{"id":245807,"date":"2025-12-22T12:12:19","date_gmt":"2025-12-22T12:12:19","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/245807\/"},"modified":"2025-12-22T12:12:19","modified_gmt":"2025-12-22T12:12:19","slug":"the-cinematography-of-train-dreams","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/245807\/","title":{"rendered":"The Cinematography of Train Dreams"},"content":{"rendered":"<p>Director Clint Bentley and Cinematographer Adolpho Veloso discuss how they masterfully used natural light and the landscape of the Pacific Northwest to create the visual beauty that is Train Dreams.<\/p>\n<p>Train Dreams has a very unique aesthetic. It was shot on the ARRI Alexa 35, and it was captured and displayed in 4.6K Open Gate 3:2 aspect ratio. Lens-wise, Adolpho Veloso opted to use a combination of Zeiss Super Speeds, Kowa Cine Prominars, and the Ang\u00e9nieux Optimo 12x zoom.<\/p>\n<p>      <img loading=\"lazy\" decoding=\"async\" alt=\"Image ofMatthewAllard ACS\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/12\/1766405539_358_09033040ce29bedfb0306dbffaba1408\"  class=\"avatar avatar-128 photo is-rounded\" height=\"128\" width=\"128\"\/><\/p>\n<p>      <a class=\"entry--author-box--name\" href=\"https:\/\/www.newsshooter.com\/author\/matthew-allard\/\" rel=\"author nofollow noopener\" target=\"_blank\"><br \/>\n        By Matthew Allard ACS<br \/>\n              <\/a><\/p>\n<p>Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with over 35 years&#8217; of experience working in more than 50 countries around the world.<\/p>\n<p>He is the Editor of Newsshooter.com and has been writing on the site since 2010.<\/p>\n<p>Matthew has won 51 ACS Awards, including six prestigious Golden Tripods. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards.<\/p>\n<p>Matthew is available to hire as a DP in Japan or for work anywhere else in the world.<\/p>\n<p>                  <a class=\"\" aria-label=\"Link to author\u2019s Twitter profile\" href=\"https:\/\/twitter.com\/@mattallardacs\" rel=\"nofollow noopener\" target=\"_blank\"><\/p>\n<p>          <\/a><br \/>\n                          <a class=\"\" aria-label=\"Link to author\u2019s Instagram profile\" href=\"https:\/\/instagram.com\/matthewallardacs\" rel=\"nofollow noopener\" target=\"_blank\"><\/p>\n<p>          <\/a><br \/>\n                                  <a class=\"\" aria-label=\"Link to author\u2019s Vimeo channel\" href=\"https:\/\/vimeo.com\/user2932471\" rel=\"nofollow noopener\" target=\"_blank\"><\/p>\n<p>          <\/a><\/p>\n<p>  <script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"Director Clint Bentley and Cinematographer Adolpho Veloso discuss how they masterfully used natural light and the landscape of&hellip;\n","protected":false},"author":2,"featured_media":245808,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[365,362,363,364,366,18,117,19,17],"class_list":{"0":"post-245807","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-artsdesign","12":"tag-design","13":"tag-eire","14":"tag-entertainment","15":"tag-ie","16":"tag-ireland"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/115763160264048696","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/245807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=245807"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/245807\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/245808"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=245807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=245807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=245807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}