{"id":558744,"date":"2026-06-28T18:37:28","date_gmt":"2026-06-28T18:37:28","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/558744\/"},"modified":"2026-06-28T18:37:28","modified_gmt":"2026-06-28T18:37:28","slug":"2027-oscar-contenders-so-far-michael-project-hail-mary-taylor-swift","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/558744\/","title":{"rendered":"2027 Oscar Contenders So Far: Michael, Project Hail Mary, Taylor Swift"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Oscar race is never won in June, but some would like it to be.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe first six months of 2026 have given us a moonwalking box office juggernaut that the critical class can\u2019t stand and, more recently, an A24 ensemble dramedy that turns one tense evening into a poignant confessional. Lionsgate\u2019s billion-dollar \u201cMichael\u201d and Olivia Wilde\u2019s \u201cThe Invite\u201d for A24 sit at opposite ends of the awards conversation. Together, they frame the question that will define the next six months until nominations are announced \u2014 and the three months after that until the winners are crowned: How much room does today\u2019s Academy have for movies people actually went to see?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith Cannes, Sundance, SXSW and the first wave of summer releases now in the rearview, Hollywood has begun revealing the films, performances and crafts that could define the upcoming awards season. Some contenders have already exceeded expectations. Others are still awaiting their festival premieres or late-year releases before they can truly enter the conversation.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAlongside this look at the year\u2019s first half comes the debut of Variety\u2019s first official Oscar charts in the best picture category. Those will factor in what we\u2019ve already seen, along with highly anticipated films expected to premiere on the fall festival circuit and a few potential surprises waiting in the wings. The most important thing to remember, however, is that it\u2019s still early. These predictions will change \u2014 probably a lot \u2014 between now and nomination morning. The charts won\u2019t be updated again until after Venice and Telluride, while the acting categories will make their season debut somewhere in between.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t[Editor\u2019s Note: To discuss the most significant number of movies, a film is only highlighted in one category, even though it could be in contention in multiple. Not all listed crew members are official. The Academy of Motion Picture Arts and Sciences, along with its various committees, ultimately determines the final credited artisans. For a film to appear on the list below, it must have had a U.S. release date between Jan. 1 and June 30.]<\/p>\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tDocumentary Feature: \u2018Ask E. Jean\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/askejean-1.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Abramorama\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Abramorama <br \/>Artisans: Ivy Meeropol (director, producer), Laura Bickford and Annabelle Dunne (producers)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSitting at a perfect 100% on Rotten Tomatoes and freshly relevant thanks to renewed headlines around President Donald Trump, Ivy Meeropol\u2019s documentary, which premiered at last year\u2019s Telluride Film Festival, tracks the cultural shift in how we treat women who accuse powerful men. It is a portrait of a woman who decided it is always the right time to speak truth to power.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tOriginal Song: \u2018Toy Story 5\u2019 (\u2018I Knew It, I Knew You\u2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"TOY STORY 5, from left: Bullseye, Jessie (voice: Joan Cusack), 2026. \u00a9 Walt Disney Studios Motion Pictures \/ Courtesy Everett Collection\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/MCDTOST_WD009.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Walt Disney Co.\/Courtesy Everett Collection\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Pixar <br \/>Artisans: Jack Antonoff and Taylor Swift<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt\u2019s only June, but discounting Taylor Swift in this category would be a mistake. \u201cToy Story\u201d is the only franchise with a perfect best original song record, nominated for all four prior installments in 1995, 1999, 2010 and 2019, and a Swift-Antonoff chart-topper extends that streak with the genre\u2019s biggest current star attached. A nomination would be Swift\u2019s first. A win would leave her one Tony shy of competitive EGOT status, alongside the likes of Adele, Cher, Eminem and Lady Gaga, who are also waiting on Broadway. It will also help that the movie is undoubtedly the one to beat going into the fall.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tOriginal Score: \u2018Disclosure Day\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Emily Blunt in DISCLOSURE DAY, directed by Steven Spielberg.\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/2593_D042_00407R.