{"id":485250,"date":"2026-05-15T01:27:15","date_gmt":"2026-05-15T01:27:15","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/485250\/"},"modified":"2026-05-15T01:27:15","modified_gmt":"2026-05-15T01:27:15","slug":"in-pictures-new-museum-curator-gary-carrion-murayaris-frieze-favourites-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/485250\/","title":{"rendered":"In Pictures: New Museum curator Gary Carrion-Murayari\u2019s Frieze favourites &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\"><strong class=\"font-medium\">Arthur Simms<br \/>Insect in the Wall (2024)<br \/>Karma<\/strong><\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cArthur Simms is a great, underappreciated artist Karma has been working with for the past few years. He has an amazing studio on Staten Island, making sculpture out of discarded objects in the tradition of Jamaican assemblage.\u201d<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"429.3333333333333\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 429.3333333333333'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,\/9j\/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj\/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj\/wAARCAANABQDASIAAhEBAxEB\/8QAFgABAQEAAAAAAAAAAAAAAAAABQcA\/8QAIhAAAgICAgEFAQAAAAAAAAAAAQIDBAAREiEFBhMxQVFh\/8QAFwEAAwEAAAAAAAAAAAAAAAAAAAECA\/\/EABoRAAMAAwEAAAAAAAAAAAAAAAABAhESITH\/2gAMAwEAAhEDEQA\/ALxdnLPXVZPbCnkW3rf8w+x6rr0t1ijSuJAnIN1394Z5yRpPGSbOiF6OTexPLFJCgYHmQdkd45c+MNarqZaZmVn3+5sAoXJJKcLN88RmyzHB\/9k='\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/e8fb22006f1a656047c94145d129f93297735b88-1800x1200.jpg\"\/><\/p>\n<p>Photo: Steven Molina Contreras<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\"><strong class=\"font-medium\">Haegue Yang<br \/>A Matter of Fact (from Dan)\u2014Peep Asymmetry (2025)<br \/>Kukje Gallery<\/strong><\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cKukje is a wonderful gallery in Seoul that brought a lot of US artists to Korea for the first time. Sometimes, Haegue Yang\u2019s works are kinetic; many times, they\u2019re animated. Her works reflect the poetry of everyday surroundings.\u201d<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"429.3333333333333\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 429.3333333333333'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/dde7a0d53c02cb66e179a5d51f541477d4ad6de7-1800x1200.jpg\"\/><\/p>\n<p>Photo: Steven Molina Contreras<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\"><strong class=\"font-medium\">Abel Rodriguez and Aycoobo-Wilson Rodr\u00edguez<br \/>Terraza Vaj\u00e1 (2022)<br \/>Instituto de Visi\u00f3n<\/strong><\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cInstituto de Visi\u00f3n have a space in New York, but I met them in Bogot\u00e1; they\u2019re one of the great galleries to have come out of South America. Abel Rodriguez and Aycoobo-Wilson Rodr\u00edguez are a father-son duo who were in the 2024 Venice Biennale under the curator Adriano Pedrosa. They have done some amazing work about the history of the environment in Colombia.\u201d<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"429.3333333333333\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 429.3333333333333'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,\/9j\/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj\/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj\/wAARCAANABQDASIAAhEBAxEB\/8QAGAAAAgMAAAAAAAAAAAAAAAAAAAcEBQj\/xAAnEAACAgEDAgUFAAAAAAAAAAABAgMEAAUGEQcxEiIyNEFRYXHB8P\/EABYBAQEBAAAAAAAAAAAAAAAAAAQDBf\/EAB0RAAEEAgMAAAAAAAAAAAAAAAIAAQMREmETIUH\/2gAMAwEAAhEDEQA\/AFfr+gIliSXUl9vyGVD3H7ybpO2xNQjtUaIjRjypcHzD6fnHB1V21Rl1F6gUrHIwble6nLDpntqpcD0y8i1a59HPJY\/c5nHHK5UxepYyAwXXaVUOzbliMSR1fCp+CcM1DZlq6OyVK9KIxqoI\/uMMVx7UM9L\/2Q=='\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/c47fdf1622b97beb78710d1d3f1c623082dc15bb-1800x1200.jpg\"\/><\/p>\n<p>Photo: Steven Molina Contreras<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\"><strong class=\"font-medium\">Sung Tieu<br \/>Untitled (2026)<br \/>Emalin<\/strong><\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cEmalin has an experimental, exceptional programme. Sung Tieu is one of two artists representing Germany at the Venice Biennale this year and did the amazing pavilion fa\u00e7ade. She is quite conceptual and political, thinking about the history of immigration in Germany.\u201d<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"429.3333333333333\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 429.3333333333333'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/1d506f031bf3cf2627e6953526202cfcc9e5831e-1800x1200.jpg\"\/><\/p>\n<p>Photo: Steven Molina Contreras<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\"><strong class=\"font-medium\">Maryam Hoseini<br \/>Oblique Horizon (Bird of Paradise) (2026)<br \/>Dastan<\/strong><\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cMaryam Hoseini was part of a three-person show that we held in our lobby gallery at the New Museum. She is an amazing artist. She is a very playful painter who focuses on the body and performance, but this is surprising for me. I didn\u2019t realise this was by her.\u201d<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"966\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 966'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/71eabebb678568975c51292d0b3d94c8c225b346-1200x1800.jpg\"\/><\/p>\n<p>Photo: Steven Molina Contreras<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\"><strong class=\"font-medium\">Pedro Neves<br \/>Untitled (2026)<br \/>Mitre Galeria<\/strong><\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cMy father was from the Amazon, and I\u2019ve always been interested in art from the Amazon. I didn\u2019t realise this artist was Brazilian; it definitely triggered something.\u201d<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"429.3333333333333\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 429.3333333333333'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,\/9j\/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj\/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj\/wAARCAANABQDASIAAhEBAxEB\/8QAGAAAAwEBAAAAAAAAAAAAAAAAAAEFBAf\/xAAdEAABBAMBAQAAAAAAAAAAAAABAAIDEgQRMQVy\/8QAFgEBAQEAAAAAAAAAAAAAAAAAAwEC\/8QAGBEBAQEBAQAAAAAAAAAAAAAAAQACESH\/2gAMAwEAAhEDEQA\/AO\/XLI7Dqn+Z7QzM92LoBzW250LTEDLCW2LTvoTxfPbDMJGvNvkDaiPZ8uDKJ7UdITQtRX\/\/2Q=='\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/05\/79d4f6150c3bde19e6f9b619ac22ce33f12d28fd-1800x1200.jpg\"\/><\/p>\n<p>Photo: Steven Molina Contreras<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\"><strong class=\"font-medium\">Melvin Way<br \/>Purple Haze (around 2008)<br \/>Andrew Edlin Gallery<\/strong><\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cMelvin Way does these incredible small-scale, alchemical drawings on tiny bits of paper. I like his works that are smaller than this better, but I love the intricacy here.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Arthur SimmsInsect in the Wall (2024)Karma \u201cArthur Simms is a great, underappreciated artist Karma has been working with&hellip;\n","protected":false},"author":2,"featured_media":485251,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[365,362,363,364,366,18,117,210748,19,31551,17,10682,969,5],"class_list":{"0":"post-485250","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-artsdesign","12":"tag-design","13":"tag-eire","14":"tag-entertainment","15":"tag-frieze-new-york-2026","16":"tag-ie","17":"tag-in-pictures","18":"tag-ireland","19":"tag-new-museum","20":"tag-new-york-city","21":"tag-news"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116575997089820476","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/485250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=485250"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/485250\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/485251"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=485250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=485250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=485250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}