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Susannah Fullerton.\u00a0<\/strong><\/p>\nAs Fullerton notes, studies show that cat ownership reduces stress, and writing can often be a stressful task. Like cats, writers are sharp observers, so a fellow feeling develops between the writer who watches and the cat whose eyes unblinkingly watch his or her world.<\/p>\n
The symbiotic relationship between writer and cat illustrates our desire for compatibility with those who share our loving space. And when writer\u2019s block impedes progress, perhaps inspiration can be found by turning one\u2019s thoughts to a beloved feline companion. Cats even function as alarm clocks, with their persistent need for breakfast often rousing an author from bed.<\/p>\n
No other animal combines so successfully intelligence, insouciance and inscrutability, all wrapped up in a soft and elegant package. The elusiveness of cats, their changeability as they switch from loving pet to ferocious predator, is surely part of their appeal to craftspeople trying to grasp a fictional world or to capture exactly the right word.<\/p>\n
The fastidiousness of cats is understood by a person equally fastidious about words. It\u2019s hardly surprising that, throughout history, the cat has been permitted to sit on manuscripts, curl up on desks, take swipes at moving quills and pens, and curl up contently on an author\u2019s lap.<\/p>\n
Edgar Allan Poe wrote that his cat, Caterina, was curled around his shoulders. Jean Cocteau thought his cats were \u201cthe soul of home\u201d. James Herriot described the feline species as \u201cconnoisseurs of comfort\u201d in his beloved veterinary stories, while Raymond Chandler regarded his black cat, Taki, as his secretary.<\/p>\n
Ray Bradbury saw his 22 beloved cats as an integral part of his creative process. Jorge Luis Borges wrote poems to his felines. Iris Murdoch observed her cats as a way of getting inside the minds of her characters. Contemporary Japanese novelist Haruki Murakami even promised to write a book, only if his publisher would cat-sit while he went travelling in order to do so.<\/p>\n
So many famous authors have loved their cats, from Aldous Huxley to Anais Nin, Anton Chekhov to W. Somerset Maugham, Charles Baudelaire to Jack Kerouac, H.G. Wells to Gillian Flynn. Every good writer, it seems, needs a feline muse.<\/p>\n
Patricia Highsmith, a wonderful novelist who was not renowned for her warm demeanour, once said: \u201cMy imagination functions much better when I am surrounded by cats and don\u2019t have to speak to people.\u201d<\/p>\n
After Highsmith\u2019s death, her cat, Spider, ended up in the custody of her friend and fellow writer, Muriel Spark. Until the end of his days Spider kept Spark company in her study, curled around his favourite object: Highsmith\u2019s typewriter. Highsmith immortalised her love for cats in one of her best short stories, Something the Cat Dragged In.\u00a0Spider had brought his mistress a trophy \u2013 a human finger he found while fossicking outdoors \u2013 and the rest of the story became an unforgettable tale of tension between the endlessly curious nature of cats and the often-violent propensities of humans.<\/p>\n
In Great Writers and the Cats Who Owned Them, Fullerton traverses the writing lives and relationships with their cats of 17 diverse writers from across history: Dr Johnson, Horace Walpole, Robert Southey, Alexandre Dumas, Edward Lear, Charles Dickens, Mark Twain, Colette, Lucy Maud Montgomery, Sir Winston Churchill, Ernest Hemingway, Margaret Mitchell, Dorothy L. Sayers, Paul Gallico, Muriel Spark, Doris Lessing and beloved children\u2019s book writer Lynley Dodd.<\/p>\n
Fullerton does so by carefully parsing their lives and their works for parallels and interactions with their beloved cats, as well as poring over personal papers that include research notes, private correspondence, journals and diaries.<\/p>\n
delightfully shrewd anecdotes abound in this deeply researched and beautifully written volume<\/p>\n
I will confess that some of the essays I found personally most interesting do happen to be about writers whose work I have loved \u2013 Colette, Lessing, Montgomery and Spark, foremost \u2013 but the story of Montgomery\u2019s relationship with her cat, Daffy, is undeniably a beautiful one. In 1892, she jotted down an idea for a potential novel in her journal: \u201cElderly couple apply to orphan asylum for boy. By mistake a girl is sent to them.\u201d<\/p>\n
Astute readers will know, of course, that this thought became the seed for the world of Anne Shirley and Montgomery\u2019s beloved Anne of Green Gables and Avonlea novels.<\/p>\n
Montgomery grew up lonely, an only child on a farm in rural Canada, with few friends, but it was as a young woman that she found in Daffy a tender and loyal companion. Daffy was with her throughout the birth of Anne of Green Gables and sat on her lap, huddled in her coat and blankets, keeping her warm on cold mornings as she tried to write.<\/p>\n
For Montgomery and also for Sayers, Spark, Lessing and Dodd, cats had been a constant in their lives since they were young, always regarded as soulmates. When mystery writer, playwright, poet and religious writer Sayers died, the very last living creature her eyes beheld was a cat, as there were three sharing her home at the time of her death.<\/p>\n
Spark, Fullerton writes, was \u201crather like a cat herself\u201d \u2013 impeccably groomed, secretive and reserved, fiercely independent and with a tendency to spit when attacked. Such delightfully shrewd anecdotes abound in this deeply researched and beautifully written volume.<\/p>\n