{"id":531137,"date":"2026-06-12T06:31:18","date_gmt":"2026-06-12T06:31:18","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/531137\/"},"modified":"2026-06-12T06:31:18","modified_gmt":"2026-06-12T06:31:18","slug":"olivia-rodrigo-has-looked-at-love-from-both-sides-now","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/531137\/","title":{"rendered":"Olivia Rodrigo has looked at love from both sides now"},"content":{"rendered":"\n<p>What to do after writing some of this century\u2019s most devastating songs about the torment of breaking up? Write some of this century\u2019s most devastating songs about the ecstasy of getting together.<\/p>\n<p>With her first two albums \u2014 2021\u2019s Grammy-winning \u201c<a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/awards\/story\/2021-12-10\/olivia-rodrigo-grammys-sour\" rel=\"nofollow noopener\" target=\"_blank\">Sour<\/a>\u201d and 2023\u2019s triple-platinum \u201c<a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/music\/story\/2023-12-13\/olivia-rodrigo-guts-grammys-vampire-all-american-bitch\" rel=\"nofollow noopener\" target=\"_blank\">Guts<\/a>\u201d \u2014 Olivia Rodrigo proved herself to be perhaps the most gifted of the many chroniclers of Gen Z romance to emerge in Taylor Swift\u2019s wake. She could convey the hot sting of betrayal, as in her smash debut single, \u201cDrivers License\u201d; she could channel the injustice of watching an ex somehow carry on, as in \u201cGood 4 U\u201d; she could deliver a sick burn like somebody handing out Halloween candy, as in \u201cGet Him Back!\u201d (Because it deserves remembering: \u201cHe had an ego and a temper and a wandering eye \/ He said he\u2019s six-foot-two, and I\u2019m like, \u2018Dude, nice try.\u2019\u201d)<\/p>\n<p>           <video playsinline=\"playsinline\" loop=\"\" preload=\"none\" title=\"Our Gen X and Gen Z reporters review Olivia Rodrigo\u2019s new album\" data-video-id=\"0000019e-b83e-d6a8-a3ff-b93eedea0000\">               <\/video>                 <img class=\"image\" alt=\"\"   width=\"473\" height=\"840\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/1781245877_766_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>             <\/p>\n<ul data-element=\"action-bar-menu\" class=\"flex gap-2 list-none  absolute w-full h-10 top-0\">\n<li data-element=\"action-bar-share\" class=\"flex  w-full h-10 top-0 lg:items-center lg:justify-center \">\n<p> Share via     Close extra sharing options  <\/p>\n<\/li>\n<\/ul>\n<p>Yet on her thrilling third LP, \u201cYou Seem Pretty Sad for a Girl So in Love,\u201d Rodrigo, 23, turns to the pleasure that comes before the pain \u2014 and, in a feat very few in pop music are ever able to pull off, ends up with a number of first-flush-of-love songs as potent as any breakup tune.<\/p>\n<p>She opens the album with \u201cDrop Dead,\u201d in which she compares a guy in line for the bathroom at a bar to an \u201cangel on the walls of Versailles\u201d \u2014 an early sign of how high the emotional ceiling is here. In \u201cStupid Song\u201d she cycles through a series of metaphors to describe her lovesickness \u2014 she\u2019s a car without a brake, she\u2019s a heart made of melting wax \u2014 before finding a simpler but infinitely more vivid way of getting her point across: \u201cYou should feel how I feel when somebody says your name.\u201d (Chills.)<\/p>\n<p>\u201cMaggots for Brains\u201d is a song about how useless she becomes \u201cwhen my baby goes away,\u201d and let\u2019s just take a second to savor the fact that Rodrigo is putting that title into the world less than four years after she was still a working Disney kid. The album\u2019s next tune, \u201cU + Me = &lt;3,\u201d is its high point: a euphoric promise of devotion that sounds like Sixpence None the Richer reborn as a Midwestern emo band. It\u2019s got two young lovers carving their names into car seat leather, and it\u2019s got a girl trying to impress her boyfriend\u2019s older sister with her cynical humor and her taste in yacht rock.<\/p>\n<p>More important, it\u2019s got these lines of pure poetry: \u201cThey say modern love\u2019s a cruel endeavor \/ And to that I say, F\u2014 it, whatever.\u201d Kurt Cobain would be proud.<\/p>\n<p>Working with her longtime producer, Dan Nigro, Rodrigo has expanded her stylistic palette to accommodate these new emotions; \u201cYou Seem Pretty Sad\u201d pulls in chiming folk-rock and synthed-up new wave and even has a gorgeous wine-bar piano ballad, \u201cLess,\u201d that might put the scare in Rodrigo\u2019s pal <a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/music\/story\/2024-12-06\/laufey-a-night-at-the-symphony-hollywood-bowl-concert-movie-olivia-rodrigo\" rel=\"nofollow noopener\" target=\"_blank\">Laufey<\/a>.<\/p>\n<p>            <img class=\"image\" alt=\"The cover of Olivia Rodrigo's new album.\"   width=\"2000\" height=\"2000\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/1781245878_99_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>The cover of Olivia Rodrigo\u2019s new album.<\/p>\n<p>(Geffen Records)<\/p>\n<p>The album is structured to trace the arc of a relationship, which means that the second half dips into the heartbreak we\u2019re used to getting from Rodrigo. But she\u2019s writing about familiar scenarios with new wisdom, drawing sophisticated conclusions about why people in love do the things they do (and don\u2019t do the things they don\u2019t).<\/p>\n<p>In \u201cThe Cure,\u201d which rides a strummed acoustic-guitar pattern that strongly recalls Smashing Pumpkins\u2019 \u201cDisarm,\u201d she realizes a boyfriend can\u2019t fix what\u2019s broken inside her; \u201cBegged\u201d examines the limits of one partner\u2019s willingness to look past the failings of the other. After hearing these songs, the happier ones at the beginning of the album reveal bits of shadow that Rodrigo has built into them to presage what\u2019s to come \u2014 to presage what always comes.<\/p>\n<p>It\u2019s fitting, then, that Robert Smith of the Cure \u2014 perhaps pop\u2019s most jubilant gloommeister \u2014 hovers over this LP like a patron saint: nodded to in \u201cThe Cure,\u201d of course, but also \u201cDrop Dead,\u201d where Rodrigo name-checks the Cure\u2019s classic \u201cJust Like Heaven.\u201d Smith himself turns up in \u201cWhat\u2019s Wrong With Me\u201d for a duet with Rodrigo in which the two learn to accept that love, in the end, might be what kills them.<\/p>\n<p>\u201cMy head is spinning and my stomach is sick,\u201d they sing, and neither sounds like they\u2019d have it any other way.<\/p>\n","protected":false},"excerpt":{"rendered":"What to do after writing some of this century\u2019s most devastating songs about the torment of breaking up?&hellip;\n","protected":false},"author":2,"featured_media":531138,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[264],"tags":[12707,4985,75928,228818,18,117,6152,19,17,209454,2971,337,40009,33325,1215,981,228819,120019,35452,228820],"class_list":["post-531137","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-album","tag-boyfriend","tag-cure","tag-devastating-song","tag-eire","tag-entertainment","tag-girl","tag-ie","tag-ireland","tag-line","tag-love","tag-music","tag-name","tag-olivia-rodrigo","tag-point","tag-pop-music","tag-pretty-sad","tag-robert-smith","tag-second","tag-third-lp"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116735737665060363","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/531137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=531137"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/531137\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/531138"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=531137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=531137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=531137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}