{"id":384499,"date":"2026-03-14T08:10:08","date_gmt":"2026-03-14T08:10:08","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/384499\/"},"modified":"2026-03-14T08:10:08","modified_gmt":"2026-03-14T08:10:08","slug":"dakota-fanning-in-joe-swanberg-dramedy","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/384499\/","title":{"rendered":"Dakota Fanning in Joe Swanberg Dramedy"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cZero part of me wants to do what I\u2019m doing right now,\u201d insists Jack (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/jake-johnson\/\" id=\"auto-tag_jake-johnson\" data-tag=\"jake-johnson\" rel=\"nofollow noopener\" target=\"_blank\">Jake Johnson<\/a>) as he prepares to tell Wendy (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/dakota-fanning\/\" id=\"auto-tag_dakota-fanning\" data-tag=\"dakota-fanning\" rel=\"nofollow noopener\" target=\"_blank\">Dakota Fanning<\/a>), his girlfriend of two years, that he thinks they should take a six-month break. He believes she needs the space to figure out what she wants, even as she pleads that what she wants is him.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOddly, he seems to mean it, or at least to believe he does. He really is happy with her; he really doesn\u2019t have an ulterior motive; he really does intend to just sit around for the next six months, waiting to see if she returns.<\/p>\n<p>\t\t\t\t\tThe Sun Never Sets\t\t<\/p>\n<p>\n\t\t\t\t\tThe Bottom Line<\/p>\n<p>\tOn again and off again, on and on again.<\/p>\n<p>\t\t\t\t\t\t\t<strong>Venue:<\/strong> SXSW Film Festival (Narrative Spotlight)<br \/><strong>Cast:<\/strong> Dakota Fanning, Jake Johnson, Cory Michael Smith, Debby Ryan, Anna Konkle, Lamorne Morris, Karley Sciortino<br \/><strong>Director-screenwriter:<\/strong> Joe Swanberg<br \/>\n\t\t\t\t\t\t\t\t1 hour 42 minutes\n\t\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWhy, then, he mounts this ultimatum anyway is one of the emotional mysteries of The Sun Never Sets. Mostly they\u2019re fun ones, thanks to writer-director <a href=\"https:\/\/www.hollywoodreporter.com\/t\/joe-swanberg\/\" id=\"auto-tag_joe-swanberg\" data-tag=\"joe-swanberg\" rel=\"nofollow noopener\" target=\"_blank\">Joe Swanberg<\/a>\u2019s knack for naturalistic chemistry and eye for casual beauty. But just as listening to a friend dither over an on-again, off-again relationship gets old eventually, there\u2019s a limit to how many times Jack and Wendy can flip and flop before the beats grow repetitive.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tInitially, Jack\u2019s edict has Wendy reeling. It\u2019s true that she\u2019d always thought she would get married and have kids, and that Jack, who\u2019s a bit older, has made it clear he has no intention of getting remarried or having more kids. But she\u2019s made her peace with the compromise, doting on Jack\u2019s adorable children with his first wife (Anna Konkle) without a trace of resentment. Never mind that her best friend (Debby Ryan) announcing she\u2019s pregnant sends Wendy screaming to herself in her car, overwhelmed to see everyone else moving on while she feels stuck in place.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBut then Wendy runs into Chuck (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/cory-michael-smith\/\" id=\"auto-tag_cory-michael-smith\" data-tag=\"cory-michael-smith\" rel=\"nofollow noopener\" target=\"_blank\">Cory Michael Smith<\/a>), the ex who got away. Suddenly, Jack\u2019s out-of-the-blue demand looks like a blessing in disguise \u2014 especially since this Chuck claims he\u2019s ready for commitment and a family, in contrast to the \u201cscared little bitch\u201d he freely admits he was three years ago. And suddenly, Jack is forced to confront the possibility that his little experiment might not go as planned.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFrom there, Wendy ping-pongs between the family-man boyfriend who\u2019s not really her boyfriend at the moment, and the fuckboy former flame who\u2019s no longer quite so former. The men oscillate between wooing her and disappointing her, sometimes to comic effect and sometimes to a more bittersweet one. At every turn, all three struggle to distinguish between what they want, what they want to want and what they don\u2019t actually want but are just afraid of not having.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSwanberg\u2019s loose approach to storytelling, in which he outlines a plot and then lets his cast improvise the lines, is perhaps the movie\u2019s greatest asset. Even when the plot machinations feel engineered, as they tend to when characters change their minds as frequently and vehemently as these three do, the cast\u2019s warm, comfortable chemistry \u2014 built through body language, shared looks and off-the-cuff remarks \u2014 keeps their feelings grounded in a believable spontaneity.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tJohnson (whose previous collaborations with the filmmaker include the exceptionally astute Drinking Buddies) is particularly adept at this style of performance. He brings to Jack a playful self-awareness, which paradoxically makes him easier to buy as a real person: Where a fictional one might react to soap operatics like an argument in a bar bathroom with tears or screams, Jack starts laughing, able to see the absurdity of the situation for what it is. This sense of humor, in turn, makes him easier to root for even when he acts, every so often, like a petulant brat.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFanning, who has rarely looked more radiant despite Wendy spending most of her time in sensible workwear and minimal makeup, has strong enough chemistry with both her leading men that we can see why she\u2019s torn between them, as well as enough magnetism of her own that we want her to be happy even when her behavior tips toward self-sabotage. And Smith is effectively alluring as Chuck, though his is the least developed corner of this love triangle. He\u2019s a hunky symbol for Wendy and Jack to fight about rather than a protagonist with his own legible motives and desires.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat all of this endless will-they-won\u2019t-they is playing out against the natural splendor of Anchorage\u2019s endless summer days (captured in 35mm by cinematographer Eon Mora) and gorgeously sunlit blond wood interiors (staged by production Aaron Bailey) makes it go down quite easily for a while. If nothing else, The Sun Never Sets mounts an excellent case for visiting Alaska and possibly looking for love there \u2014 even if slightly snobbish mainland transplant Jack does describe the local dating pool as \u201ca bunch of goofy guys who smell like salmon.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIf the setting is beautiful and the characters vivid, however, the path that the film cuts through them ultimately proves too jerky and repetitive to take us anywhere truly illuminating. It\u2019s true enough that our heart\u2019s desires can be a puzzle even to ourselves, and that solving it can be the work of a lifetime. But there\u2019s a difference between a character who doesn\u2019t know what to make of themselves, and a film that doesn\u2019t quite seem to know what to make of them either.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cZero part of me wants to do what I\u2019m doing right now,\u201d insists Jack (Jake Johnson) as he&hellip;\n","protected":false},"author":2,"featured_media":384500,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[263],"tags":[120550,47642,18,117,19,17,154350,176067,327,176068,62590,176069,176070],"class_list":["post-384499","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-cory-michael-smith","tag-dakota-fanning","tag-eire","tag-entertainment","tag-ie","tag-ireland","tag-jake-johnson","tag-joe-swanberg","tag-movies","tag-south-by-southwest","tag-sxsw","tag-sxsw-2026","tag-sxsw-reviews"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116226518252800588","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/384499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=384499"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/384499\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/384500"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=384499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=384499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=384499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}