{"id":471754,"date":"2026-05-06T19:31:14","date_gmt":"2026-05-06T19:31:14","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/471754\/"},"modified":"2026-05-06T19:31:14","modified_gmt":"2026-05-06T19:31:14","slug":"met-gala-2026-red-carpet-celebrated-black-art","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/471754\/","title":{"rendered":"Met Gala 2026 Red Carpet Celebrated Black Art"},"content":{"rendered":"<p data-element-index=\"0\">The 2026 Met Gala asked a simple question: is fashion art? Tied to the Costume Institute&#8217;s &#8220;Costume Art&#8221; exhibition, celebrities like co-chair Beyonc\u00e9, Met Gala veterans Rihanna and Janelle Mon\u00e1e, as well as breakout star Chase Infiniti all showed up ready to prove the point, each channeling their inner art connoisseur. But some took it a step further and used the opportunity to put Black art front and center on the Met steps. It&#8217;s a welcome gesture after the 2025 Met Gala theme &#8220;Superfine: Tailoring Black Style,&#8221; which celebrated Black designers. The continuation sends the message that our identity is more than just a passing trend.\n<\/p>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/tmp_h26wGK_f4810dd62b8b493f_Met_Gala-4-Main_2_up_-_1456x970_1_.jpeg\"  width=\"792\" height=\"528\" style=\"display:block;height:auto\" loading=\"lazy\"\/><a href=\"https:\/\/www.gettyimages.com\/\" data-vars-href=\"https:\/\/www.gettyimages.com\/\" data-vars-ga-action=\"click\" data-vars- rel=\"nofollow noopener\" target=\"_blank\">Getty Images<\/a><\/p>\n<p data-element-index=\"0\">Beyonc\u00e9 wore a custom design by Olivier Rousteing and <a href=\"https:\/\/www.instagram.com\/tschabalalaself\/?ref=popsugar.com&amp;=___psv__p_49477384__t_w_\" class=\"has-affiliate-link\" target=\"_blank\" rel=\"nofollow noopener\">Tschabalala Self<\/a> wore Brandon Blackwood, while Amy Sherald \u2014 known for her 2018 portrait of Michelle Obama \u2014 collaborated with Thom Browne on a blue gown with red accents inspired by her painting &#8220;<a href=\"https:\/\/www.instagram.com\/p\/DX9lq28jue_\/?igsh=dGlyZWVrYXY0Z3pw&amp;ref=popsugar.com&amp;=___psv__p_49477384__t_w_\" class=\"has-affiliate-link\" target=\"_blank\" rel=\"nofollow noopener\">Miss Everything (Unsuppressed Deliverance)<\/a>.&#8221; Black art wasn&#8217;t just included in the exhibit (represented by Telfar bags in various skin-tone hues and African antiquities) \u2014 it was all over the carpet.\n<\/p>\n<p data-element-index=\"1\">Serving as co-chair this year, Venus Williams took the &#8220;fashion is art&#8221; brief literally, wearing a black gown dripping in Swarovski crystals that was inspired by a 2022 portrait of her at the Smithsonian&#8217;s National Portrait Gallery, painted by Bronx artist <a href=\"https:\/\/www.instagram.com\/p\/Ck_8KdcvXNO\/?igsh=bTk1bGU5emdkdzVq&amp;ref=popsugar.com&amp;=___psv__p_49477384__t_w_\" class=\"has-affiliate-link\" target=\"_blank\" rel=\"nofollow noopener\">Robert Pruitt<\/a>.\n<\/p>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/tmp_Xv1CUP_df56e0b9e1f5ea43_Met_Gala-4-Main_2_up_-_1456x970_6_.jpeg\"  width=\"792\" height=\"528\" style=\"display:block;height:auto\" loading=\"lazy\"\/><a href=\"https:\/\/www.gettyimages.com\/\" data-vars-href=\"https:\/\/www.gettyimages.com\/\" data-vars-ga-action=\"click\" data-vars- rel=\"nofollow noopener\" target=\"_blank\">Getty Images<\/a><\/p>\n<p data-element-index=\"0\">Angela Bassett followed a similar path, mirroring Harlem Renaissance painter Laura Wheeler Waring&#8217;s &#8220;<a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/889115?ref=popsugar.com&amp;=___psv__p_49477384__t_w_\" class=\"has-affiliate-link\" target=\"_blank\" rel=\"nofollow noopener\">Girl in Pink Dress<\/a>&#8221; in a pink floral appliqu\u00e9 Prabal Gurung gown.\n<\/p>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/tmp_4VvNgO_f94a24d3baec722c_Met_Gala-4-Main_2_up_-_1456x970_5_.jpeg\"  width=\"792\" height=\"528\" style=\"display:block;height:auto\" loading=\"lazy\"\/><a href=\"https:\/\/www.gettyimages.com\/\" data-vars-href=\"https:\/\/www.gettyimages.com\/\" data-vars-ga-action=\"click\" data-vars- rel=\"nofollow noopener\" target=\"_blank\">Getty Images<\/a><\/p>\n<p data-element-index=\"0\">Grammy Award-winning singer and composer <a href=\"https:\/\/www.instagram.com\/p\/DX9e0DxkRM6\/?igsh=OTdjdXI1cHZ3ZTk4&amp;ref=popsugar.com&amp;=___psv__p_49477384__t_w_\" class=\"has-affiliate-link\" target=\"_blank\" rel=\"nofollow noopener\">Jon Batiste<\/a> took the idea of paying homage to Black artists to new heights.\n<\/p>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/tmp_COx5xX_34df9582f3a723f2_Met_Gala-4-Main_2_up_-_1456x970_4_.jpeg\"  width=\"792\" height=\"528\" style=\"display:block;height:auto\" loading=\"lazy\"\/><a href=\"https:\/\/www.gettyimages.com\/\" data-vars-href=\"https:\/\/www.gettyimages.com\/\" data-vars-ga-action=\"click\" data-vars- rel=\"nofollow noopener\" target=\"_blank\">Getty Images<\/a><\/p>\n<p data-element-index=\"0\">Leaving the Carlyle Hotel, he wore a blue Superman T-shirt and aviator shades inspired by Barkley Hendricks. On the Met Gala red carpet, he continued the reference in a full white look, nodding again to Hendricks&#8217; work.