{"id":487313,"date":"2026-05-16T06:42:20","date_gmt":"2026-05-16T06:42:20","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/487313\/"},"modified":"2026-05-16T06:42:20","modified_gmt":"2026-05-16T06:42:20","slug":"eurovision-2026-australia-through-to-grand-final-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/487313\/","title":{"rendered":"Eurovision 2026: Australia through to grand final \u2013 The Irish Times"},"content":{"rendered":"

Standing before a glistening crescent moon and adorned in more than 7,000 Swarovski crystals, Australia<\/a>\u2019s 2026 Eurovision<\/a> hopeful Delta Goodrem delivered a powerful performance on the 70th anniversary of the global song contest \u2013 and became the first Australian act to qualify for the grand final since 2023.<\/p>\n

Heading into the competition as an early favourite behind Eurovision heavy-hitters Denmark<\/a> and Finland<\/a>, Goodrem delivered a note-perfect rendition of her power-ballad entry, Eclipse.<\/p>\n

The track is impressive if a little formulaic \u2013 and of the 35 countries competing, 15 are represented by solo women performers, so Goodrem needed to find a way to stand out in a crowded field.<\/p>\n

Only 35 countries are competing at Eurovision this year, the lowest number of entries since 2003. Ireland, Iceland, Spain, Slovenia and the Netherlands all boycotted the 2026 competition, citing Israel<\/a>\u2019s participation in Eurovision and the Israeli government\u2019s attacks<\/a> on Gaza<\/a>.<\/p>\n

Despite playing it a little safe, Goodrem\u2019s performance was precise and undeniable. After making a dramatic trek downstage and towards her piano \u2013 bedazzled in sparkling gold, of course \u2013 Goodrem performed a short but effective signature piano solo (although the camera was unexpectedly obstructed in this moment, making it difficult to see Goodrem actually play the instrument).<\/p>\n

The performance then climaxed with a classic power-ballad key change and the 41-year-old singer was propelled into the air on a platform that rose from within the piano itself.<\/p>\n

There was wind, there was fire, there was Goodrem\u2019s remarkable upper-range \u2013 it was a refreshingly self-assured offering from Australia after a disappointing couple of years for the country in the competition.<\/p>\n

[\u00a0Israel through to Eurovision final after shouts of \u2018stop the genocide\u2019 during songOpens in new window<\/a>\u00a0]<\/p>\n

Azerbaijan, Luxembourg, Armenia, Switzerland and Latvia were eliminated following a popular vote.<\/p>\n

The competing countries in Saturday\u2019s grand final will be Albania, Australia, Austria, Belgium, Bulgaria, Croatia, Cyprus, Czechia, Denmark, Finland, France, Germany, Greece, Israel, Italy, Lithuania, Malta, Moldova, Norway, Poland, Romania, Serbia, Sweden, Ukraine, and the UK.<\/p>\n

Australia\u2019s first appearance at Eurovision was in 2014, when Jessica Mauboy performed as an interval act during the competition\u2019s semi-finals. Last year\u2019s Australian entry, Go-Jo, failed to wow judges and did not progress to the grand final with his campy ode to self-confidence, Milkshake Man.<\/p>\n

In 2025, duo Electric Fields made history as the first Australian Eurovision entrants to perform in Yankunytjatjara \u2013 an Aboriginal language of the A\u1e49angu peoples \u2013 yet their song One Milkali (One Blood) also failed to progress beyond the semi-final.<\/p>\n

Before her debut performance at the semi-finals, Goodrem said: \u201cPerforming on the Eurovision stage is something I feel so deeply in my heart, carrying Australia with me in every note and every moment.\u201d<\/p>\n

This week, Goodrem announced her seventh studio album, Pure, will be released on November 6th. \u2013 The Guardian\/PA<\/p>\n","protected":false},"excerpt":{"rendered":"Standing before a glistening crescent moon and adorned in more than 7,000 Swarovski crystals, Australia\u2019s 2026 Eurovision hopeful…\n","protected":false},"author":2,"featured_media":487314,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[75],"tags":[1128,382,18,117,10893,2427,3761,19,17,71,3857],"class_list":{"0":"post-487313","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-australia","9":"tag-denmark","10":"tag-eire","11":"tag-entertainment","12":"tag-eurovision","13":"tag-finland","14":"tag-gaza-strip","15":"tag-ie","16":"tag-ireland","17":"tag-israel","18":"tag-israel-hamas-conflict"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116582897803938220","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/487313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=487313"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/487313\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/487314"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=487313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=487313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=487313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}