{"id":144836,"date":"2025-10-25T15:43:07","date_gmt":"2025-10-25T15:43:07","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/144836\/"},"modified":"2025-10-25T15:43:07","modified_gmt":"2025-10-25T15:43:07","slug":"manet-morisot-review-an-artistic-relationship-reframed","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/144836\/","title":{"rendered":"\u2018Manet &#038; Morisot\u2019 Review: An Artistic Relationship Reframed"},"content":{"rendered":"<p data-type=\"paragraph\" data=\"[object Object]\" class=\"css-1akm6h5-Paragraph e1e4oisd0\">San Francisco<\/p>\n<p data-type=\"paragraph\" data=\"[object Object]\" class=\"css-1akm6h5-Paragraph e1e4oisd0\">The extraordinarily close artistic relationship of the Realist Edouard Manet (1832-1883), who is often described as the father of modern painting, and Berthe Morisot (1841-1895), a crucial, groundbreaking Impressionist, is central to the origin story of modern French art but has never been explored in a major exhibition. Their work has been seen as reflecting their vastly different personas\u2014Manet the dashing, witty, impetuous fl\u00e2neur; Morisot the reserved, intelligent and exceedingly decorous bourgeoise\u2014through the lens of their separate worlds. Or, more broadly, as reflections of their disparate perceived goals as painters.<\/p>\n<p class=\"css-16aepit e1jdulti0\">Copyright \u00a92025 Dow Jones &amp; Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8<\/p>\n","protected":false},"excerpt":{"rendered":"San Francisco The extraordinarily close artistic relationship of the Realist Edouard Manet (1832-1883), who is often described as&hellip;\n","protected":false},"author":2,"featured_media":144837,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[595,365,43360,362,85542,363,364,1374,366,18,117,1015,85543,2220,3334,19,17,66836,1539,9436,44285,1605,26243,384,8952,85544,41580],"class_list":{"0":"post-144836","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-art","9":"tag-arts","10":"tag-arts-entertainment","11":"tag-arts-and-design","12":"tag-arts-in-review","13":"tag-artsanddesign","14":"tag-artsdesign","15":"tag-california","16":"tag-design","17":"tag-eire","18":"tag-entertainment","19":"tag-europe","20":"tag-european-union-countries","21":"tag-france","22":"tag-general-news","23":"tag-ie","24":"tag-ireland","25":"tag-mediterranean-countries","26":"tag-north-america","27":"tag-political","28":"tag-political-general-news","29":"tag-san-francisco","30":"tag-synd","31":"tag-united-states","32":"tag-western-europe","33":"tag-western-u-s","34":"tag-wsj-pro-wsj-com"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/115435575875103936","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/144836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=144836"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/144836\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/144837"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=144836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=144836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=144836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}