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Niko Tavernise\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Universal Pictures <br \/>Artisan: John Williams<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGuys, it\u2019s 54-time Oscar nominee John Williams. End of sentence.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cThe Invite\u201d and \u201cProject Hail Mary\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tVisual Effects: \u2018Star Wars: The Mandalorian and Grogu\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"(L-R) Grogu, Mandalorian (Pedro Pascal), and Colonel Ward (Sigourney Weaver) in Lucasfilm's THE MANDALORIAN AND GROGU. Photo courtesy of Lucasfilm. \u00a9 2025 Lucasfilm Ltd\u2122. All Rights Reserved.\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/The-Mandalorian-and-Grogu.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: LUCASFILM\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Walt Disney Pictures <br \/>Artisans: Jeff Capogreco, Trent Claus, Mark Dubeau, Kabir Verma (visual effects supervisors)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA \u201cStar Wars\u201d movie has never missed a best visual effects nomination. Never. Even with a softer box office, it would be foolish to count this one out, at least this early in the game.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cDisclosure Day\u201d and \u201cThe Sheep Detectives\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tSound: \u2018Tuner\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"leo woodhall in &quot;tuner&quot;\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/T_01140.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Alan Markfield\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Black Bear <br \/>Artisan: Johnnie Burn<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe great British sound designer can do it all. An Oscar winner for \u201cThe Zone of Interest,\u201d Johnnie Burn has made the notion of sound a central character across many of his outings such as \u201cUnder the Skin,\u201d \u201cThe Lobster\u201d and last year\u2019s one-two punch of \u201cBugonia\u201d and \u201cHamnet.\u201d In Daniel Roher\u2019s crowd-pleasing drama \u201cTuner,\u201d which doubles as proof that Leo Woodall is a star, he does it again, which in ways plays like a distant cousin to another Oscar winner for sound, \u201cSound of Metal\u201d (2020).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cThe Invite\u201d and \u201cMichael\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tMakeup and Hairstyling: \u201828 Years Later: The Bone Temple\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"28 YEARS LATER: THE BONE TEMPLE, Ralph Fiennes, 2026. ph: Miya Mizuno \/\u00a9 Sony Pictures Releasing \/ Courtesy Everett Collection\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/MCDTWEI_SP009-e1768322031657.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Sony Pictures\/Courtesy Everett Collection\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Sony Pictures <br \/>Artisans: Flora Moody (hair designer\/makeup artist), David Darby (HOD sculptor\/lead concept designer)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe Substance\u201d aside, it is criminal that this category hasn\u2019t become an annual home for the horror genre. Nia DaCosta\u2019s post-apocalyptic sequel, anchored by a ferocious Ralph Fiennes, brings the grit and grime to life through its zombies and satanic cults.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cDisclosure Day\u201d and \u201cMichael\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tFilm Editing: \u2018Send Help\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"SEND HELP, from top: Rachel McAdams, Dylan O'Brien, 2026. ph: Brook Rushton \/ \u00a9 20th Century Studios \/ courtesy Everett Collection\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/MCDSEHE_H3009-e1769610275829.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a920th Century Studios\/Courtesy Everett Collection\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: 20th Century Studios <br \/>Artisan: Bob Murawski<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tYou can file this one under \u201ca hope-diction,\u201d but Sam Raimi\u2019s survival horror thriller, featuring an awards-caliber Rachel McAdams, is one of the most purely fun movies of the year, January 30 dumping ground be damned. Much of the credit goes to Bob Murawski, the Oscar winner for \u201cThe Hurt Locker,\u201d whose rhythmic cutting keeps the audience on at the edge of their seats.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cThe Invite\u201d and \u201cMichael\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tCostume Design: \u2018The Devil Wears Prada 2\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"(L-R) Anne Hathaway as Andy Sachs, Meryl Streep as Miranda Priestly and Stanley Tucci as Nigel Kipling in 20th Century Studios' THE DEVIL WEARS PRADA 2. Photo by Macall Polay. \u00a9 2026 20th Century Studios. All Rights Reserved.\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/1782671838_321_TDWP2-02725_R.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Macall Polay\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: 20th Century Studios <br \/>Artisan: Molly Rogers<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA massive box-office hit, the long-awaited sequel will push in categories like original song and maybe for its once-nominated star, Meryl Streep. In a movie built on fashion, costume designer Molly Rogers, inheriting the reins from previous nominee Patricia Field, is sure to be in the discussion by year\u2019s end.