\n<\/p>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/tmp_PDa73B_451fd14404692cb3_Met_Gala-4-Main_2_up_-_1456x970_3_.jpeg\"  width=\"792\" height=\"528\" style=\"display:block;height:auto\" loading=\"lazy\"\/><a href=\"https:\/\/www.gettyimages.com\/\" data-vars-href=\"https:\/\/www.gettyimages.com\/\" data-vars-ga-action=\"click\" data-vars- rel=\"nofollow noopener\" target=\"_blank\">Getty Images<\/a><\/p>\n<p data-element-index=\"0\">Everyone&#8217;s favorite image architect Law Roach (sans Zendaya) also went for the physical art angle, wearing a custom collaboration between AMI and Gabonese artist <a href=\"https:\/\/youtu.be\/xpsvQVSfW7M?si=Js8WaXUMzOINi3RR&amp;ref=popsugar.com&amp;=___psv__p_49477384__t_w_\" class=\"has-affiliate-link\" target=\"_blank\" rel=\"nofollow noopener\">Na\u00efla Opiangah<\/a>, a white suit with painted bodies.\n<\/p>\n<p data-element-index=\"1\">Some stars expressed their appreciation for Black art through their glam, using hair and makeup as a canvas. Gabrielle Union, in a sequined brown form-fitting Michael Kors dress, wore her hair in large, doubled crowns as an homage to photographer <a href=\"https:\/\/www.instagram.com\/kwamebphoto\/?ref=popsugar.com&amp;=___psv__p_49477384__t_w_\" class=\"has-affiliate-link\" target=\"_blank\" rel=\"nofollow noopener\">Kwame Brathwaite<\/a>, a key figure in the &#8220;Black Is Beautiful&#8221; movement of the 1960s. His work celebrated Black women, natural hair, and beauty during a time of racial unrest and narrow beauty standards.\n<\/p>\n<p><img decoding=\"async\" class=\"\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/tmp_qi2DL5_3b2a966da9003ad2_Met_Gala-4-Main_2_up_-_1456x970.jpeg\"  width=\"792\" height=\"528\" style=\"display:block;height:auto\" loading=\"lazy\"\/><a href=\"https:\/\/www.gettyimages.com\/\" data-vars-href=\"https:\/\/www.gettyimages.com\/\" data-vars-ga-action=\"click\" data-vars- rel=\"nofollow noopener\" target=\"_blank\">Getty Images<\/a><\/p>\n<p data-element-index=\"0\">Ciara took a similar approach, channeling Egyptian queen Nefertiti in an embellished gold gown with matching accessories. The  pi\u00e8ce de r\u00e9sistance was a <a href=\"https:\/\/www.instagram.com\/p\/DX8EZvtESVH\/?img_index=1&amp;ref=popsugar.com&amp;=___psv__p_49477384__t_w_\" class=\"has-affiliate-link\" target=\"_blank\" rel=\"nofollow noopener\">gilded, sculptural hair moment<\/a> created by Cesar Ramirez and inspired by Nefertiti&#8217;s iconic crown. <\/p>\n<p data-element-index=\"1\">It&#8217;s powerful to see Black Met Gala guests using their platforms to highlight Black art in such a visible way. It&#8217;s also a notable shift that celebrities took representation into their own hands this year, a divergence from the year prior when the museum, its curators, and the gala planning committee all championed Black designers and artists. <\/p>\n<p data-element-index=\"2\">Either way, by the end of the night, it was clear that Black art was, is, and always will be the moment. <\/p>\n<p data-element-index=\"4\"><a href=\"https:\/\/www.popsugar.com\/author\/shelton-boydgriffith\" rel=\"nofollow noopener\" target=\"_blank\">Shelton Boyd-Griffith<\/a> (he\/him\/his) is a passionate writer who uses his platform to spotlight marginalized voices in the design space, queer and nonbinary designers, and BIPOC-owned brands. With bylines in Vogue, Fashionista, Models.com, Essence, and more, he covers fashion, fashion news, industry news, pop culture, and more.<\/p>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"The 2026 Met Gala asked a simple question: is fashion art? Tied to the Costume Institute&#8217;s &#8220;Costume Art&#8221;&hellip;\n","protected":false},"author":2,"featured_media":471755,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[268],"tags":[434,77356,18,117,596,4596,19,17,40270,207000,1702],"class_list":["post-471754","post","type-post","status-publish","format-standard","has-post-thumbnail","category-celebrities","tag-celebrities","tag-crowned","tag-eire","tag-entertainment","tag-fashion","tag-identity","tag-ie","tag-ireland","tag-popsugar","tag-shelton-boyd-griffith","tag-standard"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116529298752196519","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/471754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=471754"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/471754\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/471755"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=471754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=471754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=471754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}