{"id":321042,"date":"2026-02-05T04:52:08","date_gmt":"2026-02-05T04:52:08","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/321042\/"},"modified":"2026-02-05T04:52:08","modified_gmt":"2026-02-05T04:52:08","slug":"unpacking-times-50-most-underappreciated-movies-of-the-21st-century","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/321042\/","title":{"rendered":"Unpacking TIME&#8217;s 50 Most Underappreciated Movies of the 21st Century"},"content":{"rendered":"<p>As a cinema nerd, I am always looking for new movies to watch that I have never seen before. That&#8217;s why I am always so excited when magazines put forward &#8216;best of&#8217; lists. I love to scan them to see what I&#8217;ve seen and what I can discover. <\/p>\n<p>And that&#8217;s why I am excited to pore through <a href=\"https:\/\/time.com\/7362428\/how-we-chose-50-underappreciated-movies\/\" target=\"_blank\" rel=\"nofollow noopener\">TIME Magazine&#8217;s 50 Most Underappreciated Movies of the 21st Century<\/a>. <\/p>\n<p>The list was put together by film critic Stephanie Zacharek, who had an interesting philosophy when it came to picking movies, and gave me a list that I thought was so fun and had a lot of hidden gems within it. <\/p>\n<p>Let&#8217;s dive in. <\/p>\n<p>The &#8220;Texture&#8221; of Discovery<\/p>\n<p>Lists like this always have a philosophy behind them, and I think this one is especially interesting. It was made from a nostalgia for the pre-pandemic moviegoing experience. <\/p>\n<p>The list is supposed to evoke a time when you could walk into a theater with nothing but hope and walk out having discovered something &#8220;strange and wondrous.&#8221;<\/p>\n<p>Zacharek highlights films like Idlewild, an all-Black musical set in the 1930s, and Kenneth Branagh\u2019s World War I-set The Magic Flute as examples of the types of movies that offer a specific, indefinable magic. <\/p>\n<p>Another cool thing was that she leaned into the idea that these aren&#8217;t always perfect films, but they possess a texture and personality that lingers long after the credits roll.<\/p>\n<p>That&#8217;s the kind of thing that makes me excited to watch. <\/p>\n<p>What Defines &#8220;Underappreciated&#8221;?<\/p>\n<p>The thing that drew me into this list was the idea that it was there to celebrate &#8220;underappreciated&#8221; movies. But what does that really mean? <\/p>\n<p>The list focuses on films that American audiences might have missed at the multiplex or local cinemas. It obviously skews toward English-language movies, but there are a few surprises as well. <\/p>\n<p>Why Humans Still Curate Better Than AI<\/p>\n<p>Finally, something that really charmed me was the idea of curation not by some soulless algorithm, but by a human being who genuinely loves watching movies. <\/p>\n<p>AI can give you data and estimates, but only a human can pick art they think will be meaningful to your soul. <\/p>\n<p>This collection serves as a reminder that the best movies aren&#8217;t always the ones with the biggest marketing budgets or the most trophies. Sometimes, they are the ones that were simply waiting to be found by the right person. <\/p>\n<p>TIME&#8217;s 50 Most Underappreciated Movies of the 21st Century<\/p>\n<ul class=\"ee-ul\">\n<li><strong>20th Century Women<\/strong> (Dir. Mike Mills)<\/li>\n<li><strong>25th Hour<\/strong> (Dir. Spike Lee)<\/li>\n<li><strong>A Cat in Paris<\/strong> (Dir. Jean-Loup Felicioli and Alain Gagnol)<\/li>\n<li><strong>A Very Long Engagement<\/strong> (Dir. Jean-Pierre Jeunet)<\/li>\n<li><strong>American Splendor<\/strong> (Dir. Shari Springer Berman, Robert Pulcini)<\/li>\n<li><strong>Beyond the Lights<\/strong> (Dir. Gina Prince-Bythewood)<\/li>\n<li><strong>Breakfast on Pluto<\/strong> (Dir. Neil Jordan)<\/li>\n<li><strong>Bright Star<\/strong> (Dir. Jane Campion)<\/li>\n<li><strong>Control<\/strong> (Dir. Anton Corbijn)<\/li>\n<li><strong>CQ<\/strong> (Dir. Roman Coppola)<\/li>\n<li><strong>Dark Skies<\/strong> (Dir. Scott Stewart)<\/li>\n<li><strong>Dolemite Is My Name<\/strong> (Dir. Craig