{"id":352756,"date":"2026-02-23T22:37:10","date_gmt":"2026-02-23T22:37:10","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/352756\/"},"modified":"2026-02-23T22:37:10","modified_gmt":"2026-02-23T22:37:10","slug":"taylor-swifts-opalite-hits-no-1-on-hot-100","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/352756\/","title":{"rendered":"Taylor Swift\u2019s \u2018Opalite\u2019 Hits No. 1 on Hot 100"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe sky\u2019s the limit for <a href=\"https:\/\/www.billboard.com\/artist\/taylor-swift\/\" rel=\"nofollow noopener\" target=\"_blank\">Taylor Swift<\/a>\u2019s \u201cOpalite,\u201d which bounds seven spots to become her 14th No. 1 on the <a href=\"https:\/\/www.billboard.com\/charts\/hot-100\" rel=\"nofollow noopener\" target=\"_blank\">Billboard Hot 100<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSwift ties Rihanna for the third-most Hot 100 No. 1s, after only The Beatles (20) and Mariah Carey (19), dating to the chart\u2019s <a href=\"https:\/\/www.billboard.com\/pro\/hot-100-co-creator-seymour-stein-interview\/\" rel=\"nofollow noopener\" target=\"_blank\">start<\/a>. \u201cOpalite\u201d is Swift\u2019s ninth No. 1 since 2020, extending her mark for the most this decade.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMeanwhile, \u201cOpalite\u201d is the second Hot 100 leader from Swift\u2019s 2025 album The Life of a Showgirl, after \u201cThe Fate of Ophelia\u201d ruled for a <a href=\"https:\/\/www.billboard.com\/lists\/taylor-swift-hot-100-the-fate-of-ophelia-10th-week\/\" rel=\"nofollow noopener\" target=\"_blank\">personal-best 10 weeks<\/a> beginning in October. The set, on Republic Records, becomes her second to generate multiple leaders, after 1989 (\u201cShake It Off,\u201d \u201cBlank Space\u201d and \u201cBad Blood,\u201d featuring Kendrick Lamar) in 2014-15.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cOpalite\u201d tops the Hot 100 (after initially peaking at No. 2 upon its October debut) sparked by a surge of physical sales that shipped to consumers and new remixes released during the tracking week. Earlier in February, its official video <a href=\"https:\/\/www.billboard.com\/music\/pop\/taylor-swift-opalite-video-lewis-capaldi-domhnall-gleeson-1236174586\/\" rel=\"nofollow noopener\" target=\"_blank\">premiered<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tElsewhere, Bruno Mars\u2019 former Hot 100 No. 1 \u201cI Just Might,\u201d at No. 6, rises to the top of the <a href=\"https:\/\/www.billboard.com\/charts\/radio-songs\/\" rel=\"nofollow noopener\" target=\"_blank\">Radio Songs<\/a> chart.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCheck out the full rundown of this week\u2019s Hot 100 top 10 below.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 28, 2026) will update on Billboard.com tomorrow, Feb. 24. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click <a href=\"https:\/\/www.billboard.com\/billboard-charts-legend\/\" rel=\"nofollow noopener\" target=\"_blank\">here<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLuminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.<\/p>\n<p><a href=\"https:\/\/ubpass.co\/billboard\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><img decoding=\"async\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/2HpFicp.png\" alt=\"Billboard VIP Pass\"\/><\/a><\/p>\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u2018Opalite\u2019 Streams, Airplay &amp; Sales<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cOpalite\u201d drew 11.4 million official streams (down 20% week over week) and 58.9 million radio airplay audience impressions (up 17%) and sold 168,000 (up 2,290%) in the U.S. Feb. 13-19.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe single falls 11-17 on the <a href=\"https:\/\/www.billboard.com\/charts\/streaming-songs\" rel=\"nofollow noopener\" target=\"_blank\">Streaming Songs<\/a> chart, after reaching No. 2 upon its debut (it soared by 70% in streams a week ago after the Feb. 6 arrival of its video); jumps 7-3 for a new high on Radio Songs; and blasts 7-1 on <a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\/\" rel=\"nofollow noopener\" target=\"_blank\">Digital Song Sales<\/a>, where it becomes Swift\u2019s record-extending 31st leader.