{"id":472803,"date":"2026-05-07T10:43:12","date_gmt":"2026-05-07T10:43:12","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/472803\/"},"modified":"2026-05-07T10:43:12","modified_gmt":"2026-05-07T10:43:12","slug":"24-sculpted-trees-become-giant-colored-pencils-in-south-african-land-art-installation","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/472803\/","title":{"rendered":"24 sculpted trees become giant colored pencils in south african land art installation"},"content":{"rendered":"

24 sculpted trees arranged as a set of colored pencils<\/p>\n

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\u2018Deus sive Natura\u2019 (God or Nature) is a land art<\/a> <\/strong>installation composed of 24 sculpted trees arranged as a set of colored pencils. Developed by artist Strijdom van der Merwe in collaboration with property owner Michael Silver and arborist Lloyd Dambuza, the project examines the relationship between intervention, growth, and environmental transformation.<\/p>\n

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The title references a central concept from Baruch Spinoza\u2019s 17th-century work Ethics, in which \u2018God or Nature\u2019 describes the idea of nature and divinity as a single, unified substance. This philosophical framework informs the installation\u2019s<\/a><\/strong> treatment of landscape as both material and process.<\/p>\n

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The work is constructed from Water Oaks, a non-indigenous species in South Africa<\/a><\/strong>, located within a gorge where the trees absorb water flowing from the surrounding mountain terrain. The pruning strategy preserves the lower portions of the trees, allowing continued growth and foliage, while selected upper branches are shaped into the form of colored pencils.<\/p>\n

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all images courtesy of Strijdom van der Merwe<\/a><\/p>\n

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Landscape is treated as both material and process<\/p>\n

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The intervention operates through selective alteration rather than complete transformation. The retained green sections emphasize the ongoing biological condition of the trees, while the sculpted branches establish a recognizable geometric and graphic composition within the landscape.<\/p>\n

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Conceived as an ephemeral work, the installation by artist<\/a><\/strong> Strijdom van der Merwe is intended to change over time through natural growth cycles and environmental conditions. Seasonal variation, regeneration, and continued plant development remain integral to the project\u2019s evolving form.<\/p>\n

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sculpted branches establish a recognizable pencil-like geometry<\/p>\n

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a land art installation shaped through pruning and growth<\/p>\n

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the project examines intervention within a living environment<\/p>\n","protected":false},"excerpt":{"rendered":"24 sculpted trees arranged as a set of colored pencils \u00a0 \u2018Deus sive Natura\u2019 (God or Nature) is…\n","protected":false},"author":2,"featured_media":472804,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[207354,365,362,363,364,366,18,117,19,9914,17,13624],"class_list":{"0":"post-472803","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-architecture-in-south-africa","9":"tag-arts","10":"tag-arts-and-design","11":"tag-artsanddesign","12":"tag-artsdesign","13":"tag-design","14":"tag-eire","15":"tag-entertainment","16":"tag-ie","17":"tag-interactive-installation","18":"tag-ireland","19":"tag-land-art"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116532884821639965","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/472803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=472803"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/472803\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/472804"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=472803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=472803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=472803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}