Brewer)<\/li>\n<li><strong>Dreamin&#8217; Wild<\/strong> (Dir. Bill Pohlad)<\/li>\n<li><strong>Drumline<\/strong> (Dir. Charles Stone III)<\/li>\n<li><strong>Fantastic Mr. Fox<\/strong> (Dir. Wes Anderson)<\/li>\n<li><strong>Femme Fatale<\/strong> (Dir. Brian De Palma)<\/li>\n<li><strong>Ghost Town<\/strong> (Dir. David Koepp)<\/li>\n<li><strong>Good Morning, Night<\/strong> (Dir. Marco Bellocchio)<\/li>\n<li><strong>Hamlet (2000)<\/strong> (Dir. Michael Almereyda)<\/li>\n<li><strong>Head-On<\/strong> (Dir. Fatih Akin)<\/li>\n<li><strong>I Could Never Be Your Woman<\/strong> (Dir. Amy Heckerling)<\/li>\n<li><strong>I&#8217;ll Sleep When I&#8217;m Dead<\/strong> (Dir. Mike Hodges)<\/li>\n<li><strong>Idlewild<\/strong> (Dir. Bryan Barber)<\/li>\n<li><strong>Jane Eyre<\/strong> (Dir. Cary Joji Fukunaga)<\/li>\n<li><strong>Masked and Anonymous<\/strong> (Dir. Larry Charles)<\/li>\n<li><strong>Master and Commander: The Far Side of the World<\/strong> (Dir. Peter Weir)<\/li>\n<li><strong>Miss Juneteenth<\/strong> (Dir. Channing Godfrey Peoples)<\/li>\n<li><strong>Monkeybone<\/strong> (Dir. Henry Selick)<\/li>\n<li><strong>Mudbound<\/strong> (Dir. Dee Rees)<\/li>\n<li><strong>Mustang<\/strong> (Dir. Deniz Gamze Erg\u00fcven)<\/li>\n<li><strong>Only Lovers Left Alive<\/strong> (Dir. Jim Jarmusch)<\/li>\n<li><strong>Passing<\/strong> (Dir. Rebecca Hall)<\/li>\n<li><strong>Peterloo<\/strong> (Dir. Mike Leigh)<\/li>\n<li><strong>Phoenix<\/strong> (Dir. Christian Petzold)<\/li>\n<li><strong>Shortbus<\/strong> (Dir. John Cameron Mitchell)<\/li>\n<li><strong>Somewhere<\/strong> (Dir. Sofia Coppola)<\/li>\n<li><strong>Talk to Me<\/strong> (Dir. Kasi Lemmons)<\/li>\n<li><strong>The Beat That My Heart Skipped<\/strong> (Dir. Jacques Audiard)<\/li>\n<li><strong>The Diving Bell and the Butterfly<\/strong> (Dir. Julian Schnabel)<\/li>\n<li><strong>The Electrical Life of Louis Wain<\/strong> (Dir. Will Sharpe)<\/li>\n<li><strong>The Magic Flute<\/strong> (Dir. Kenneth Branagh)<\/li>\n<li><strong>The Man from U.N.C.L.E.<\/strong> (Dir. Guy Ritchie)<\/li>\n<li><strong>The Painted Veil<\/strong> (Dir. John Curran)<\/li>\n<li><strong>The Shallows<\/strong> (Dir. Jaume Collet-Serra)<\/li>\n<li><strong>The Skeleton Key<\/strong> (Dir. Iain Softley)<\/li>\n<li><strong>The Taste of Things<\/strong> (Dir. Tran Anh Hung)<\/li>\n<li><strong>Tinker Tailor Soldier Spy<\/strong> (Dir. Tomas Alfredson)<\/li>\n<li><strong>Top Five<\/strong> (Dir. Chris Rock)<\/li>\n<li><strong>Wolfwalkers<\/strong> (Dir. Tomm Moore and Ross Stewart)<\/li>\n<li><strong>Wuthering Heights<\/strong> (Dir. Andrea Arnold)<\/li>\n<\/ul>\n<p>Summing It All Up <\/p>\n<p>There were actually a lot of movies on this list I have never see nand a few I have never even heard of. I can&#8217;t wait to dive into these and to catch up on all the great titles. <\/p>\n<p>What are some movies you believe deserve to be on this list? Some titles you think got left off? <\/p>\n<p>Let me know what you think in the comments. <\/p>\n","protected":false},"excerpt":{"rendered":"As a cinema nerd, I am always looking for new movies to watch that I have never seen&hellip;\n","protected":false},"author":2,"featured_media":321043,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[263],"tags":[28966,18,117,19,17,327,62339,155059],"class_list":{"0":"post-321042","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-best-movies","9":"tag-eire","10":"tag-entertainment","11":"tag-ie","12":"tag-ireland","13":"tag-movies","14":"tag-time-magazine","15":"tag-underrated-movies"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116016234034181362","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/321042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=321042"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/321042\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/321043"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=321042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=321042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=321042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}