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDriving the song\u2019s sales splash, 7-inch vinyl and CD singles sold in Swift\u2019s webstore shipped to consumers during the tracking week, while official remixes by BUNT., Chris Lake, Ely Oaks and Skream, its \u201cLife Is a Song\u201d acoustic mix and an instrumental version were also released in that span. The remixes and acoustic version were additionally made available for streaming, along with two nine-minute-plus versions of the audio of its official video.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOf the 168,000 sales for \u201cOpalite\u201d Feb. 13-19, 144,000 were physical (six CD singles, including for each of its remixes, and one vinyl version) and 24,000, digital. The song claims the highest overall weekly sales since Jason Aldean\u2019s \u201cTry That in a Small Town\u201d (175,000; Aug. 5, 2023) and the top physical total since Travis Scott\u2019s \u201c4X4\u201d (165,000; Feb. 8, 2025).<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tSwift\u2019s 14th Hot 100 No. 1<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPushing her count to 14 Hot 100 No. 1s, Swift ties for the third-most in the chart\u2019s history.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMost Billboard Hot 100 No. 1s:<\/p>\n<ul class=\"wp-block-list\">\n<li>20, The Beatles<\/li>\n<li>19, Mariah Carey<\/li>\n<li>14, Rihanna<\/li>\n<li>14, Taylor Swift<\/li>\n<li>13, Drake<\/li>\n<li>13, Michael Jackson<\/li>\n<li>12, Madonna<\/li>\n<li>12, The Supremes<\/li>\n<li>11, Whitney Houston<\/li>\n<li>10, Janet Jackson<\/li>\n<li>10, Bruno Mars<\/li>\n<li>10, Stevie Wonder<\/li>\n<\/ul>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHere\u2019s a rundown of Swift\u2019s 14 Hot 100 No. 1s:<\/p>\n<ul class=\"wp-block-list\">\n<li>\u201cOpalite,\u201d one week at No. 1 to date, Feb. 28, 2026<\/li>\n<li>\u201cThe Fate of Ophelia,\u201d 10 weeks, beginning Oct. 18, 2025<\/li>\n<li>\u201cFortnight,\u201d feat. Post Malone, two, May 4, 2024<\/li>\n<li>\u201cIs It Over Now? (Taylor\u2019s Version) [From the Vault],\u201d one, Nov. 11, 2023<\/li>\n<li>\u201cCruel Summer,\u201d two, Oct. 28, 2023<\/li>\n<li>\u201cAnti-Hero,\u201d eight, Nov. 5, 2022<\/li>\n<li>\u201cAll Too Well (Taylor\u2019s Version),\u201d one, Nov. 27, 2021<\/li>\n<li>\u201cWillow,\u201d one, Dec. 26, 2020<\/li>\n<li>\u201cCardigan,\u201d one, Aug. 8, 2020<\/li>\n<li>\u201cLook What You Made Me Do,\u201d three, Sept. 16, 2017<\/li>\n<li>\u201cBad Blood,\u201d feat. Kendrick Lamar, one, June 6, 2015<\/li>\n<li>\u201cBlank Space,\u201d seven, Nov. 29, 2014<\/li>\n<li>\u201cShake It Off,\u201d four, Sept. 6, 2014<\/li>\n<li>\u201cWe Are Never Ever Getting Back Together,\u201d three, Sept. 1, 2012<\/li>\n<\/ul>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith nine Hot 100 No. 1s in the 2020s, Swift widens her lead over Drake (seven) for the most this decade. BTS and Ariana Grande follow with six each in the \u201820s.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPlus, Swift and Mariah Carey are the only acts to rank at No. 1 on Hot 100 charts dated in each year this decade, with Carey having extended her streak with \u201cAll I Want for Christmas Is You.\u201d Career-wide, Swift has reigned in 11 distinct years, second only to <a href=\"https:\/\/www.billboard.com\/lists\/mariah-carey-hot-100-christmas-22nd-week\/carey-no-1-in-a-22nd-year\/\" rel=\"nofollow noopener\" target=\"_blank\">Carey\u2019s 22<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tSwift\u2019s Newest No. 1 as a Writer &amp; Producer<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSwift co-wrote and co-produced \u201cOpalite\u201d with Max Martin and Shellback. She has now co-written 14 Hot 100 No. 1s and co-produced eight.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMartin adds his 29th Hot 100 No. 1 as a songwriter, trailing only Paul McCartney\u2019s 32. Martin tallies his <a href=\"https:\/\/www.billboard.com\/pro\/hot-100-writers-producers-most-no-1s\/\" rel=\"nofollow noopener\" target=\"_blank\">record-extending<\/a> 27th No. 1 as a producer.