{"id":309492,"date":"2026-01-29T08:53:09","date_gmt":"2026-01-29T08:53:09","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/309492\/"},"modified":"2026-01-29T08:53:09","modified_gmt":"2026-01-29T08:53:09","slug":"the-beauty-asks-big-questions-what-if-sexy-people-got-so-hot-they-exploded-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/309492\/","title":{"rendered":"The Beauty asks big questions. What if sexy people got so hot they exploded? \u2013 The Irish Times"},"content":{"rendered":"<p class=\"c-paragraph paywall \">The Beauty isn\u2019t just my nickname here at The Irish Times. It\u2019s also the new show from American telly auteur Ryan \u201cTwo Surnames\u201d Murphy. <\/p>\n<p class=\"c-paragraph paywall \">The series begins with leather-clad supermodel <a href=\"https:\/\/www.irishtimes.com\/tags\/bella-hadid\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/bella-hadid\/\">Bella Hadid<\/a> doing a circuit on the catwalk, feeling a little hot, wrenching water from a stunned bystander and consequently going on a bloody murderous rampage, followed by a motorcycle chase, followed by the commission of several violent murders, followed by literally exploding into a gentle mist of blood and guts. Classic Hadid. Great opening. No notes.<\/p>\n<p class=\"c-paragraph paywall \">The Beauty (<a href=\"https:\/\/www.irishtimes.com\/tags\/disney-plus\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/disney-plus\/\">Disney+<\/a>) is about a sexually transmitted disease that makes people really sexy. \u201cWhy, that\u2019s as ridiculous as injecting botulism into your face!\u201d says you. <\/p>\n<p class=\"c-paragraph paywall \">It\u2019s classic <a href=\"https:\/\/www.irishtimes.com\/tags\/ryan-murphy\/\" target=\"_self\" rel=\"nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/ryan-murphy\/\">Ryan Murphy<\/a>, in fairness. Nobody\u2019s going to mistake this premise for a show by Jimmy McGovern or the Children\u2019s Television Workshop. Lord Reith never said, \u201cI want to see dramas about sexually transmitted diseases that make people sexy,\u201d when he was establishing the BBC. <\/p>\n<p class=\"c-paragraph paywall \">But, once again, Murphy is asking the big questions. Questions like: is hydration important? And: what if sexy people got so hot they exploded? (This is, as you can imagine, a real fear for hot people like me.)<\/p>\n<p class=\"c-paragraph paywall \">The Beauty is perfectly daft. It is, essentially, David Cronenberg\u2019s Zoolander, a programme that simultaneously makes the notion of beauty seem like the most important and the stupidest thing in the world by having a succession of beautiful people, each better-looking than the last, go on a murderous rampage and then explode. <\/p>\n<p class=\"c-paragraph paywall \">It\u2019s a genre that Murphy first explored in Nip\/Tuck many years ago \u2013 camp body horror \u2013 and it should really have been titled Exploding Hunks.<\/p>\n<p class=\"c-paragraph paywall \">After Bella Hadid explodes, a violent, porn-addled incel forces a rogue cosmetic surgeon with huge self-inflicted cheeks to beautify him at gunpoint. The doctor does so by procuring a sexy veiled lady for the incel to have sex with (you can\u2019t get this on the HSE), after which he contracts the aforementioned virus. <\/p>\n<p class=\"c-paragraph b-it-article-body__interstitial-link\">[\u00a0<a aria-label=\"Open related story\" class=\"c-link\" href=\"https:\/\/www.irishtimes.com\/culture\/film\/2024\/08\/22\/the-marvel-cinematic-universe-used-to-be-pretty-cool-why-is-it-sliding-towards-mediocrity\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">The Marvel Cinematic Universe used to be pretty cool. Why is it sliding towards mediocrity?Opens in new window<\/a>\u00a0]<\/p>\n<p class=\"c-paragraph paywall \">The incel ends up sweating himself into a horrible, pulsating cocoon like a schlubby caterpillar before emerging as a magnificent hunky butterfly \u2013 though picture a butterfly with glistening, muscular buttocks.