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<\/a>Takashi Homma, Thirty-Six Views of Mount Fuji (2023\/24)\u00a9 Takashi Homma. Photocopy by Aaron Stern<\/p>\nKicking off the year is an expanded iteration of Aaron Stern\u2019s Hard Copy exhibition, co-curated by David Campany at the ICP in New York. Several of the participating artists will get stuck into this month\u2019s installation themselves, embodying the DIY essence of this project, which delves into the magic of Xerox printing. Highlights will include Thomas Ruff\u2019s reappropriated nudes from the 1990s, Stephen Shore<\/a>\u2019s portraits of Andy Warhol<\/a> and a 50-foot-long mural by Gray Sorrenti<\/a>. Stern promises us an experience that is bodily, immersive and old school. And speaking of old school, while you\u2019re at it, don\u2019t miss the chance to experience work by the OG street photographer Eug\u00e8ne Atget in the rooms next door.<\/p>\n Hard Copy New York<\/a> runs at the International Center of Photography, New York, from January 29 until May 4 2026.<\/p>\n The first exhibition of legendary photographer Martin Parr<\/a> after his passing will be Jeu de Paume\u2019s witty take on our fraught relationship with our planet. Consumerism, mass tourism and globalisation have long been key themes in Parr\u2019s work, which features eye-poppingly gaudy colours to convey the excesses of contemporary capitalism. Although globe-trotting in scope, the presentation will serve as a stark reminder of our increasingly \u201cflat world\u201d, where you find the same fast food chains and shopping malls wherever you go. A publication co-produced with Phaidon will accompany the show. It is indeed hard to imagine the landscape of photography without Parr\u2019s sharp eye. What a legacy he leaves us.<\/p>\n Global Warning<\/a> runs at Jeu de Paume, Paris, from January 30 until May 24 2026.<\/p>\n Louisiana, the spectacular coastal museum in Denmark, will host the provocative French artist Sophie Calle<\/a> this spring, and it\u2019s set to be a crowd-pleaser. It will encompass a selection of new works, as well as the newly acquired The Blind, for which Calle asked people who were blind from birth to describe their image of \u201cbeauty\u201d. Not much else has been announced about the show, but we can bank on the classic Calle cocktail of romance, desire and intrigue \u2013 with a splash of suspense.<\/p>\n Sophie Calle<\/a> runs at Louisiana, Humblebaek, from March 3 until August 8 2026.<\/p>\n Catherine Opie, To Be Seen<\/p>\n Gallery \/ 17 images<\/p>\n Catherine Opie<\/a>\u2019s first major UK exhibition will gather photographic portraits from her 30-year career, which is dedicated to notions of queer culture, liberation and home. Opie\u2019s contribution to art history shouldn\u2019t be underestimated, for she has made visible those who have often gone unseen, and, in turn, challenged us to question the canon. As the title suggests, the show will focus on ideas of representation, visibility and identity. You\u2019ll be invited to come face to face with Opie\u2019s ennobling, Baroque-like portraits of her friends, whose statements are emphatic: \u201cWe\u2019re here, and we\u2019re queer!\u201d<\/p>\n To Be Seen<\/a> runs at the National Portrait Gallery, London, from March 5 until May 31 2026.<\/p>\n This forthcoming show in Paris will hinge on Daido Moriyama<\/a>\u2019s French connection, which began with the photographer\u2019s 2008 pilgrimage to the city of Chalon-sur-Sa\u00f4ne, where Nic\u00e9phore Ni\u00e9pce, the inventor of photography, was born. Moriyama has since maintained a passionate relationship with the earliest surviving photograph, the famous View from the Window at Le Gras, and is said to have a poster of the image above his bed. This show will unravel as a love letter to the medium of photography \u2013 its aura, transformations and echoes across time. Emphasis will be placed on Moriyama\u2019s books and magazine contributions, and his writings on photography will be translated into French for the first time.<\/p>\n Declarations to Photography runs at Henri Cartier-Bresson Foundation, Paris from May 20 until October 4 2026.