{"id":25122,"date":"2025-08-26T21:12:09","date_gmt":"2025-08-26T21:12:09","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/25122\/"},"modified":"2025-08-26T21:12:09","modified_gmt":"2025-08-26T21:12:09","slug":"yuji-agematsu-arranges-street-debris-into-tiny-daily-sculptures-colossal","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/25122\/","title":{"rendered":"Yuji Agematsu Arranges Street Debris into Tiny Daily Sculptures \u2014 Colossal"},"content":{"rendered":"<p>Each day, <a href=\"https:\/\/whitney.org\/artists\/17051\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Yuji Agematsu<\/a> takes a walk for the explicit purpose of scouring the streets. The dried leaf, lost toy, and even the wad of gum discarded on a park bench are his treasures, which he retrieves and places in the clear cellophane that wraps a pack of cigarettes. Although Agematsu no longer smokes, this habit of wandering and collecting has been harder to break: he\u2019s been committed to it since 1996.<\/p>\n<p>Once tucked inside the thin envelope, the artist\u2019s findings become an homage to the beauty of the mundane. He arranges trash and other findings almost like ikebana, using a glass shard or cracked stick to find balance and harmony. Objects others would barely notice are materials that represent the human condition and contemporary concerns. In Agematsu\u2019s eyes, they reveal a whole host of insights about our individual and collective lives.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2283\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-8.jpg\" alt=\"leaves, wrappers, a green alien toy, and other refuse in a clear plastic cellophane wrapper\" class=\"wp-image-461014\"  \/>\u201cZip: 11.22.24\u201d (detail), mixed media in cigarette pack cellophane wrapper, approximately 2 1\/4 x 2 1\/8 x 3\/4 inches. Photo by Reggie Shiobara, \u00a9 Yuji Agematsu<\/p>\n<p><a href=\"https:\/\/juddfoundation.org\/program\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Judd Foundation<\/a> presents two years\u2019 worth of Agematsu\u2019s sculptures in the aptly titled 2023\u20132024, an exhibition presented at 101 Spring Street in SoHo and <a href=\"https:\/\/www.instagram.com\/passerbystop\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Gavin Brown<\/a>\u2019s home on Lenox Avenue in Harlem. The Spring Street space is the former home and workspace of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Donald_Judd\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Donald Judd<\/a>, a building Agematsu managed for two decades.<\/p>\n<p>Presented chronologically, each piece is cleverly positioned on a white, aluminum shelf to resemble a monthly calendar. Given the artist\u2019s decades-long dedication, the ongoing project has offered several revelations. As Agematsu told <a href=\"https:\/\/www.nytimes.com\/2025\/07\/31\/arts\/design\/yuji-agematsu-artist-sidewalk-debris.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">The New York Times<\/a> earlier this year:<\/p>\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Found objects have more power. We can see so many varieties of how to change the shape and color. Weather makes change. Also human ego. Because of the chewing gum, I notice that laughing chewing gum, angry chewing gum, are all different. We make a different shape from a different mood.<\/p>\n<\/blockquote>\n<p>While the \u201czips,\u201d as the artist refers to them, are small\u2014about 3.5 x 2.5 x 2 inches\u2014they have the ability to capture conditions so much bigger than any one person. For example, a rainy spring day might leave a layer of mud and condensation pooling at the bottom of the plastic, while wrappers for particular kinds of candy might indicate the cultural makeup of a neighborhood. <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1921\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-9.jpg\" alt=\"leaves, dried plants wrappers, and other refuse in a clear plastic cellophane wrapper\" class=\"wp-image-461015\"  \/>\u201cZip: 3.14.24\u201d (detail), mixed media in cigarette pack cellophane wrapper, approximately 2 1\/4 x 2 1\/8 x 3\/4 inches. Photo by Reggie Shiobara, \u00a9 Yuji Agematsu<\/p>\n<p>In this way, the pieces are also a visual diary of what humans control and don\u2019t, and how the innumerable forces impacting our lives appear in even the tiniest remnants.<\/p>\n<p>2023-2024 is on view through August 30.