker, more modern circumstances, and Ansari captures how people are so easily disenfranchised by the pure exhaustion of day-to-day subsistence.<\/p>\n<p><img alt=\"Keanu Reeves as the angel Gabriel in \u2018Good Fortune\u2019 (Lionsgate)\" loading=\"lazy\" width=\"960\" height=\"640\" decoding=\"async\" data-nimg=\"1\" class=\"rounded-lg\" style=\"color:transparent\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/10\/509c6ca325c1ef43e5bb1543a9e22ef5.jpeg\"\/><\/p>\n<p>Keanu Reeves as the angel Gabriel in \u2018Good Fortune\u2019 (Lionsgate)<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">But the film also feels oddly suspended between these two extremes: Adam Newport-Berra\u2019s cinematography offers some striking compositions, yet Daniel Haworth\u2019s editing has the slightly lax feel of sitcom television. Carter Burwell\u2019s score is as breezy as can be, yet Palmer\u2019s there less to flex that contagious charm of hers than deliver the film\u2019s themes (almost) directly to camera. It\u2019s a film about the impossibility of modern life, yet it ends on an impossibly Hollywood note of good cheer.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">What emerges from that slight muddle of ideas is, ultimately, Reeves\u2019s perfectly tuned performance as a naive celestial slowly being drawn down to earth. He really has a way with those mock-serious, declarative readings of lines like, \u201csee how superficial your life is now?\u201d And, out of his mouth, the word \u201cchicken nuggies\u201d bears the adorable, giggling energy of a fawn taking its first steps, rather than the usual infantilising millennial speak. It\u2019s all, ultimately, meant as an homage to his own saintly reputation in the public eye, a reference inside a reference, yet it\u2019s still the freshest, funniest thing in Good Fortune.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Dir: Aziz Ansari. Starring: Seth Rogen, Aziz Ansari, Keke Palmer, Sandra Oh, Keanu Reeves. Cert 15, 97 minutes.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">\u2018Good Fortune\u2019 is in cinemas from 17 October<\/p>\n","protected":false},"excerpt":{"rendered":"Good Fortune is a cinephile\u2019s comedy, patchworked from the likes of It\u2019s a Wonderful Life (1946), Trading Places&hellip;\n","protected":false},"author":2,"featured_media":125228,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[263],"tags":[31653,18,117,75459,19,17,36553,327,75893,75894],"class_list":{"0":"post-125227","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-aziz-ansari","9":"tag-eire","10":"tag-entertainment","11":"tag-good-fortune","12":"tag-ie","13":"tag-ireland","14":"tag-keanu-reeves","15":"tag-movies","16":"tag-trading-places","17":"tag-wings-of-desire"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/125227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=125227"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/125227\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/125228"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=125227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=125227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=125227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}