<\/p>\n<p><img decoding=\"async\" data-chromatic=\"ignore\" alt=\"The Beauty: Rebecca Hall as Jordan Bennett, Evan Peters as Cooper Madsen. Photograph: Philippe Antonello\/FX\/Disney+\" class=\"c-image\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/01\/2KE43AHOIFG55NDMJ6ZZNEQPAE.jpg\"   width=\"800\" height=\"533\"\/>The Beauty: Rebecca Hall as Jordan Bennett, Evan Peters as Cooper Madsen. Photograph: Philippe Antonello\/FX\/Disney+ <\/p>\n<p class=\"c-paragraph paywall \">After several beautiful hunks explode (the hunkmanity!) the feds are called in to investigate \u2013 you can\u2019t just have hunks explode willy-nilly without the deep state getting involved, you see. Dramatically speaking, it\u2019s important these law-enforcement characters are run-of-the mill, ordinary-looking folk. Otherwise the conceit of this show wouldn\u2019t quite land. In fact, it would seem totally ridiculous.<\/p>\n<p class=\"c-paragraph paywall \">Luckily, these agents are played by those notorious uggos Rebecca Hall and Evan Peters. I mean, ugh, look at them. They\u2019re grotesque. Luckily, in the second episode Rebecca Hall ends up contracting the beauty virus, and because Rebecca Hall is, as we\u2019ve established, hideous to the eye, she is replaced by another actor, Jessica Alexander, when she emerges from her smouldering flesh cocoon. <\/p>\n<p class=\"c-paragraph paywall \">\u201cThat\u2019s much better,\u201d we all say with relief, tired of staring at Rebecca Hall, who, before this show put me straight, we might have thought to be one of the more attractive Hollywood stars.<\/p>\n<p class=\"c-paragraph paywall \">I guess it would be a bit much to expect a Hollywood writer with two whole surnames to exhibit restraint. The Beauty is redolent of many other shows that plume from the chimneys of the Ryan Murphy industrial complex. We have long, sweaty sex scenes. There are extended violent fight scenes. We have on-the-nose homilies on the social benefits of attractiveness (or off-the-nose homilies, depending on the nature of the character\u2019s cosmetic-surgery profile). <\/p>\n<p class=\"c-paragraph paywall \">Vacuous fashionistas discuss beauty treatments. A monocular Patrick Batemanesque serial killer listens to Easy Lover by Phil Collins and Philip Bailey as he tortures a hunk. (Easy Lover is surely torture enough, says you.) And Ashton Kutcher, a secretly very old man who is very attractive, is orally pleasured while demanding yacht rock on his actual yacht. (I feel a class action coming on from yacht-rock enthusiasts.)<\/p>\n<p class=\"c-paragraph b-it-article-body__interstitial-link\">[\u00a0<a aria-label=\"Open related story\" class=\"c-link\" href=\"https:\/\/www.irishtimes.com\/culture\/film\/2025\/12\/05\/patrick-freyne-bye-folks-im-off-to-hollywood-nepo-baby-or-not-im-an-excellent-actor\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">Patrick Freyne: Bye, folks. I\u2019m off to Hollywood. Nepo baby or not, I\u2019m an excellent actorOpens in new window<\/a>\u00a0]<\/p>\n<p class=\"c-paragraph paywall \">Like much of Murphy\u2019s output, The Beauty has the shape of satire while never making it entirely clear what\u2019s being satirised. Is he targeting the beauty industry upon which so many of his actors depend in order to get parts in shows like this one? Or is he critiquing the naive, silly people who wring their hands about the beauty industry in papers like this? Or perhaps the target is Ryan Murphy himself, whom I increasingly assume is some sort of glitter-covered algorithm churning out shows on the hour.<\/p>\n<p><img decoding=\"async\" data-chromatic=\"ignore\" alt=\"Law enforcement agents are played by those notorious uggos Rebecca Hall and Evan Peters. I mean, ugh, look at them. Photograph: Philippe Antonello\/FX\/Disney+\" class=\"c-image\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/01\/DN6DD3NHSNEJPKLEV6NOEWKG5U.jpg\"   width=\"800\" height=\"533\"\/>Law enforcement agents are played by those notorious uggos Rebecca Hall and Evan Peters. I mean, ugh, look at them. Photograph: Philippe Antonello\/FX\/Disney+ <img decoding=\"async\" data-chromatic=\"ignore\" alt=\"The Beauty: Ashton Kutcher as the Corporation. Photograph: Eric Liebowitz\/FX\/Disney+\" class=\"c-image\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/01\/L66MCL2BAFBXJK7B6LGNDVA7CU.jpg\"   width=\"800\" height=\"533\"\/>The Beauty: Ashton Kutcher as the Corporation. Photograph: Eric Liebowitz\/FX\/Disney+ <\/p>\n<p class=\"c-paragraph paywall \">Of course, really attractive people will watch the show with clearer and more crystal-blue eyes than the typical Igors and Chewbaccas who read this newspaper. And those of us from the actual hunk community will watch with growing worry. Do I feel a little hot? Do I feel a teensy bit murderous? Do I feel like I might eviscerate someone for a bottle of water and then explode, sending my guts flying everywhere? My doctor says no, but these are legitimate questions nonetheless.