{"id":197451,"date":"2025-11-24T10:42:10","date_gmt":"2025-11-24T10:42:10","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/197451\/"},"modified":"2025-11-24T10:42:10","modified_gmt":"2025-11-24T10:42:10","slug":"sword-ii-electric-hour-album-review","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/197451\/","title":{"rendered":"Sword II: Electric Hour Album Review"},"content":{"rendered":"<p><a href=\"https:\/\/pitchfork.com\/artists\/sword-ii\/\" rel=\"nofollow noopener\" target=\"_blank\">Sword II<\/a> is the product of a left-field Atlanta DIY scene that, about a decade ago, was thriving. To witness it then, under the crumbling ceiling of <a href=\"https:\/\/youtu.be\/SldLj2c1-2M?si=8ZHCz98ebcLNQoP_&amp;t=25\" rel=\"nofollow noopener\" target=\"_blank\">WonderRoot<\/a>, the surreal Rowdy Dowdy, or its epicenter, the Mammal Gallery, was to witness a cultural collision. Any $5 show might\u2019ve featured garage-rock psychedelia, a blistering noise set, and <a href=\"https:\/\/www.youtube.com\/watch?v=eLRzPyGVwq4\" rel=\"nofollow noopener\" target=\"_blank\">SoundCloud rap groups of the Awful Records ilk<\/a> under the same roof. While rock was the predominant sound, a mutant form of <a href=\"https:\/\/youtu.be\/fULLsD012SM?si=cEk3scLaOtKC95Wd&amp;t=277\" rel=\"nofollow noopener\" target=\"_blank\">rap music<\/a> emerged on the periphery before it went on to <a href=\"https:\/\/www.gq.com\/story\/soundcloud-rap-boom-times\" rel=\"nofollow noopener\" target=\"_blank\">dominate<\/a> popular culture in years to come. For a moment, the scene felt like a renaissance. But after the closure of nearly all independent venues in the city, momentum fizzled.<\/p>\n<p>Sword II <a data-offer-url=\"https:\/\/www.mainlineatl.com\/sword-ii-between-ii-gardens\/\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.mainlineatl.com\/sword-ii-between-ii-gardens\/&quot;}\" href=\"https:\/\/www.mainlineatl.com\/sword-ii-between-ii-gardens\/\" rel=\"nofollow noopener\" target=\"_blank\">formed<\/a> during this dissolution. Their three members have long histories in Atlanta\u2019s underground: Mari Gonz\u00e1lez comes from the dream-pop trio <a data-offer-url=\"https:\/\/kibijames.bandcamp.com\/album\/az-car\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/kibijames.bandcamp.com\/album\/az-car&quot;}\" href=\"https:\/\/kibijames.bandcamp.com\/album\/az-car\" rel=\"nofollow noopener\" target=\"_blank\">Kibi James<\/a>, Travis Arnold plays guitar in the hardcore band <a data-offer-url=\"https:\/\/playytimeatl.bandcamp.com\/album\/the-fun-never-ends\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/playytimeatl.bandcamp.com\/album\/the-fun-never-ends&quot;}\" href=\"https:\/\/playytimeatl.bandcamp.com\/album\/the-fun-never-ends\" rel=\"nofollow noopener\" target=\"_blank\">Playytime<\/a>, and Certain Zuko fronted the indie-rock band <a data-offer-url=\"https:\/\/seaghostband.bandcamp.com\/album\/sg\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/seaghostband.bandcamp.com\/album\/sg&quot;}\" href=\"https:\/\/seaghostband.bandcamp.com\/album\/sg\" rel=\"nofollow noopener\" target=\"_blank\">Sea Ghost<\/a> and was a founding member of the regionally successful rap group <a href=\"https:\/\/www.youtube.com\/watch?v=sdj4zgJwGOc\" rel=\"nofollow noopener\" target=\"_blank\">Larry League<\/a>. Since their <a href=\"https:\/\/www.youtube.com\/watch?v=hcxYSC8pvro\" rel=\"nofollow noopener\" target=\"_blank\">2020 EP<\/a>, Sword II have developed a sound from screeching guitars and moribund lyrics. This approach culminated on their 2023 debut, Spirit World Tour, an abrasive, isolating record inspired by protests during the Black Lives Matter and <a data-offer-url=\"https:\/\/scalawagmagazine.org\/2023\/05\/cop-city-atlanta-history-timeline\/\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/scalawagmagazine.org\/2023\/05\/cop-city-atlanta-history-timeline\/&quot;}\" href=\"https:\/\/scalawagmagazine.org\/2023\/05\/cop-city-atlanta-history-timeline\/\" rel=\"nofollow noopener\" target=\"_blank\">#StopCopCity<\/a> movements. Their latest album, Electric Hour, fuses their looming paranoia with a renewed optimism.<\/p>\n<p>Electric Hour favors beauty over brutality: The tones are soft, and the harmonies are lush. This more intimate sound was largely inadvertent, as the old farmhouse they recorded the album in had <a data-offer-url=\"https:\/\/www.thelineofbestfit.com\/features\/interviews\/sword-ii-found-a-unified-front-amid-a-landscape-of-paranoia\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.thelineofbestfit.com\/features\/interviews\/sword-ii-found-a-unified-front-amid-a-landscape-of-paranoia&quot;}\" href=\"https:\/\/www.thelineofbestfit.com\/features\/interviews\/sword-ii-found-a-unified-front-amid-a-landscape-of-paranoia\" rel=\"nofollow noopener\" target=\"_blank\">faulty wiring<\/a>, causing the group to use more acoustic guitars to avoid electrical shocks. Accordingly, they adopted an <a data-offer-url=\"https:\/\/www.ninaprotocol.com\/articles\/sword-ii-electric-hour\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.ninaprotocol.com\/articles\/sword-ii-electric-hour&quot;}\" href=\"https:\/\/www.ninaprotocol.com\/articles\/sword-ii-electric-hour\" rel=\"nofollow noopener\" target=\"_blank\">approach<\/a> of simply \u201cpassing guitars around, [and] writing lyrics with and for each other,\u201d rather than sitting on their computers splicing, as they did on SWT. Electric Hour is more legible by comparison, sticking to basic structures that allow the trio to flex their songwriting abilities rather than their technical aptitude. (They do let it rip at times, though, like on the delirious outros of \u201cDisconnection\u201d and \u201cHalogen.\u201d)<\/p>\n","protected":false},"excerpt":{"rendered":"Sword II is the product of a left-field Atlanta DIY scene that, about a decade ago, was thriving.&hellip;\n","protected":false},"author":2,"featured_media":197452,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[264],"tags":[12327,18,117,19,17,337,806],"class_list":{"0":"post-197451","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-albums","9":"tag-eire","10":"tag-entertainment","11":"tag-ie","12":"tag-ireland","13":"tag-music","14":"tag-web"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/115604262149123339","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/197451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=197451"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/197451\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/197452"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=197451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=197451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=197451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}