{"id":140465,"date":"2025-10-23T12:00:09","date_gmt":"2025-10-23T12:00:09","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/140465\/"},"modified":"2025-10-23T12:00:09","modified_gmt":"2025-10-23T12:00:09","slug":"thamma-box-office-day-2-rashmika-ayushmann-film-steady-at-rs-42-crore","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/140465\/","title":{"rendered":"Thamma Box Office Day 2: Rashmika-Ayushmann Film Steady at Rs 42 Crore"},"content":{"rendered":"<p>Rashmika Mandanna and Ayushmann Khurrana&#8217;s horror-comedy Thamma sustained robust box office performance on its second day, raking in Rs 18 crore on Wednesday to propel the two-day total to Rs 42 crore, according to early estimates from Sacnilk. Released amid Diwali festivities by Maddock Films as the latest addition to its expanding horror-comedy universe\u2014linking to hits like Stree, Bhediya, and Munjya\u2014the film capitalised on the extended holiday weekend, drawing audiences with its blend of scares, laughs, and supernatural intrigue.<\/p>\n<p>Directed by Aditya Sarpotdar and produced by Dinesh Vijan, Thamma features the lead duo as a quirky couple entangled in vampire lore, supported by Nawazuddin Siddiqui and Paresh Rawal in key roles. Its steady weekday hold signals strong word-of-mouth, particularly in urban multiplexes, where festive cheer and genre familiarity have buoyed occupancy rates above 60% in major circuits.<\/p>\n<p>The movie notched a commanding Rs 24 crore opening on Tuesday, securing the second-highest debut in the Maddock Horror Comedy Universe (MHCU), trailing only Stree 2&#8217;s blockbuster Rs 51 crore launch. For Khurrana, it eclipses his prior best of Rs 10.69 crore from Dream Girl 2, cementing his pivot from slice-of-life satires to ensemble fantasies. Trade analyst Taran Adarsh praised the nationwide appeal on X, noting Thamma&#8217;s third spot among Maddock&#8217;s top openers after Stree 2 and Chhaava, and its pan-India footprint spanning East, West, North, and South.<\/p>\n<p>However, he cautioned against equating it to Stree 2, an entrenched franchise with massive brand equity: &#8220;It&#8217;s unfair to compare&#8230; Thamma is a new entrant and standalone.&#8221; Adarsh forecasted an &#8220;excellent&#8221; extended weekend tally, thanks to the holiday stretch, potentially crossing Rs 100 crore by Sunday if momentum persists. Early metrics show southern markets contributing 25% of earnings, buoyed by Mandanna&#8217;s regional stardom, while northern pockets leaned on Khurrana&#8217;s comic timing.<\/p>\n<p>Critically, Thamma has elicited mixed but engaging responses, with NDTV&#8217;s Saibal Chatterjee commending the leads&#8217; chemistry: &#8220;The lead pair never loses grip over roles&#8230; Rashmika Mandanna wins hands down&#8221; in balancing bewilderment and wit amid prosthetic-laden antics. The narrative weaves vampire tropes with cultural nods, earning points for visual flair and Siddiqui-Rawal&#8217;s scene-stealing turns, though some outlets critiqued pacing in the second act. Positioned as a Diwali crowd-pleaser, it competes with holdovers like Singham Again but carves a niche in the supernatural subgenre, which grossed over Rs 1,500 crore domestically in 2024 via the MHCU. Mandanna&#8217;s post-Pushpa Bollywood surge and Khurrana&#8217;s genre experimentation have amplified buzz, with social media abuzz over Easter eggs tying into Stree&#8217;s lore.<\/p>\n<p>Also Read: <a href=\"https:\/\/www.indianwitness.com\/entertainment\/bollywood\/twinkle-khanna-on-infidelity-raat-gayi-baat-gayi-kajol\" rel=\"nofollow noopener\" target=\"_blank\">Twinkle Khanna on Infidelity: \u201cRaat Gayi Baat Gayi\u201d; Kajol and KJo Share Marriage Insights<\/a><\/p>\n<p>As the extended weekend unfolds, Thamma&#8217;s trajectory hints at a profitable run, potentially challenging Rs 150 crore lifetime if reviews are sustained and no major releases disrupt. In a Bollywood landscape craving post-pandemic recoveries, its success validates the horror-comedy formula&#8217;s scalability, blending commercial hooks with subtle social commentary on relationships and folklore. For Maddock, expanding the universe sans franchise fatigue positions Thamma as a gateway for southern crossovers, while for its stars, it underscores versatility amid industry shifts toward pan-India collaborations. With theatres packed and sequels teased, the vampire romp signals more frightful fun ahead, delighting audiences in an otherwise transitional festive slate.<\/p>\n<p>Also Read: <a href=\"https:\/\/www.indianwitness.com\/entertainment\/bollywood\/kantara-chapter-1-goes-global-english-version-set-for-w\" rel=\"nofollow noopener\" target=\"_blank\">Kantara Chapter 1 Goes Global: English Version Set for Worldwide Release on October 31<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Rashmika Mandanna and Ayushmann Khurrana&#8217;s horror-comedy Thamma sustained robust box office performance on its second day, raking in&hellip;\n","protected":false},"author":2,"featured_media":140466,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[263],"tags":[83211,18,117,19,17,75871,327,83212,83213],"class_list":{"0":"post-140465","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-ayushmann-khurrana-films","9":"tag-eire","10":"tag-entertainment","11":"tag-ie","12":"tag-ireland","13":"tag-maddock-horror-comedy-universe","14":"tag-movies","15":"tag-rashmika-mandanna-movies","16":"tag-thamma-day-2-collection"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/115423374511563454","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/140465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=140465"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/140465\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/140466"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=140465"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=140465"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=140465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}