{"id":39246,"date":"2025-09-02T19:12:09","date_gmt":"2025-09-02T19:12:09","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/39246\/"},"modified":"2025-09-02T19:12:09","modified_gmt":"2025-09-02T19:12:09","slug":"amanda-seyfried-is-electrifying-in-mona-fastvolds-masterly-testament-of-ann-lee-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/39246\/","title":{"rendered":"Amanda Seyfried is electrifying in Mona Fastvold\u2019s masterly Testament of Ann Lee \u2013 The Irish Times"},"content":{"rendered":"<p><strong>The Testament of Ann Lee<\/strong> <\/p>\n<p><strong class=\"star\">\ue9d9 \ue9d9 \ue9d9 \ue9d9 \ue9d9<\/strong> <\/p>\n<p><strong>Director:<\/strong> Mona Fastvold<\/p>\n<p><strong>Cert:<\/strong> None<\/p>\n<p><strong>Starring:<\/strong> Amanda Seyfried, Lewis Pullman, Christopher Abbott, Tim Blake Nelson, Thomasin McKenzie, Stacy Martin, Matthew Beard<\/p>\n<p><strong>Running Time:<\/strong> 2 hrs 16 mins<\/p>\n<p class=\"c-paragraph paywall \">As I write, the strains of a key song \u2013 or maybe key psalm \u2013 from <a href=\"https:\/\/www.irishtimes.com\/tags\/mona-fastvold\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/mona-fastvold\">Mona Fastvold<\/a>\u2019s extraordinary third feature blasts across the red carpet where <a href=\"https:\/\/www.irishtimes.com\/tags\/amanda-seyfried\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/amanda-seyfried\/\">Amanda Seyfried<\/a> is sopping up attention for the first film at this year\u2019s <a href=\"https:\/\/www.irishtimes.com\/tags\/venice-film-festival\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/venice-film-festival\/\">Venice International Film Festival<\/a> to (appropriately, as we shall see) generate evangelical fervour.<\/p>\n<p class=\"c-paragraph paywall \">That is not to say everyone loves this musical study of a religious pioneer in prerevolutionary America, but nobody is likely to be indifferent to it. It is too odd for that.<\/p>\n<p class=\"c-paragraph paywall \">Odd but not entirely unfamiliar. Fastvold wrote The Brutalist with that film\u2019s director, Brady Corbet (who is also her romantic partner), and the new film, shot on rich 70mm stock, again has a new arrival lurching fanatically through an often unwelcoming New World.<\/p>\n<p class=\"c-paragraph paywall \">Before that we are in Manchester, where Ann Lee, an illiterate cotton-mill worker, is making waves in a sect of the Quaker religion. Lee was a real-life founding leader of the Shaker movement and, as the film tells it, thought herself in direct communication with God. (The film doesn\u2019t address the inherent problem of continuing a sect that prohibits sexual intercourse, but we must assume Lee had a plan.)<\/p>\n<p class=\"c-paragraph paywall \">Like so many persecuted believers, Lee and her flock eventually set sail for America, where, after apparently saving their ship from a storm, they establish a community in colonial New York. Some locals are won over to the frantic religious fits that gave the Shakers their name. Others, appalled at the notion of a woman in the pulpit, take to violent opposition. <\/p>\n<p class=\"c-paragraph paywall \">The first half is the stuff of masterpieces. Composing her images in murky, oily imitation of Rembrandt, the director creates a convincing version of Lancashire torn between industrial modernity and apocalyptic mysticism. All this played out through sinuous songs by Daniel Blumberg \u2013 who won an Oscar for The Brutalist \u2013 derived from Shaker hymns. <\/p>\n<p class=\"c-paragraph paywall \">Seyfried is electrifying in the musical sequences. Sometimes, working through Celia Rowlson-Hall\u2019s bold, disciplined choreography, she is brash and defiant. Elsewhere, notably in a number that seems to be called \u201cI Hunger and Thirst\u201d, she struggles to overcome despair.<\/p>\n<p class=\"c-paragraph paywall \">Fastvold\u2019s screenplay, again written with Corbet, doesn\u2019t much go in for theological musings. There is no effort to make the beliefs and manner of their expression seem anything other than peculiar. But the film is plainly in sympathy with Lee\u2019s determination and bravery. It also has interesting things to say about how such sects had a vested interest in the Patriots, pledged to religious freedom, beating the British in the imminent revolution.<\/p>\n<p class=\"c-paragraph paywall \">The extravagance of Fastvold\u2019s techniques can sometimes get in the way of the characters. Strong supporting actors such as Lewis Pullman, <a href=\"https:\/\/www.irishtimes.com\/tags\/thomasin-mckenzie\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/thomasin-mckenzie\/\">Thomasin McKenzie<\/a> and <a href=\"https:\/\/www.irishtimes.com\/tags\/christopher-abbott\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/christopher-abbott\/\">Christopher Abbott<\/a> don\u2019t quite succeed in making personalities heard over Blumberg\u2019s bewitching arrangements. But, as cinema of melodic effect, The Testament of Ann Lee could hardly be bettered.<\/p>\n<p class=\"c-paragraph paywall \">It premieres at Venice without a distributor. That may have been rectified by the time you read this, but will the film make it into commercial cinemas before the end of the year? Have faith.<\/p>\n","protected":false},"excerpt":{"rendered":"The Testament of Ann Lee \ue9d9 \ue9d9 \ue9d9 \ue9d9 \ue9d9 Director: Mona Fastvold Cert: None Starring: Amanda Seyfried,&hellip;\n","protected":false},"author":2,"featured_media":39247,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[27118,30107,18,117,19,17,27119,30106,11492],"class_list":{"0":"post-39246","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-amanda-seyfried","9":"tag-christopher-abbott","10":"tag-eire","11":"tag-entertainment","12":"tag-ie","13":"tag-ireland","14":"tag-mona-fastvold","15":"tag-thomasin-mckenzie","16":"tag-venice-film-festival"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/39246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=39246"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/39246\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/39247"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=39246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=39246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=39246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}