{"id":49419,"date":"2025-09-07T16:12:16","date_gmt":"2025-09-07T16:12:16","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/49419\/"},"modified":"2025-09-07T16:12:16","modified_gmt":"2025-09-07T16:12:16","slug":"large-scale-portraits-of-migrants-transform-venices-procuratie","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/49419\/","title":{"rendered":"large-scale portraits of migrants transform venice’s procuratie"},"content":{"rendered":"

100 Black-and-White Portraits Transform the Procuratie Facade<\/p>\n

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Until September 7th, 2025, Venice\u2019s St. Mark\u2019s Square becomes the stage for Dreams in Transit, a large-scale installation<\/strong><\/a> dedicated to the stories and aspirations of migrants. Curated by the Art for Action Foundation and inspired by JR\u2019s<\/a><\/strong> Inside Out Project, the work transforms the facade<\/strong><\/a> of the historic Procuratie with 100 oversized black-and-white portraits. Installed on one of the city\u2019s most recognizable landmarks, the project brings the subject of migration into the symbolic center of Venice, confronting passersby with both absence and belonging.<\/p>\n

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The portraits stem from an eight-month journey across Europe by filmmaker and artist Sarah Makharine, who met with 100 recently arrived migrants, listening to their stories and collecting their dreams. Unlike conventional portraiture, each subject is photographed from behind, gazing outward. This unusual perspective shifts attention away from facial identity toward collective experience, evoking both departure and the horizon of possibility.\u00a0<\/p>\n

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The intervention forms part of After Migration, a wider program launched during the 2025 Venice Architecture Biennale<\/strong><\/a>, which examines the long-term social, cultural, and political dimensions of migration. It also resonates with the work of The Human Safety Net\u2019s For Refugees initiative, which since 2017 has supported over 13,000 refugees across six countries through entrepreneurship and training.<\/p>\n

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all images by Maco Film \u2013 Leonardo Mizar, unless stated otherwise<\/p>\n

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Migration Narratives at The Human Safety Net home in venice<\/p>\n

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Beyond the public square, the exhibition extends into The Home of The Human Safety Net, where Dreams in Transit, curated by the Art for Action Foundation<\/strong><\/a>, continues until March 15th, 2026. Inside, artists and filmmakers expand on the themes of displacement and identity. Sarah Makharine presents the video Echoes of Dreams, while works by Ange Leccia, Lorraine de Sagazan, Anouk Maugein, and the late Leila Alaoui offer contrasting lenses on migration\u2019s personal and collective narratives. The installations trace how stories of movement and loss intersect with resilience and creativity.<\/p>\n

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A conference, organized with the International Panel on Social Progress, is also part of the program. Associations, researchers, and experts convene at The Home of The Human Safety Net to explore the enduring consequences of migration. During the Venice Film Festival, the short film Sweet Refuge, directed by Maryam Mir and already the recipient of nine international awards, will be screened, followed by a discussion with producer and curator Anadil Hossain.\u00a0<\/p>\n

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By occupying Venice\u2019s central square and one of its historic facades, Dreams in Transit insists that migration is a subject that shapes the shared public sphere.\u00a0<\/p>\n

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Venice\u2019s St. Mark\u2019s Square becomes the stage for Dreams in Transit<\/p>\n

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a large-scale installation dedicated to the stories and aspirations of migrants | image by LungoLinea Studio<\/p>\n

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inspired by JR\u2019s Inside Out Project<\/p>\n

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the work transforms the facade of the historic Procuratie<\/p>\n","protected":false},"excerpt":{"rendered":"100 Black-and-White Portraits Transform the Procuratie Facade \u00a0 Until September 7th, 2025, Venice\u2019s St. Mark\u2019s Square becomes the…\n","protected":false},"author":2,"featured_media":49420,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[365,362,363,364,366,18,117,966,3486,19,17,11480],"class_list":{"0":"post-49419","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-artsdesign","12":"tag-design","13":"tag-eire","14":"tag-entertainment","15":"tag-exhibitions","16":"tag-facades","17":"tag-ie","18":"tag-ireland","19":"tag-public-art"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/49419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=49419"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/49419\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/49420"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=49419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=49419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=49419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}