{"id":521054,"date":"2026-06-06T01:59:20","date_gmt":"2026-06-06T01:59:20","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/521054\/"},"modified":"2026-06-06T01:59:20","modified_gmt":"2026-06-06T01:59:20","slug":"jay-z-locks-back-in-gq","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/521054\/","title":{"rendered":"Jay-Z Locks Back In | GQ"},"content":{"rendered":"<p>This is an edition of the weekly newsletter Tap In, GQ senior associate editor Frazier Tharpe\u2019s final word on the most heated online discourse about music, movies, and TV. <a href=\"https:\/\/www.gq.com\/newsletter\/tapin?sourcCode=articleCTA\" class=\"text link\" rel=\"nofollow noopener\" target=\"_blank\">Sign up here to get it free<\/a>.<\/p>\n<p>\u201cI would have written a shorter letter, but did not have the time.\u201d Back in January, on set for <a href=\"https:\/\/www.gq.com\/story\/jay-z-cover-interview-april-2026\" class=\"text link\" rel=\"nofollow noopener\" target=\"_blank\">his GQ cover story<\/a>, Jay-Z told me that quote\u2014often attributed to Mark Twain, but initially credited to French philosopher Blaise Pascal\u2014was not only a favorite, but one that\u2019s affected him in all aspects of his writing. There\u2019s genius in brevity: Compared to successfully communicating an open and closed idea in eight bars like \u201cFrontin,\u201d an extendo verse like <a href=\"https:\/\/www.youtube.com\/watch?v=QugLZCp74GE\" class=\"text link\" rel=\"nofollow noopener\" target=\"_blank\">\u201cGod Did,\u201d<\/a> while still impressive, might be the easier exercise.<\/p>\n<p>I found myself thinking back to that exchange this past Saturday night in Philadelphia, when Jay kicked off his set at Questlove\u2019s annual Roots Picnic festival by going full third-act Michael Corleone and settling a bunch of previously unrebutted scores in a searing three-minute freestyle\u2014which, considering it\u2019s his first true verse in four years and all that\u2019s happened in between, was some pretty concise writing. Before the tens of thousands of fans in Philly\u2019s Belmont Plateau even had time to process Jay\u2019s dramatic new hair reveal\u2014goodbye locs, <a href=\"https:\/\/www.gq.com\/story\/jay-z-afro-roots-picnic\" class=\"text link\" rel=\"nofollow noopener\" target=\"_blank\">hello JayFro<\/a>\u2014here was Jay addressing the emotional toll of the civil suit and sexual assault allegations brought against him (a case that was eventually dismissed with prejudice), the Roc Nation Legion of Doom propaganda, and his falling-outs with (count \u2018em) Dame Dash, Tory Lanez, Jaguar Wright, <a href=\"https:\/\/www.gq.com\/about\/kanye-west\" class=\"text link\" rel=\"nofollow noopener\" target=\"_blank\">Kanye<\/a>, former Roc\/State Property rapper-turned-troll-vlogger Oschino, Nicki Minaj and Drake. In only three minutes, Jay finally acknowledged years of subs, shots, tweets, interviews, scandals, rumors and allegations, in a verse full of typically dazzling double entendres and not-so-typical palpable aggression, before launching into an elite set. How\u2019s that one line in the original \u201cDead Presidents\u201d go? \u201cI\u2019m addressing all drama\u2026\u201d<\/p>\n<p>But let\u2019s back up. Jay enacting the \u201c2026, all offense\u201d edict that he teased in our interview actually began in Philly the night before. When his Roots Picnic date was first announced, a month ahead of three shows in Yankee Stadium, I figured the latter would end up being the bigger deal. You can\u2019t go to everything, I told myself. It\u2019s ok to sit some things out. Last week I came to my senses, realizing that I would be extraordinarily annoyed if I didn\u2019t witness Jay-Z\u2019s first honest-to-goodness solo show since 2019. Smash cut to Friday night in Philadelphia, the calm before the storm. I pulled up to an open-secret Dave Chappelle show with my boy LeBrandon, only to notice people lining up right next door at The Fillmore for something that seemed even more secretive. After the third Paper Plane hat sighting in the area, I sent a few flares up (when a stealth Jay-Z show is afoot, it won\u2019t always be readily apparent, but there will be signs) and sure enough: ahead of his performance for thousands in the park, he was doing a small-venue warm-up for an insanely small amount of people. When\u2019s the last time Jay performed for a crowd of 200\u20141997?<\/p>\n<p>After an opening set from Black Thought and The Roots and then a grand introduction by Chappelle (skipping over from next door), Jigga took the stage. He was dressed in all black, but not glamorously\u2014more as if he\u2019d just come from the gym, in sweats, a hoodie that stayed glued to his head the entire night (more on that later)\u2014and seemed laser-focused, like a living embodiment of \u201cLyrical Exercise.\u201d Despite this being a rehearsal and everyone\u2019s phones being in Yondr pouches (don\u2019t ask me how clips leaked, maybe they were from Beyonce watching on the sidelines), Jay performed as if the show was being livestreamed. \u201cI don\u2019t think he\u2019s even wearing a watch,\u201d LB said to me at one point, which is inherently a hilarious <a href=\"https:\/\/www.gq.com\/story\/inside-jay-zs-world-class-watch-collection\" class=\"text link\" rel=\"nofollow noopener\" target=\"_blank\">meaningful signifier<\/a> for Jay being locked in. The next day would confirm that he was essentially performing his Roots Picnic setlist minus the special guests, but what made the Fillmore set impressive was its relentlessness\u2014Jay ran through that entire clip, from \u201cHovi Baby\u201d to \u201cPSA,\u201d twenty-plus songs with no breaks or pauses, like he was in a one-man Verzuz, before walking off with a wry smile. One last practice before his first Conference Finals appearance in years.<\/p>\n","protected":false},"excerpt":{"rendered":"This is an edition of the weekly newsletter Tap In, GQ senior associate editor Frazier Tharpe\u2019s final word&hellip;\n","protected":false},"author":2,"featured_media":521055,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[264],"tags":[1067,18,117,2873,19,17,3181,337,2874,10591,1715,806],"class_list":["post-521054","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-culture","tag-eire","tag-entertainment","tag-hip-hop","tag-ie","tag-ireland","tag-jay-z","tag-music","tag-rappers","tag-tap-in","tag-textbelowcenterfullbleed","tag-web"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116700693533031929","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/521054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=521054"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/521054\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/521055"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=521054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=521054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=521054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}