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShellback scores his 12th Hot 100 leader as a writer and 11th as a producer.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t(Swift, Martin and Shellback also co-wrote the three Hot 100 No. 1s from 1989, which Martin and Shellback co-produced. They first led as a writing trio via \u201cWe Are Never Ever Getting Back Together,\u201d which Martin and Shellback co-produced with Dann Huff.)<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tMars Flexes Radio \u2018Might\u2019<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBruno Mars\u2019 \u201cI Just Might,\u201d up 10-6 after it spent its first two weeks on the Hot 100 at No. 1 in January, climbs 2-1 on Radio Songs (65.3 million, up 7%). He lands his 11th airplay leader, matching Mariah Carey for the second-most since the chart began in December 1990, after Rihanna\u2019s 13.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI Just Might\u201d tops the multimetric <a href=\"https:\/\/www.billboard.com\/charts\/r-b-hip-hop-songs\/\" rel=\"nofollow noopener\" target=\"_blank\">Hot R&amp;B\/Hip-Hop Songs<\/a> and <a href=\"https:\/\/www.billboard.com\/charts\/r-and-b-songs\/\" rel=\"nofollow noopener\" target=\"_blank\">Hot R&amp;B Songs<\/a> charts for a sixth week each.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tRest of Top 10: \u2018Choosin\u2019 Texas\u2019 &amp; More<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tElla Langley\u2019s \u201cChoosin\u2019 Texas\u201d rebounds 4-2 two weeks after it became her first Hot 100 No. 1. It rules the multimetric <a href=\"https:\/\/www.billboard.com\/charts\/country-songs\/\" rel=\"nofollow noopener\" target=\"_blank\">Hot Country Songs<\/a> chart for a 13th week.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOlivia Dean\u2019s \u201cMan I Need\u201d holds at No. 3 after reaching No. 2 on the Hot 100. Notably, thanks to Swift, Langley and Dean, three solo women rank Nos. 1, 2 and 3 for the first time since the chart dated Nov. 4, 2023, which Swift also led, with \u201cCruel Summer,\u201d followed, in order, by Doja Cat\u2019s \u201cPaint the Town Red\u201d and SZA\u2019s \u201cSnooze.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBad Bunny\u2019s \u201cDtMF\u201d drops to No. 4 on the Hot 100 a week after it hit No. 1. It tops the multimetric <a href=\"https:\/\/www.billboard.com\/charts\/latin-songs\/\" rel=\"nofollow noopener\" target=\"_blank\">Hot Latin Songs<\/a> chart for a 48th week. He boasts three songs in the Hot 100\u2019s top 10, as \u201cTit\u00ed Me Pregunt\u00f3\u201d descends 7-9, after reaching No. 5, and \u201cBaile Inolvidable\u201d recedes to No. 10 from its No. 2 high.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAlex Warren\u2019s \u201cOrdinary\u201d lifts 6-5 on the Hot 100 after 10 weeks at No. 1 beginning last June.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAlso in the Hot 100\u2019s top 10, HUNTR\/X\u2019s \u201cGolden\u201d rises 9-7, after eight weeks at No. 1 starting in August, and Swift\u2019s \u201cThe Fate of Ophelia\u201d rebounds 12-8.<\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"The sky\u2019s the limit for Taylor Swift\u2019s \u201cOpalite,\u201d which bounds seven spots to become her 14th No. 1&hellip;\n","protected":false},"author":2,"featured_media":352757,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[264],"tags":[22364,18,117,1883,19,17,337,2624],"class_list":{"0":"post-352756","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-breaking","9":"tag-eire","10":"tag-entertainment","11":"tag-genre-pop","12":"tag-ie","13":"tag-ireland","14":"tag-music","15":"tag-music-news"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116122343430469179","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/352756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=352756"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/352756\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/352757"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=352756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=352756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=352756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}