{"id":226291,"date":"2025-12-10T22:12:12","date_gmt":"2025-12-10T22:12:12","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/226291\/"},"modified":"2025-12-10T22:12:12","modified_gmt":"2025-12-10T22:12:12","slug":"daniel-rohers-movie-gets-2026-release-date-from-focus","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/226291\/","title":{"rendered":"Daniel Roher&#8217;s Movie Gets 2026 Release Date From Focus"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe future of <a href=\"https:\/\/www.hollywoodreporter.com\/t\/ai-3\/\" id=\"auto-tag_ai-3_1\" data-tag=\"ai-3\" rel=\"nofollow noopener\" target=\"_blank\">AI<\/a> is set to be examined in a new <a href=\"https:\/\/www.hollywoodreporter.com\/t\/documentary\/\" id=\"auto-tag_documentary_1\" data-tag=\"documentary\" rel=\"nofollow noopener\" target=\"_blank\">documentary<\/a> feature from the Oscar-winning filmmakers behind <a href=\"https:\/\/www.hollywoodreporter.com\/t\/everything-everywhere-all-at-once\/\" id=\"auto-tag_everything-everywhere-all-at-once_1\" data-tag=\"everything-everywhere-all-at-once\" rel=\"nofollow noopener\" target=\"_blank\">Everything Everywhere All at Once<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.hollywoodreporter.com\/t\/navalny\/\" id=\"auto-tag_navalny_1\" data-tag=\"navalny\" rel=\"nofollow noopener\" target=\"_blank\">Navalny<\/a>. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<a href=\"https:\/\/www.hollywoodreporter.com\/t\/focus-fea\/\" id=\"auto-tag_focus-fea_1\" data-tag=\"focus-fea\" rel=\"nofollow noopener\" target=\"_blank\">Focus Features<\/a> is set to release The AI Doc: Or How I Became an Apocaloptimist in theaters March 27, 2026, The Hollywood Reporter has exclusively learned. <a href=\"https:\/\/www.hollywoodreporter.com\/t\/daniel-roher\/\" id=\"auto-tag_daniel-roher_1\" data-tag=\"daniel-roher\" rel=\"nofollow noopener\" target=\"_blank\">Daniel Roher<\/a> and Charlie Tyrell co-directed the film that is set to <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/sundance-2026-schedule-lineup-films-program-stars-1236446078\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">premiere in January<\/a> at <a href=\"https:\/\/www.hollywoodreporter.com\/t\/sundance\/\" id=\"auto-tag_sundance_1\" data-tag=\"sundance\" rel=\"nofollow noopener\" target=\"_blank\">Sundance<\/a>.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe AI Doc: Or How I Became an Apocaloptimist is told from Navalny director Roher\u2019s perspective as he aims to understand the risks and potential of the evolving AI landscape on the cusp of becoming a father. In his quest for clarity, Roher seeks out leading voices on both sides of the AI debate, and the movie includes in-depth conversations with these prominent figures. The film promises audiences a startling wake-up call about what could be in store.<\/p>\n<p>\t\t\t\t\tRelated Stories\t\t<\/p>\n<p>\t\t<a tabindex=\"0\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/sundance-2026-schedule-lineup-films-program-stars-1236446078\/\" class=\"\" rel=\"nofollow noopener\" target=\"_blank\"><\/p>\n<p>\t\t\t\t\t\t<img class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/themes\/vip\/pmc-hollywoodreporter-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/12\/Ethan-Hawke-Charli-XCX-Olivia-Wilde-Salman-Rushdie-Brittany-Griner-Split-Getty-H-2025.jpg\" alt=\"Ethan Hawke, Charli XCX, Olivia Wilde, Salman Rushdie, Brittney Griner\" data-lazy- data-lazy- height=\"\" width=\"\" decoding=\"async\"\/><\/p>\n<p>\t\t<\/a><\/p>\n<p>\t\t<a tabindex=\"0\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/beam-me-up-sulu-star-trek-doc-feb-release-1236446671\/\" class=\"\" rel=\"nofollow noopener\" target=\"_blank\"><\/p>\n<p>\t\t\t\t\t\t<img class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/themes\/vip\/pmc-hollywoodreporter-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/12\/george_takei.jpg\" alt=\"George Takei\" data-lazy- data-lazy- height=\"\" width=\"\" decoding=\"async\"\/><\/p>\n<p>\t\t<\/a><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tProducing the film are <a href=\"https:\/\/www.hollywoodreporter.com\/t\/daniel-kwan\/\" id=\"auto-tag_daniel-kwan_1\" data-tag=\"daniel-kwan\" rel=\"nofollow noopener\" target=\"_blank\">Daniel Kwan<\/a> (who co-directed the Oscar-winning Everything Everywhere All at Once) and Jonathan Wang for Playgrounds, Shane Boris for Cottage M and Diane Becker for Fishbowl Films. Ted Tremper also produces.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tRoher\u2019s previous documentary work includes helming the music-focused Once Were Brothers: Robbie Robertson and the Band and Navalny, centered on Russian political prisoner Alexei Navalny. The latter film won the Academy Award for best documentary feature in 2023. Roher also directed the <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/daniel-roher-heist-caper-tuner-1236354759\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">thriller feature Tuner<\/a>, which premiered at this year\u2019s Telluride Film Festival and stars Leo Woodall, Dustin Hoffman and Havana Rose Liu.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFocus Features\u2019 fall slate includes Chlo\u00e9 Zhao\u2019s\u00a0Hamnet, led by Paul Mescal and Jessie Buckley; Yorgos Lanthimos\u2019\u00a0Bugonia, with Emma Stone and Jesse Plemons; and Craig Brewer\u2019s\u00a0Song Sung Blue, hitting theaters on Christmas with leads Hugh Jackman and Kate Hudson.<\/p>\n","protected":false},"excerpt":{"rendered":"The future of AI is set to be examined in a new documentary feature from the Oscar-winning filmmakers&hellip;\n","protected":false},"author":2,"featured_media":226292,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[263],"tags":[291,121694,26619,2054,18,117,121695,59479,19,17,327,121696,16998],"class_list":{"0":"post-226291","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-ai","9":"tag-daniel-kwan","10":"tag-daniel-roher","11":"tag-documentary","12":"tag-eire","13":"tag-entertainment","14":"tag-everything-everywhere-all-at-once","15":"tag-focus-features","16":"tag-ie","17":"tag-ireland","18":"tag-movies","19":"tag-navalny","20":"tag-sundance"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/115697572449866394","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/226291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=226291"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/226291\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/226292"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=226291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=226291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=226291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}