<\/p>\n Most audiences will be more familiar with Camille Vivier<\/a>\u2019s work on the page than on the wall, but this is certainly set to change with the MEP\u2019s first major showing of her work. The powerhouse of fashion photography has developed a very distinctive visual language, in which elements of romance, fantasy, fetishism, mythology, underground culture and horror collide. Exploring forms and femininity, this dream of a show will showcase work across both commercial and personal work, from nudes, puppets and fashion to self-portraits displayed on TV screens. Your flabber will be gasted.<\/p>\n Camille Vivier runs at Maison Europ\u00e9enne de la Photographie, Paris, from June 10 until September 20 2026.<\/p>\n Thomas Sauvin\u2019s Silvermine project will be coming to Shanghai this summer, and it will be its biggest presentation to date. The one-of-a-kind archive consists of negatives salvaged from a recycling plant on the edge of Beijing, and collectively captures everyday life during China\u2019s rapid transformation from the mid-1980s to 2000s. Holly Roussell\u2019s curation will feature a massive installation of 1000+ images mounted on coloured plexiglass (amazingly, representing just 0.1% of the full archive), a light wall to consult negatives, a reconstruction of Sauvin\u2019s studio and a playful presentation of Until Death Do Us Part, the cult photo book documenting the forgotten custom of Double Happiness cigarettes at Chinese weddings.<\/p>\n Beijing Silvermine: Archive Anthology runs at Fotografiska, Shanghai from June 19 until October 18 2026.<\/p>\n Five years after his death, the renowned American conceptual artist John Baldessari<\/a> will be honoured by his first institutional showing in China. It will introduce his work to new audiences and inspire budding artists with his many lessons on life and art, whether that\u2019s the importance of salvaging from mess or why we should learn from kids. The exhibition will be comprehensive, starting from Baldessari\u2019s earliest experiments with text and image, moving through the 1970s (after he cremated all his paintings and made cookies from the ashes), to his later works which engage with pop culture and new media. There will also be a chance to discover his rarely-seen maquettes, in which Baldessari would cut out and scribble on source material as a way of exploring his creative process.<\/p>\n John Baldessari<\/a> runs at UCCA, Beijing, from September 19 2026 until March 1 2027.<\/p>\n Another sure-fire hit from Tate will come at their other Thames-side gallery this autumn. Curated by none other than Edward Enninful<\/a>, it will travel not too far back to the heady days of 90s Britain, a decade\u00a0of excitement, possibility and chaos.\u00a0It saw the rise of multiculturalism, new media and, of course, Kate Moss<\/a>, the \u201ccocky kid from Croydon\u201d, whose ascent into the high fashion world coincided with the phenomenon of \u201cCool Britannia\u201d, as she walked runways for British names such as Vivienne Westwood<\/a> and Alexander McQueen<\/a>. Excitingly, the collections of these designers will be exhibited alongside work by Juergen Teller<\/a> and Corrine Day<\/a>, Damien Hirst<\/a> and Gillian Wearing<\/a>. Brace yourself for a big fat dose of nostalgia.<\/p>\n The 90s<\/a> runs at Tate Britain, London, from October 1 2026 until February 14 2027.<\/p>\nMartin Parr, Benidorm (1997)\u00a9 Martin Parr \/ Magnum Photos. Courtesy of Jeu de Paume<\/p>\nSophie Calle, The Blind\u00a0(1986)\u00a9 Sophie Calle. Photo: The Art Institute of Chicago \/ Art Resource \/ Scala<\/p>\nDaido Moriyama, View from the Laboratory (2008)\u00a9 Daido Moriyama Photo Foundation. Courtesy of Henri Cartier Bresson Foundation<\/p>\nCamille Vivier, Sophie, 2018\u00a9 Camille Vivier<\/p>\nSilvermine Archive #A-5580-23\u00a9 Beijing Silvermine \/ Thomas Sauvin. Courtesy of the artist<\/p>\nJohn Baldessari, The Studio (1987)\u00a9 John Baldessari Family Foundation. Courtesy of Estate of John Baldessari and Spr\u00fcth Magers<\/p>\nJuergen Teller, Young Pink Kate, London, 1998\u00a9 Juergen Teller, All rights Reserved<\/p>\n