{"id":375367,"date":"2026-03-09T05:18:13","date_gmt":"2026-03-09T05:18:13","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/375367\/"},"modified":"2026-03-09T05:18:13","modified_gmt":"2026-03-09T05:18:13","slug":"lanthimos-turns-lens-on-photography-in-athens-exhibition","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/375367\/","title":{"rendered":"Lanthimos turns lens on photography in Athens exhibition"},"content":{"rendered":"

Oscar-nominated filmmaker Yorgos Lanthimos<\/a> paused his filmmaking and promotion schedule this week to celebrate a quieter creative pursuit: photography.<\/p>\n

The 52-year-old Greek director on Friday inaugurated an exhibition of his photographs in his hometown of Athens, presenting images he has taken over the past five years – many captured while making his films, wandering through movie sets and nearby neighborhoods, or on trips back to Greece.<\/p>\n

The exhibition gathers 182 still photographs, in color and in black and white, from the filmmaker known for his distinctive – and often disturbing – cinematic style. It opens days before Lanthimos returns to Hollywood for the March 15 Academy Awards ceremony. In his latest film, “Bugonia,” a pair of conspiracy\u2011obsessed men kidnap a powerful female executive they accuse of being an alien.<\/p>\n

The movie received four Oscar nominations, including best picture and best actress for Emma Stone, along with nods for adapted screenplay and original score. The photos, all shot with a film camera, features several portraits of Stone, a frequent star in his films.<\/p>\n

Lanthimos on Friday said he was happy to dive into something different. Photography, he said, began for him as a technical foundation for filmmaking but gradually became something more personal.<\/p>\n

“In film school you learn that cinema is basically 24 photographs per second,\u201d he said. “So photography is where it all begins.\u201d<\/p>\n

Over time, working with still images opened a creative outlet separate from the complex machinery of movie production, he added.<\/p>\n

“You can be alone with a camera, walking without having something specific in mind,\u201d Lanthimos said. “A photograph can have value on its own, but many photographs together can create another kind of value.\u201d<\/p>\n

For Lanthimos, photography also offers something cinema rarely can: immediacy.<\/p>\n

“You create something and almost immediately it exists,\u201d he said, describing the process of shooting and developing film in a darkroom. “You can take a photograph, print it and hold it in your hands. That satisfaction is very direct.\u201d<\/p>\n

While Lanthimos remains one of contemporary cinema\u2019s most distinctive filmmakers, he said photography will play a growing role in his creative life.<\/p>\n

Unlike movies, he said, photographs are free to evolve long after they are taken.<\/p>\n

“You can present them in a book, in an exhibition, combine them in different ways,\u201d Lanthimos said. “There\u2019s a freedom in photography that is very exciting.\u201d<\/p>\n

The exhibition at the Onassis Foundation runs through May 17.<\/p>\n

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