{"id":144750,"date":"2025-10-25T14:34:08","date_gmt":"2025-10-25T14:34:08","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/144750\/"},"modified":"2025-10-25T14:34:08","modified_gmt":"2025-10-25T14:34:08","slug":"soulfly-shares-music-video-for-no-pain-no-power-featuring-fear-factorys-dino-cazares","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/144750\/","title":{"rendered":"SOULFLY Shares Music Video For ‘No Pain = No Power’ Featuring FEAR FACTORY’s DINO CAZARES"},"content":{"rendered":"

SOULFLY<\/b> has released a music video for the song “No Pain = No Power”<\/b>, taken from the band’s thirteenth album, “Chama”<\/b>, which came out on October 24 via Nuclear Blast Records<\/b>. This punishing track captures the band in full battle mode \u2014 raw and driving \u2014 with guest firepower from Gabriel Franco<\/b> (UNTO OTHERS<\/b>),Ben Cook<\/b> (NO WARNING<\/b>) and the crushing guitar of Dino Cazares<\/b> (FEAR FACTORY<\/b>). It’s a defiant anthem: strength forged through struggle.<\/p>\n

The “No Pain = No Power”<\/b> video was directed by Zyon Cavalera<\/b>, SOULFLY<\/b> drummer and son of SOULFLY<\/b> mainman Max Cavalera<\/b>, and edited by Cody Longhere<\/b>.<\/p>\n

Max Cavalera<\/b> states: “To me this is the ultimate guest song and video. Nikolas Motta<\/b>, Biaggio<\/b>, Dino<\/b>, Igor A<\/b>, Bootsie<\/b>, Gabe<\/b>, and Ben<\/b> made this a collective masterpiece! Zyon<\/b> took this album and video to the next level. It\u2019s the first time he wrote a script and directed a music video. Mixing UFC<\/b> and metal will hopefully inspire a whole new generation of fans! Chama!!”<\/p>\n

Zyon Cavalera<\/b> comments: “It feels like just yesterday watching UFC<\/b> fights with my family talking about how cool it would be to connect with a fighter. Then we saw Pereira<\/b> using ‘Itsari’<\/b> and were hooked ever since. ‘No Pain = No Power’<\/b> goes to show your dreams are not so far away.”<\/p>\n

Next week, SOULFLY<\/b> heads out on the “Favela Dystopia”<\/b> 2025 West Coast tour with GO AHEAD AND DIE<\/b>. The 17-date trek will kick off on November 1 in Roswell and head to Denver, Spokane and Fresno before concluding in Flagstaff on November 23.<\/p>\n

In a recent interview with Belgian Jasper<\/a>, Max Cavalera<\/b> stated about “Chama”<\/b>: \u200a”I think this album is more about the attitude than anything else. When I mentioned [last year] that SOULFLY<\/b> was gonna return to the roots of the early records [on this upcoming LP], I didn’t mean that sonically; I was talking more about the attitude.<\/p>\n

“I feel this record, in a weird, unique way, the attitude of it is very punk in its essence,” he explained. “It’s a short record, shorter songs. It’s full of meaning between the tracks, ‘Storm The Gates’<\/b>, ‘No Pain = No Power’<\/b>, ‘Nihilist’<\/b> \u2014 it’s, like, the message is there. I’m singing with conviction. I’m saying the words because I believe in them and I’m screaming them with truly fully convinced about what I’m saying.”<\/p>\n

Max<\/b> went on to say that his previous work on such side projects as GO AHEAD AND DIE<\/b> and NAILBOMB<\/b> “gave me this kind of influence, that, yeah, it’s cool to do shit like that. Not everything needs to be so professional all the time,” he noted. “Sometimes the greatest, coolest shit is the shit that you just thought of it in a second and then just went for it, spur of the moment. So there’s a lot of spur-of-the-moment things on this record, and there’s some more thought out things like, I think, ‘No Pain = No Power’<\/b> actually kind of stands out in the record as kind of a standout track, because of the guests. You have Dino<\/b> [Cazares<\/b> from FEAR FACTORY<\/b>], you have Gabe<\/b> [Franco<\/b> of UNTO OTHERS<\/b>] and Ben<\/b> [Cook<\/b> from NO WARNING<\/b>] doing the melodic vocals. It felt like a different song from the rest. But then you have something like ‘Ghenna’<\/b> right after, which is a total fucking \u2014 it’s a mindfuck of a song, man. It’s crazy. Even today, I listened back to that song and I go, ‘What is going on here?’ I don’t know what the hell is going on. It’s chaotic. There’s no verse, there’s no chorus. It’s a very unorthodox song, but I love that. It’s kind of like throwing caution to the air. Like, ‘Fuck it, let’s just do it.’ And then you have ‘Storm The Gates’<\/b>. It’s very SOULFLY<\/b> ’90s \u2014 this is like ’99. We’re back in ’99 right now, jumping and fucking bouncing with the crowd, just missing the dreadlocks. [Laughs]”<\/p>\n