<\/p>\n<p class=\"c-paragraph paywall \">Marvel Studios is now in its self-absorbed, psychoanalytical phase and has begun making shows that essentially lampoon the production of Marvel shows while wondering desperately about their wider purpose. The underlying thesis of Wonder Man, its new miniseries, seems to be: \u201cLook, we\u2019re sick of superhero properties too.\u201d You see, our hero, Simon Williams (Yahya Abdul-Mateen II), is an actor auditioning to play Wonder Man in a film before turning out to be superpowered and becoming Wonder Man for real.<\/p>\n<p class=\"c-paragraph paywall \">In the first episode Simon watches actual clips of John Schlesinger\u2019s classic, heartbreaking Midnight Cowboy with sadness in his eyes before he goes to his audition.<\/p>\n<p class=\"c-paragraph paywall \">The Wonder Man film is being made by a fictional director who is leaving art-house cinema behind for franchise megabucks. At one point this director makes high claims for the possibilities of the superhero genre, suggesting that the best way to tell any story today is via the medium of superheroic tomfoolery.<\/p>\n<p><img decoding=\"async\" data-chromatic=\"ignore\" alt=\"Wonder Man: Ben Kingsley as Trevor Slattery and Yahya Adbul-Mateen II as Simon Williams\/Wonder Man. Photograph: Suzanne Tenner\/Marvel\/Disney+\" class=\"c-image\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/01\/1769676789_500_KOGDX37MLNDSJDRHA7PFS6YJW4.jpg\"   width=\"800\" height=\"533\"\/>Wonder Man: Ben Kingsley as Trevor Slattery and Yahya Adbul-Mateen II as Simon Williams\/Wonder Man. Photograph: Suzanne Tenner\/Marvel\/Disney+ <\/p>\n<p class=\"c-paragraph paywall \">To be honest, it feels like a melancholy critique of the whole enterprise. Indeed, in keeping with the established excesses of the Marvel Cinematic Universe, Ben Kingsley is also in the cast, playing the same character he played in Iron Man 3. And so Ben Kingsley\u2019s character from Iron Man 3 watches Midnight Cowboy too with what look like actual tears in his eyes.<\/p>\n<p class=\"c-paragraph paywall \">This feels like a cry for help. I know this show has human creators, in Destin Daniel Cretton and Andrew Guest, but it\u2019s hard not to conclude while watching that Marvel Studios has become sentient as it ages and is feeling deep remorse for what it has done to cinema. To paraphrase WB Yeats, a terrible beauty hits middle age.<\/p>\n<p class=\"c-paragraph paywall \">That\u2019s also, for the record, what they say here when I walk into the office.<\/p>\n","protected":false},"excerpt":{"rendered":"The Beauty isn\u2019t just my nickname here at The Irish Times. It\u2019s also the new show from American&hellip;\n","protected":false},"author":2,"featured_media":309493,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[79249,48883,14171,38848,18,117,2215,19,17,12474,121415,4950],"class_list":{"0":"post-309492","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-ashton-kutcher","9":"tag-bella-hadid","10":"tag-ben-kingsley","11":"tag-disney-plus","12":"tag-eire","13":"tag-entertainment","14":"tag-for-you","15":"tag-ie","16":"tag-ireland","17":"tag-patrick-freyne","18":"tag-rebecca-hall","19":"tag-ryan-murphy"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/115977546191546324","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/309492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=309492"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/309492\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/309493"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=309492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=309492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=309492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}