{"id":13876,"date":"2025-08-21T12:54:07","date_gmt":"2025-08-21T12:54:07","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/13876\/"},"modified":"2025-08-21T12:54:07","modified_gmt":"2025-08-21T12:54:07","slug":"kilmainham-erupts-with-cathartic-glee-at-ferocious-gig-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/13876\/","title":{"rendered":"Kilmainham erupts with cathartic glee at ferocious gig \u2013 The Irish Times"},"content":{"rendered":"<p><b>Queens Of The Stone Age<\/b><b>Royal Hospital Kilmainham<\/b><b>\u2605\u2605\u2605\u2605\u2605<\/b><\/p>\n<p class=\"c-paragraph paywall \"><a href=\"https:\/\/www.irishtimes.com\/tags\/queens-of-the-stone-age\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/queens-of-the-stone-age\/\">Queens of the Stone Age<\/a> frontman <a href=\"https:\/\/www.irishtimes.com\/tags\/josh-homme\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/josh-homme\/\">Josh Homme<\/a> asks the <a href=\"https:\/\/www.irishtimes.com\/tags\/kilmainham\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/kilmainham\/\">Kilmainham<\/a> audience what they want to hear. Someone calls for Straight Jacket Fitting, the epic closer from their most recent studio album, 2023\u2019s <a href=\"https:\/\/www.irishtimes.com\/culture\/music\/review\/2023\/06\/16\/queens-of-the-stone-age-in-times-new-roman-is-their-most-visceral-album-in-years\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/culture\/music\/review\/2023\/06\/16\/queens-of-the-stone-age-in-times-new-roman-is-their-most-visceral-album-in-years\/\">In Times New Roman\u2026<\/a>, where Homme howls about freeing your demons so you can face them down. <\/p>\n<p class=\"c-paragraph paywall \">As the song progresses and the band coax strangled riffs from their instruments, Homme descends towards the crowd, leaning over the barrier here, stealing a kiss there, until he throws himself over the steel barricade completely and wades through the gobsmacked throng. \u201cBreak it down, boys,\u201d he orders as he moves fearlessly through the melee. \u201cI could attack at any moment,\u201d he warns those around him before demanding they \u201cpart the seas\u201d so he can clamber back on stage. \u201cI like to be touched,\u201d he hisses.<\/p>\n<p class=\"c-paragraph paywall \">Before this, we\u2019ve had everything from the devil boogie of No One Knows delivered in front of a ballroom curtain backdrop drenched by boudoir red spotlights, and the serpentine strut of Smooth Sailing as the same lights turned alcopop yellow, to the shaking maracas and ominous bass creep of My God Is The Sun, and a razor-sharp Made to Parade which sounded like T. Rex leading a barbarian horde over the city walls, feather boas and axes swinging in unison.<\/p>\n<p class=\"c-paragraph b-it-article-body__interstitial-link\">[\u00a0<a aria-label=\"Open related story\" class=\"c-link\" href=\"https:\/\/www.irishtimes.com\/culture\/music\/review\/2023\/11\/23\/queens-of-the-stone-age-in-dublin-i-could-think-of-no-better-place-in-the-world-to-be\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">Queens of the Stone Age in Dublin: \u2018I could think of no better place in the world to be\u2019Opens in new window<\/a>\u00a0]<\/p>\n<p class=\"c-paragraph paywall \">It\u2019s refreshing, after hearing the same guitar solo played again and again for two hours on the other side of town last Sunday, to see a band stretching out, delivering the oil tanker-heavy Negative Space one minute and the jittery industrial new wave of Time &amp; Place the next. That song features both a cacophonic slide solo from Troy Van Leeuwen and a slightly middle eastern modulation to Homme\u2019s voice. If prog wasn\u2019t a four-letter word, I\u2019d use it.<\/p>\n<p class=\"c-paragraph paywall \">Homme certainly seemed to be having a great time, stating repeatedly how much Ireland means to him and how wonderful it is to be back. He had a good laugh at both the crowd chanting \u201cDeano\u201d when he introduces multi-instrumentalist Dean Fertita and singing happy birthday, despite his critique that it sounded like two drunk drivers crashing into each other, to the ridiculously cool Michael Shuman, a man who plays bass like he\u2019s crowbarring a safe.<\/p>\n<p class=\"c-paragraph paywall \">Every song warrants mention whether it\u2019s the furious pace of Little Sister or the deceptively gentle extended groove of Make It Wit Chu, wherein Homme worries security by encouraging people to get up on each other\u2019s shoulders and the band segue seamlessly into The Rolling Stones\u2019 Miss You. But with Song For The Dead, the place goes feral. Jon Theodore has been pummelling his drums with such abandon throughout, it\u2019s like he\u2019s trying to tunnel to the airport, but he somehow finds another gear for this final song (QOTSA don\u2019t need encores). Once the band pile in on top of him, Kilmainham explodes and each false finish has it erupting again with cathartic glee.<\/p>\n<p class=\"c-paragraph paywall \">While many were disappointed by the absence of support act Amyl and The Sniffers, although hats off to Cork\u2019s Cliffords who stepped in at the last moment and have a star in the making with frontwoman Iona Lynch, all mutterings were silenced by the sheer power of the headliners. The only complaints I can muster at a push are for the songs they didn\u2019t play, such as If I Had A Tail or Emotion Sickness, but only a fool would grumble at one of the greatest rock\u2019n\u2019roll bands in the world cutting loose like sailors on a weekend pass and a set that was lean as a holy man in a desert. Ferocious.<\/p>\n","protected":false},"excerpt":{"rendered":"Queens Of The Stone AgeRoyal Hospital Kilmainham\u2605\u2605\u2605\u2605\u2605 Queens of the Stone Age frontman Josh Homme asks the Kilmainham&hellip;\n","protected":false},"author":2,"featured_media":13877,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[52,18,117,19,17,12920,12919,12918,12921],"class_list":{"0":"post-13876","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-dublin","9":"tag-eire","10":"tag-entertainment","11":"tag-ie","12":"tag-ireland","13":"tag-josh-homme","14":"tag-kilmainham","15":"tag-queens-of-the-stone-age","16":"tag-royal-hospital-kilmainham"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/13876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=13876"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/13876\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/13877"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=13876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=13876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=13876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}