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cI Love Boosters\u201d and \u201cThe Sheep Detectives\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tCinematography: \u2018Wuthering Heights\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"WUTHERING HEIGHTS, from left: Jacob Elordi, Margor Robbie, 2026. \u00a9 Warner Bros. \/Courtesy Everett Collection\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/MCDWUHE_WB008.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Warner Bros\/Courtesy Everett Collection\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Warner Bros. <br \/>Artisan: Linus Sandgren<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOscar winner Linus Sandgren (\u201cLa La Land\u201d) reunites with Emerald Fennell after \u201cSaltburn\u201d for her take on the Bront\u00eb classic, giving the adaptation a lush, painterly palette and gorgeously composed frames. The massive hurdle will be if the Academy will keep it in mind after a February release.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cThe Invite\u201d and \u201cProject Hail Mary\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tProduction Design: \u2018Backrooms\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"162\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"BACKROOMS, Chiwetel Ejiofor, 2026. \u00a9 A24 \/ courtesy Everett Collection\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/1782671839_969_MCDBACK_EC093.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Courtesy Everett Collection\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: A24 <br \/>Artisans: Danny Vermette (production designer) and Trevor Johnston (set decorator)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter his YouTube series went viral, Kane Parsons turns years of world-building into a feature-length psychological horror, with Chiwetel Ejiofor among the stars. The eerie ambiance of those empty expanses and endless hallways could be one of the most distinctive design feats the Oscars have ever entertained. I wonder if they would be so cool.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cThe Invite\u201d and \u201cWuthering Heights\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tAnimated Feature: \u2018Hoppers\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"(L-R) Mabel and Loaf in Pixar's HOPPERS. Photo courtesy of Pixar. \u00a9 2025 Disney\/Pixar. All Rights Reserved.\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/Hoppers.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: PIXAR\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Pixar <br \/>Artisans: Daniel Chong (director), Nicole Paradis Grindle (producer)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tObviously, the new chatter is surrounding \u201cToy Story 5,\u201d but remember, Pixar\u2019s comeback year opened with this original adventure featuring some fun-loving beavers. The animated gem delights with big laughs and a hopeful heart, featuring smart, wacky and morally complex themes that Disney doesn\u2019t really do elsewhere. We need more movies like this one. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cThe Super Mario Galaxy Movie\u201d and \u201cToy Story 5\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tCasting: \u2018Leviticus\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Leviticus\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/LEVITICUS_Still02_CourtesyofNEON.jpeg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Neon\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Neon <br \/>Casting Director: Nikki Barrett<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLook at Nikki Barrett\u2019s filmography: \u201cBring Her Back,\u201d \u201cThe Babadook\u201d and \u201cMad Max: Fury Road.\u201d You see a casting director with an eye for the distinct, exactly right faces that a director\u2019s world demands. For \u201cLeviticus,\u201d Adrian Chiarella\u2019s Sundance sensation, she finds her perfect leads in Joe Bird and Stacy Clausen, teenagers in a fanatic religious community who summon an entity to purge their homosexual desires. She nails it, and the film is better for it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cI Love Boosters\u201d and \u201cObsession\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tAdapted Screenplay: \u2018Is God Is\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Is God Is\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/is-god-is.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Courtesy of Amazon MGM Studios\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Amazon MGM Studios <br \/>Writer: Aleshea Harris (based on the play by Harris)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAleshea Harris adapts her acclaimed play into a directorial debut brimming with storytelling ingenuity and stylistic verve. The revenge tale follows two sisters chasing justice after their father left them and their mother for dead, and Harris stages it with the confidence of a filmmaker who has been ready for years.