Zyon Cavalera<\/b> co-produced “Chama”<\/b>, which was recorded at the Platinum Underground Studio<\/b> in Mesa, Arizona by John Aquilino<\/b>. John<\/b> has worked with Max<\/b> and company multiple times before and is not only a talented engineer but a family friend. The album was produced by Zyon<\/b> and Arthur Rizk<\/b>. The latter was also responsible for the mixing and mastering. Rizk<\/b> has not only worked with the Cavalera<\/b> family numerous times before, but has also helped to shape the world of heavy metal in the modern day. SOULFLY<\/b> enlisted Carletta Parrish<\/b> to create the album artwork. For the album, Igor Amadeus Cavalera<\/b> (GO AHEAD & DIE<\/b>, NAILBOMB<\/b>, HEALING MAGIC<\/b>) played bass and Mike De Leon<\/b> played guitar.<\/p>\n

SOULFLY<\/b>‘s lineup on “Chama”<\/b> is:<\/p>\n

Max Cavalera<\/b> – Vocals, Guitar
Igor Amadeus Cavalera<\/b> – Bass
Zyon Cavalera<\/b> – Drums
Mike De Leon<\/b> \u2013 Guitar<\/p>\n

In a recent interview with MetalUnderground.com<\/a>, Max<\/b> stated about the musical direction of the new SOULFLY<\/b> material: “The record, it’s cool. It feels to me [like it] has the adventurous spirit of the first record [1998’s ‘Soulfly’<\/b>]. Sonically, it’s pretty different from the first record \u2014 it’s more intricate and maybe even heavier, heavier grooves. But in terms of spirit and attitude, it’s similar to the first record, which I think is cool that I got to figure out a way to put my mind back at that time and what made me create that record and use it again on a new record. It’s pretty fun. It’s kind of hard to do, but I think it was an exciting thing to tackle. It was kind of, like, ‘Let’s try to do this. Let’s see if you can use your first album as somehow some kind of inspiration for your thirteenth record. [Laughs] And that was great, man. I love that. I love that kind of vibe that the record has.”<\/p>\n

Cavalera<\/b> continued: “That’s the cool thing about this record. It’s kind of, in a way, a return to what me and fans of SOULFLY<\/b> fell in love with SOULFLY<\/b> for. And then throughout the years, many of the other records had a lot of different vibes in it. Some of them went more thrashy with stuff like ‘Dark Ages’<\/b> [2005], ‘Omen’<\/b> [2010], ‘Conquer’<\/b> [2008]. So, to me, making a record that sonically is inspired by the first thing that you did as a band, it was a challenge \u2014 there’s a challenge in that \u2014 ’cause it’s easier said than done. Because I don’t wanna just copy that first record either. There’s no point in doing that. I’m just using it as inspiration. It’s really just full on for metal inspiration. The songs [themselves], they’re gonna have their own personality and their own vibe.”<\/p>\n

This past May, SOULFLY<\/b> recruited Chase Bryant<\/b> (WARBRINGER<\/b>) to play bass on the band’s European tour, which kicked off on June 7 at the South Of Heaven<\/b> festival in Maastricht, Netherlands.<\/p>\n

A month earlier, SOULFLY<\/b> parted ways with the band’s longtime bassist Mike Leon<\/b>.<\/p>\n

Leon<\/b>, formerly of HAVOK<\/b>, joined SOULFLY<\/b> in September 2015 as the replacement for STATIC-X<\/b> bassist Tony Campos<\/b>, who left SOULFLY<\/b> in May of that year.<\/p>\n

Guitarist Mike DeLeon<\/b> has been touring with SOULFLY<\/b> for more than two years. Prior to hooking up with SOULFLY<\/b>, DeLeon<\/b> had been a member of PANTERA<\/b> singer Philip Anselmo<\/b>‘s solo band PHILIP H. ANSELMO & THE ILLEGALS<\/b>, which he joined in 2015 as the replacement for Marzi Montazeri<\/b>. More recently, Mike<\/b> filled in for Zakk Wylde<\/b> at the first rehearsal for the fall 2022 PANTERA<\/b> shows.<\/p>\n

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