{"id":506378,"date":"2026-05-28T05:09:20","date_gmt":"2026-05-28T05:09:20","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/506378\/"},"modified":"2026-05-28T05:09:20","modified_gmt":"2026-05-28T05:09:20","slug":"queer-figures-commune-with-nature-in-j-carinos-dynamic-paintings-colossal","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/506378\/","title":{"rendered":"Queer Figures Commune with Nature in J Carino’s Dynamic Paintings \u2014 Colossal"},"content":{"rendered":"

\u201cColor, for me, is a heightened reality,\u201d says J Carino<\/a>. Through palettes rooted in a dynamic dance between earth and jewel tones, the artist renders lush scenes in which nude figures commune with nature. A sturdy back buttresses a fallen tree, chests and limbs peek through a summer meadow, and a muscular grip cradles a small mule amid a raging flood. Blocks of color and gestural brushstrokes characterize each composition, which question what we deem natural and innate.<\/p>\n

The intimacies of queer life figure prominently in Carino\u2019s work, which layers bodies and organic motifs into dense expanses. He employs a variety of source materials that range from renderings of live models and videos of himself to nature studies and plein air drawings in pastels, the latter of which often inform his color palettes. \u201cTypically, my work begins with observation of nature. It might be a fallen tree, a particular animal or plant that I then make drawings of,\u201d he adds.<\/p>\n

\"a<\/a>\u201cFlood\u201d<\/p>\n

Researching the historical and cultural symbols associated with these organic forms follows, while allowing connections between objects and motifs to emerge spontaneously as he works. \u201cI see patterns as a kind of personal language to symbolize larger concepts and themes that I can then weave together into different narratives,\u201d the artist tells Colossal. \u201cThere is a collage-like aesthetic to my work that reflects these different pieces coming together.\u201d<\/p>\n

From biblical floods to determined donkeys to autumnal leaves, the elements that comprise Carino\u2019s paintings touch on questions of desire, paradise, and queerness through human connection to the natural world. Even when disaster strikes, there\u2019s an overwhelming sense of beauty and resilience, bolstered by both physical strength and deep bonds with one another. <\/p>\n

Carino recently relocated to London, and he will start a master\u2019s program at the Royal College of Art this fall. If you\u2019re in Los Angeles, his work will be part of a group exhibition opening in early June at Albertz Benda<\/a>. Otherwise, find more on his website<\/a> and Instagram<\/a>.<\/p>\n

\"a<\/a>\u201cAmerican Progress\u201d<\/p>\n

\"a<\/a>\u201cTyrant\u201d<\/p>\n

\"a<\/a>\u201cCarrying Beauty\u201d<\/p>\n

\"a<\/a>\u201cCan\u2019t Take the Roots\u201d<\/p>\n

\"a<\/a>\u201cEverything is Golden\u201d<\/p>\n

\"a<\/a>\u201cEden\u201d<\/p>\n

\"a<\/a>\u201cThe Last Raven\u201d<\/p>\n

Do stories and artists like this matter to you?<\/strong> Become a Colossal Member<\/a> now, and support independent arts publishing.<\/p>\n