{"id":190596,"date":"2025-11-20T10:59:09","date_gmt":"2025-11-20T10:59:09","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/190596\/"},"modified":"2025-11-20T10:59:09","modified_gmt":"2025-11-20T10:59:09","slug":"this-voice-of-a-generation-is-startling-and-crisp-clear-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/190596\/","title":{"rendered":"This voice of a generation is startling and crisp clear \u2013 The Irish Times"},"content":{"rendered":"<p>Bob DylanWaterfront, Belfast\u2605\u2605\u2605\u2605\u2606<\/p>\n<p class=\"c-paragraph paywall \">It\u2019s a few minutes past eight when <a href=\"https:\/\/www.irishtimes.com\/tags\/bob-dylan\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/bob-dylan\/\">Bob Dylan<\/a> follows his four band members on stage and steps nimbly towards his baby grand piano. <\/p>\n<p class=\"c-paragraph paywall \">He takes a seat and immediately swings around to his right, picking up his electric guitar, so that his back is to the crowd, and with that he starts jamming out loose chords as his band kick in around him. The sound is foot-stomping loud from the off, and they promptly find their groove. <\/p>\n<p class=\"c-paragraph paywall \">A minute or so later Dylan swings around again to face his piano, partly obscuring himself as he reaches for the keys and starts into the opening verse of I\u2019ll Be Your Baby Tonight. At age 84, the voice of a generation is straight away startling and crisp clear.<\/p>\n<p class=\"c-paragraph paywall \">It\u2019s the first of his two sold-out nights at the Waterfront theatre in <a href=\"https:\/\/www.irishtimes.com\/tags\/belfast\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/belfast\/\">Belfast<\/a>, part of his five-night stop in Ireland. There is no support act, no stage intro, certainly no \u201cgood evening, Belfast\u201d, but it\u2019s a perfectly lively opener, as if Dylan is singing \u201care you with me tonight?\u201d.<\/p>\n<p class=\"c-paragraph paywall \">In these opening few minutes, he\u2019s already played more guitar than on his last visit here, in November 2022, and Dylan repeats the guitar-intro trick several times over the 17-song set list. The songs and sequence seem carved into stone now, he hasn\u2019t yet tinkered with them on this 26-date, nine-country European tour.<\/p>\n<p class=\"c-paragraph paywall \">The band are whip-tight in parts but also well able to keep things loose. His Rough and Rowdy Ways Tour, named after his 39th studio album released in June 2020, has been going for four years now, more than half the songs tonight \u2013 nine to be exact \u2013 are off that album.<\/p>\n<p class=\"c-paragraph paywall \">After a joyful It Ain\u2019t Me, Babe, he continues with I Contain Multitudes and False Prophet, both suitably rough and rowdy in parts. Dylan repeatedly shifts between slow drawn-out expressions and hasty rushing of lines, as if he has no time to lose.<\/p>\n<p class=\"c-paragraph paywall \">Over the hour and 45 minutes he never lets up, the singing bold again on When I Paint My Masterpiece, before two more tracks off Rough and Rowdy Ways, a haunting Black Rider, a powerful My Own Version Of You.<\/p>\n<p class=\"c-paragraph paywall \">There is less raspiness to his voice, and he holds the absolute attention of his audience, aided by all our mobile phones being locked away in fancy zip bags until after the show.<\/p>\n<p class=\"c-paragraph b-it-article-body__interstitial-link\">[\u00a0<a aria-label=\"Open related story\" class=\"c-link\" href=\"https:\/\/www.irishtimes.com\/culture\/music\/2025\/11\/17\/bob-dylans-special-relationship-with-ireland-began-in-1984\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">Bob Dylan\u2019s special relationship with Ireland began in 1984Opens in new window<\/a>\u00a0]<\/p>\n<p class=\"c-paragraph paywall \">He drops in When I Paint My Masterpiece in another fresh arrangement, before Desolation Row comes mid-set, and soon after a sweetly melodious It\u2019s All Over Now, Baby Blue, peppered with glorious harmonica.<\/p>\n<p class=\"c-paragraph paywall \">The band appear to close in together at the end of each song (Tony Garnier on bass, Anton Fig on drums, Bob Britt and Doug Lancio on guitar), and each time Dylan comes to his feet. <\/p>\n<p class=\"c-paragraph paywall \">\u201cSome of these songs aren\u2019t easy to play,\u201d Dylan says in his only breakout line of the night, \u201cBut the band play them pretty good, don\u2019t you think?\u201d<\/p>\n<p class=\"c-paragraph paywall \">Mother of Muses and Goodbye Jimmy Reed give way to Every Grain of Sand, one last harmonica blast, and with that they\u2019re done. Dylan moves out from behind his piano to greet the standing ovation, then nimbly walks off, briefly returning for a second bow, the low lighting catching his face and the heartfelt smile written across it.<\/p>\n<p class=\"c-paragraph paywall \">Bob Dylan plays the Waterfront Hall again on November 20th, the Gleneagle Arena in Killarney on November 23rd\/24th, and the 3Arena in Dublin on November 25th<\/p>\n","protected":false},"excerpt":{"rendered":"Bob DylanWaterfront, Belfast\u2605\u2605\u2605\u2605\u2606 It\u2019s a few minutes past eight when Bob Dylan follows his four band members on&hellip;\n","protected":false},"author":2,"featured_media":190597,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[663,17535,18,117,19,17],"class_list":{"0":"post-190596","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-belfast","9":"tag-bob-dylan","10":"tag-eire","11":"tag-entertainment","12":"tag-ie","13":"tag-ireland"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/115581679845384123","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/190596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=190596"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/190596\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/190597"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=190596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=190596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=190596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}