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cThe Invite\u201d (Rashida Jones and Will McCormack) and \u201cProject Hail Mary\u201d (Drew Goddard)<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tOriginal Screenplay: \u2018I Love Boosters\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"I Love Boosters\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/1772559889-i-love-boosters_still_01_cropped_courtesy-of-neon.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Neon\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Neon <br \/>Writer: Boots Riley<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith gorgeous, colorful costumes and sets, all set against one of the year\u2019s best soundtracks, \u201cSorry to Bother You\u201d director Boots Riley gives us his take on the fashion industry, with a stellar cast that includes Keke Palmer, Taylour Paige and Demi Moore. Who would have thought this idiosyncratic story would be so much fun? The writers can rally behind this one.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cObsession\u201d (Curry Barker) and \u201cI Swear\u201d (Kirk Jones)<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tSupporting Actress: Pen\u00e9lope Cruz (\u2018The Invite\u2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Pen\u00e9lope Cruz (\u2018The Invite\u2019)\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/Penelope-Cruz-the-invite.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: A24\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: A24 <br \/>Role: Pi\u00f1a<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith impeccable chemistry with her all equally brilliant co-stars Seth Rogen, Edward Norton and Olivia Wilde, who also directs, Pen\u00e9lope Cruz makes magic on screen, which becomes another example for why she\u2019s one of our best working today. As a sex therapist who is part of a wild evening in a San Francisco apartment, she operates at a level she has not reached since \u201cParallel Mothers.\u201d It\u2019s part of a huge year for the \u201cVicky Cristina Barcelona\u201d winner, who also has the Cannes prizewinner \u201cLa Bola Negra\u201d coming to Netflix and Florian Zeller\u2019s \u201cBunker\u201d opposite husband Javier Bardem.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: Sandra H\u00fcller (\u201cProject Hail Mary\u201d) and Keke Palmer (\u201cI Love Boosters\u201d)<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tSupporting Actor: Hugh Jackman (\u2018The Sheep Detectives\u2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"135\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"The Sheep Detectives\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/TheSheepDetectives-m-1.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Courtesy of Amazon MGM Studios\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Amazon MGM Studios <br \/>Role: George Hardy<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKyle Balda\u2019s comedy, adapted from the novel \u201cThree Bags Full,\u201d assembles an all-star voice cast that includes Julia Louis-Dreyfus and Bryan Cranston. The connective thread is Oscar nominee Hugh Jackman (\u201cLes Mis\u00e9rables\u201d) as shepherd George Hardy. This role could echo James Cromwell\u2019s path from \u201cBabe\u201d to a 1995 supporting nomination. With a respectable $126 million at the box office and Jackman\u2019s effortless likability, never a quality to take for granted, this one could strike a chord with a few voters.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: James Ortiz (\u201cProject Hail Mary\u201d) and Edward Norton (\u201cThe Invite\u201d)<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tActress: Inde Navarrette (\u2018Obsession\u2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"OBSESSION, Inde Navarrette, 2025. \u00a9 Focus Features \/Courtesy Everett Collection\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/MCDOBSE_UC013.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Focus Features\/Courtesy Everett Collection\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Focus Features <br \/>Role: Nikki Freeman<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIf \u201cGet Out\u201d had Daniel Kaluuya, \u201cObsession\u201d has Inde Navarrette. The horror breakout lives and dies by its star as the co-worker and hypnotized love interest, with Navarrette delivering a physical and fearless turn. Destined to go down as one of the year\u2019s most notable breakouts, Navarrette could become a critics\u2019 darling, and with the massive box office still accumulating, Focus Features will be giving her a much-deserved push.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: Emily Blunt (\u201cDisclosure Day\u201d) and Olivia Wilde (\u201cThe Invite\u201d)<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tActor: Robert Aramayo (\u2018I Swear\u2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"I Swear - CS16 30.07.24 loc:1 sc: 163 int Community Centre 82 - Irene &amp; Dottie introduce Tommy to John 83 - Tommy shows John how to maintain flowers &amp; clean up the ciggies 84 - Tommy leads John down corridor\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/I-Swear-RobertAramayo-PeterMullan-credit-Graeme-Hunter-1.