{"id":129478,"date":"2025-10-18T04:37:09","date_gmt":"2025-10-18T04:37:09","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/129478\/"},"modified":"2025-10-18T04:37:09","modified_gmt":"2025-10-18T04:37:09","slug":"finger-on-the-pulsing-beats","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/129478\/","title":{"rendered":"Finger on the pulsing beats"},"content":{"rendered":"<p class=\"\">In March 2024, Germany added Berlin\u2019s techno scene to the country\u2019s national registry of \u2018intangible culture\u2019 \u2014 a designation that gives clubs access to government funding and support.<\/p>\n<p class=\"\">It acts as a boost at a time when soaring rents have triggered what locals call a \u201cclubbing crisis\u201d.\u00a0<\/p>\n<p class=\"\">A report earlier this year by a non-profit representing Berlin\u2019s clubs found that one in two venues was at risk of closure within 12 months.\u00a0<\/p>\n<p class=\"\">It cites as chief concerns rapidly rising rents, gentrification, and changing demographics.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Liam Cagney\u2019s  Berghain Nights is named after the monolith at the centre of Berlin\u2019s clubbing scene.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">A converted Soviet-designed power station, its fathomless corridors and experiential intensity are like an immersive artwork, he writes \u2014 while it\u2019s filled with gay clones and butch queens like emissaries from the future.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">But Cagney ultimately ends up pondering whether the book might inadvertently be a Berghain obituary, published to coincide with the club\u2019s expiration.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Indeed, he finds himself being kicked out of his apartment around the same time as he is surveying a \u201cstinker\u201d of an experience at Berghain, where \u201cdespite cosplaying in their pricey off-the-rack designer fetishwear, [the crowd] were clean-cut\u201d.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">\n            This sense of decline is playing out on a wider scale.\u00a0\n        <\/p>\n<p class=\"contextmenu internal_BodyRagged\">The website Resident Advisor published a feature in late summer claiming 2020s mainstream clubbing is an algorithm-smoothed spectacle that rewards mediocrity, lamenting \u201cdead crowds, Ibiza VIP platforms, Euro-washed afro house\u201d.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Cagney first encountered techno music in Donegal, his beanie-hatted older brother exposing him to rave and ambient music.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">He was disillusioned, depressed, and lost, with no stable job and few remaining prospects \u2014 the bureaucratic life of a civil servant beckons like a prison sentence, he writes \u2014 by the time he arrives for a long summer break in Berlin.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">A friend convinces him to write about Berghain where \u201cit\u2019s not the hedonism but the music that comes first\u201d.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Cagney quickly sets out his MO: It wouldn\u2019t be a pseudo-objective report typed up to fence off a tranche of academic dominion but rather gonzo music writing, oozing out my being on the page.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Warning: References and quotes by Georges Bataille, Audre Lorde, and William S Burroughs abound.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">It\u2019s not quite a coming-of-age story, but Cagney\u2019s own dance of self-discovery is the book\u2019s beating heart.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">It begins with him in a state of panic, tripping on mushrooms in Berghain after being ditched by some acquaintances. But on the dance floor, he finds composure, relief, and joy.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/10\/4821567_10_articleinline_Berghain_Nights.jpg\" alt=\"\" title=\"\" class=\"card-img\"\/><\/p>\n<p class=\"\">Cagney mixes interviews with DJs and club owners, past and present, as he charts the evolution of Berlin\u2019s club scene.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Venues such as KitKat Club and Tresor, and DJs like Ellen Allien and Function, might be familiar only to those who have made the pilgrimage to Berlin for a debauched weekend, but Cagney\u2019s writing remains inclusive and engaging.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">His conversations with producers, he writes, \u201cinformed how I felt about my own journey. Everything is always beginning and ending. Everything is cyclical.\u201d<\/p>\n<p class=\"contextmenu internal_BodyRagged\">A bugged-out night with a girlfriend unfolds like a horror movie, viewed through parted fingers, yet his frank grappling with sexuality \u2014 \u201cI\u2019ve always felt alien to myself\u201d \u2014 brings moments of insight.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">He speaks with others about how Berghain opened them up sexually.\u00a0<\/p>\n<p class=\"contextmenu internal_BodyRagged\">There are tales of hours-long queues and the outlandish outfits required to convince the bouncers \u2014 pseudo-celebrities among a certain cohort \u2014 of admittance, \u201calthough you want to be unique as you dance in the abandoned industrial units, you also want to fit in\u201d.<\/p>\n<p class=\"contextmenu internal_BodyRagged\">Cagney delves into the wider creative ecosystem around the club \u2014 exhibitions, art, the leather-fetish scene \u2014 crafting a wide-ranging, pulsing narrative set to a relentless beat.<\/p>\n","protected":false},"excerpt":{"rendered":"In March 2024, Germany added Berlin\u2019s techno scene to the country\u2019s national registry of \u2018intangible culture\u2019 \u2014 a&hellip;\n","protected":false},"author":2,"featured_media":129479,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[266],"tags":[34216,359,18,117,19,17],"class_list":{"0":"post-129478","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"tag-books-non-fiction","9":"tag-books","10":"tag-eire","11":"tag-entertainment","12":"tag-ie","13":"tag-ireland"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/129478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=129478"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/129478\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/129479"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=129478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=129478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=129478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}