{"id":400957,"date":"2026-03-24T07:16:13","date_gmt":"2026-03-24T07:16:13","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/400957\/"},"modified":"2026-03-24T07:16:13","modified_gmt":"2026-03-24T07:16:13","slug":"art-fund-launches-new-fellowship-scheme-for-global-majority-curators-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/400957\/","title":{"rendered":"Art Fund launches new fellowship scheme for Global Majority curators &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The Art Fund charity in the UK is launching an ambitious new curatorial fellowship programme as a \u201cresponse to the lack of representation in curatorial leadership\u201d. Empowering Curators will\u00a0support 20 curators from Global Majority backgrounds through multi-year fellowships at UK museums and galleries (Global Majority is a collective term that refers to individuals who are Black, Asian, Brown, mixed heritage and Indigenous to the Global South).<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The curatorial fellows will design and deliver exhibitions and programming and engage with local communities, says an Art Fund statement. The host organisations will also launch programmes aimed at advancing equity, diversion and inclusion.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The first ten fellows include Christo Kefalas at the Whitworth, who will explore \u201ctranscultural perspectives\u201d in the next collection re-hang at the Manchester institution. <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Carine Harmand is curating exhibitions and displays to be shown at Tate Liverpool once it reopens in 2027, including a new multidisciplinary installation by the artist Julianknxx, co-commissioned with Liverpool\u2019s International Slavery Museum. Another fellow, Jill Sutherland is developing \u200binterpretive approaches at the International Slavery Museum, as part of its redevelopment. <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Nusrat Ahmed, meanwhile, will lead work to \u201cembed anti-racism and social justice across Manchester Museum\u2019s practice\u201d, according to a release.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The project follows the publication of an Art Fund report in 2022 (It\u2019s About Handing Over Power) which stated that \u201cmuch more focused and sustained work needs to be done to diversify the UK curatorial workforce\u201d. The report&#8217;s recommendations included addressing \u201cstructural and institutional racism in funding criteria to ensure a more equitable allocation of funding\u201d.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Last year another key report published by the cultural and creative industries membership body Creative UK (Leadership diversity in the creative and cultural industries) found that there are \u201csignificant gaps in leadership diversity across the creative and cultural sectors\u201d.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The steering group overseeing Empowering Curators\u00a0includes Gus Casely-Hayford, director of V&amp;A East, and Noorah Al-Gailani, curator of Islamic collections (Arab World) at the British Museum. Project funders include the Headley Trust, Arts Council England and the Hollick Family Foundation.<\/p>\n","protected":false},"excerpt":{"rendered":"The Art Fund charity in the UK is launching an ambitious new curatorial fellowship programme as a \u201cresponse&hellip;\n","protected":false},"author":2,"featured_media":400958,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[267],"tags":[365,362,42949,363,364,47851,366,10016,18,117,966,19,17,7599],"class_list":["post-400957","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-arts-funding","tag-artsanddesign","tag-artsdesign","tag-curators","tag-design","tag-diversity","tag-eire","tag-entertainment","tag-exhibitions","tag-ie","tag-ireland","tag-museums-heritage"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116282929080773256","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/400957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=400957"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/400957\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/400958"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=400957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=400957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=400957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}