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Graeme Hunter Pictures\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Sony Pictures Classics <br \/>Role: John Davidson<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe BAFTA controversy put \u201cI Swear\u201d <a href=\"https:\/\/variety.com\/2026\/film\/awards\/john-davidson-tourettes-tics-bafta-n-word-interview-1236671850\/\" rel=\"nofollow noopener\" target=\"_blank\">in the headlines<\/a> (not the way the indie studio had intended), and it managed to bury the real story \u2014 Robert Aramayo very much deserved his BAFTA win. As a man living with Tourette syndrome, the 33-year-old English actor delivers an invigorating, deeply human turn that managed to top Timoth\u00e9e Chalamet and Michael B. Jordan for the leading actor prize on merit. While it won\u2019t be eligible for BAFTA, its U.S. release this year puts it in contention for the Golden Globes, Critics Choice and Oscars. If enough voters watch, they can see why the performance was awarded.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: Ryan Gosling (\u201cProject Hail Mary\u201d) and Seth Rogen (\u201cThe Invite\u201d)<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tDirector: Phil Lord and Chris Miller (\u2018Project Hail Mary\u2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Project Hail Mary\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/Project-Hail-Mary.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Amazon MGM Studios\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Amazon MGM Studios<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe \u201cLego Movie\u201d and \u201c21 Jump Street\u201d duo make their live-action sci-fi leap with this adaptation of Andy Weir\u2019s novel, and it is their most ambitious swing. Oscar history has not been kind to directing partnerships. Only four teams have ever been nominated together: Robert Wise and Jerome Robbins for \u201cWest Side Story\u201d (1961, winners); Warren Beatty and Buck Henry for \u201cHeaven Can Wait\u201d (1978); Joel and Ethan Coen for \u201cNo Country for Old Men\u201d (2007, winners) and again for \u201cTrue Grit\u201d (2010); and Daniel Kwan and Daniel Scheinert for \u201cEverything Everywhere All at Once\u201d (2022, winners). Lord and Miller have a real shot at making the list if the studio can craft the right narrative for the duo.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: Curry Barker (\u201cObsession\u201d) and Olivia Wilde (\u201cThe Invite\u201d)<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tBest Picture: \u2018Michael\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/variety.com\/wp-content\/themes\/pmc-variety-2020\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"MICHAEL, from left: Rhyan Hill as Tito Jackson, Jaafar Jackson as Michael Jackson, Tre' Horton as Marlon Jackson, 2026. ph: Glen Wilson \/ \u00a9 Lionsgate \/ Courtesy Everett Collection\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/06\/MCDMICH_LG039.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: \u00a9Lions Gate\/Courtesy Everett Collection\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDistributor: Lionsgate <br \/>Producers: Graham King, John Branca, John McClain<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSocial media isn\u2019t ready to accept this premise.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tEvery season has an unofficial \u201cOscar villain.\u201d Look back at \u201cEmilia P\u00e9rez,\u201d \u201cBohemian Rhapsody,\u201d \u201cGreen Book,\u201d and the list goes on. This year, that villain has a billion dollars and a moonwalk.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHere\u2019s the thing: \u201cMichael\u201d doesn\u2019t need critics. All it needs is the Academy\u2019s populist wing, the same bloc that widened best picture to 10 slots precisely to make room for movies the public embraced. Jaafar Jackson\u2019s dynamic transformation into the King of Pop will be a talking point, along with Colman Domingo, who gives the film its antagonistic gravity. Add in the craft branches \u2014 especially for editing, makeup and hairstyling and sound \u2014 and you hand voters plenty of reasons to check the box. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOther considerations: \u201cThe Invite\u201d and \u201cProject Hail Mary\u201d<\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"The Oscar race is never won in June, but some would like it to be. The first six&hellip;\n","protected":false},"author":2,"featured_media":558745,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[268],"tags":[434,18,117,19,17,19695,7012,973,147936],"class_list":["post-558744","post","type-post","status-publish","format-standard","has-post-thumbnail","category-celebrities","tag-celebrities","tag-eire","tag-entertainment","tag-ie","tag-ireland","tag-michael","tag-oscars","tag-taylor-swift","tag-the-invite"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/116829190320589272","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/558744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=558744"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/558744\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/558745"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=558744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=558744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=558744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}