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2276\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-3.jpg\" alt=\"leaves, wrappers, and other refuse in a clear plastic cellophane wrapper\" class=\"wp-image-461009\"  \/>\u201cZip: 10.25.24\u201d (detail), mixed media in cigarette pack cellophane wrapper, approximately 2 1\/4 x 2 1\/8 x 3\/4 inches. Photo by Reggie Shiobara, \u00a9 Yuji Agematsu<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2479\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-4.jpg\" alt=\"wire, plastic strings, wrappers, and other refuse in a clear plastic cellophane wrapper\" class=\"wp-image-461010\"  \/>\u201cZip: 11.10.24\u201d (detail), mixed media in cigarette pack cellophane wrapper, approximately 2 1\/4 x 2 1\/8 x 3\/4 inches. Photo by Reggie Shiobara, \u00a9 Yuji Agematsu<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2573\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-5.jpg\" alt=\"a scrap of paper with eyes, an orange substance, and other refuse in a clear plastic cellophane wrapper\" class=\"wp-image-461011\"  \/>\u201cZip: 4.19.24\u201d (detail), mixed media in cigarette pack cellophane wrapper, approximately 2 1\/4 x 2 1\/8 x 3\/4 inches. Photo by Reggie Shiobara, \u00a9 Yuji Agematsu<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2009\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-6.jpg\" alt=\"a white puffy substance, wrappers, and other refuse in a clear plastic cellophane wrapper\" class=\"wp-image-461012\"  \/>\u201cZip: 4.3.24\u201d (detail), mixed media in cigarette pack cellophane wrapper, approximately 2 1\/4 x 2 1\/8 x 3\/4 inches. Photo by Reggie Shiobara, \u00a9 Yuji Agematsu<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1985\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-7.jpg\" alt=\"leaves, wrappers, and other refuse in a clear plastic cellophane wrapper\" class=\"wp-image-461013\"  \/> \u201cZip: 12.7.24\u201d (detail), mixed media in cigarette pack cellophane wrapper, approximately 2 1\/4 x 2 1\/8 x 3\/4 inches. Photo by Reggie Shiobara, \u00a9 Yuji Agematsu<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1471\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-2.jpg\" alt=\"a collection of small ikebana-like sculptures in cellophane arranged like a month calendar on white shelves\" class=\"wp-image-461008\"  \/>Installation view of \u2018Yuji Agematsu: 2023-2024\u2019 (May 10 to August 30, 2025), 101 Spring Street,<br \/>Judd Foundation, New York. Photo by Timothy Doyon, \u00a9 Judd Foundation. Art \u00a9 Yuji<br \/>Agematsu<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2119\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-12.jpg\" alt=\"wire, plastic strings, wrappers, and other refuse in a clear plastic cellophane wrapper\" class=\"wp-image-461017\"  \/>\u201cZip: 11.16.24\u201d (detail), mixed media in cigarette pack cellophane wrapper, approximately 2 1\/4 x 2 1\/8 x 3\/4 inches. Photo by Reggie Shiobara, \u00a9 Yuji Agematsu<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1500\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/08\/yuji-11.jpg\" alt=\"a collection of small ikebana-like sculptures in cellophane arranged like a month calendar on white shelves. several of these collections line a gallery wall with wood floor\" class=\"wp-image-461016\"  \/>Installation view of \u2018Yuji Agematsu: 2023-2024\u2019 (May 10 to August 30, 2025), 101 Spring Street,<br \/>Judd Foundation, New York. Photo by Timothy Doyon, \u00a9 Judd Foundation. Art \u00a9 Yuji<br \/>Agematsu<\/p>\n<p><strong>Do stories and artists like this matter to you?<\/strong> Become a <a href=\"https:\/\/www.thisiscolossal.com\/members\/\" data-type=\"page\" data-id=\"118516\" rel=\"nofollow noopener\" target=\"_blank\">Colossal Member<\/a> now, and support independent arts publishing.<\/p>\n<ul class=\"wp-block-list\">\n<li>Hide advertising<\/li>\n<li>Save your favorite articles<\/li>\n<li>Get 15% off in the <a href=\"https:\/\/colossal.shop\/\" rel=\"nofollow noopener\" target=\"_blank\">Colossal Shop<\/a><\/li>\n<li>Receive members-only newsletter<\/li>\n<li>Give 1% for art supplies in K-12 classrooms<\/li>\n<\/ul>\n<p>\t<script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"Each day, Yuji Agematsu takes a walk for the explicit purpose of scouring the streets. The dried leaf,&hellip;\n","protected":false},"author":2,"featured_media":25123,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[267],"tags":[365,362,363,364,366,18,117,20913,19,17,969,7601,20914],"class_list":["post-25122","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-eire","tag-entertainment","tag-found-objects","tag-ie","tag-ireland","tag-new-york-city","tag-sculpture","tag-yuji-agematsu"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/25122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=25122"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/25122\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/25123"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=25122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=25122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=25122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}