{"id":56911,"date":"2025-09-11T08:55:11","date_gmt":"2025-09-11T08:55:11","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/56911\/"},"modified":"2025-09-11T08:55:11","modified_gmt":"2025-09-11T08:55:11","slug":"long-lost-scent-of-smell-o-vision-revived-for-new-exhibition","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/56911\/","title":{"rendered":"Long-Lost Scent of &#8216;Smell-O-Vision&#8217; Revived for New Exhibition"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tGoing to the cinema today has become a multisensory experience as filmmakers push the boundaries of engaging audiences on a deeper, more immersive level, moving beyond the simple act of watching a film. With technology evolving, sight and sound have been the primary tools of cinematic storytelling; innovators have explored ways to incorporate other senses, particularly smell and touch, into the movie-going experience.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/MBDSCOF_EC076.jpg\" alt=\"\" data-lazy- data-lazy- height=\"762\" width=\"1024\"\/><\/p>\n<p>\t\t\t\t\tDenholm Elliott and Peter Lorre, in a scene from <a href=\"https:\/\/deadline.com\/tag\/scent-of-mystery\/\" id=\"auto-tag_scent-of-mystery\" data-tag=\"scent-of-mystery\" rel=\"nofollow noopener\" target=\"_blank\">Scent of Mystery<\/a><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOne film in particular, Scent of Mystery (1961), starring Denholm Elliot and Peter Lorre, attempted to create this sensory experience for the first time, calling it Smell-O-Vision. Designed to release scents into the theater at key moments in the plot, as the aromas were often integral to the story. with a character\u2019s distinctive perfume or a villain\u2019s American pipe tobacco providing important clues. <a href=\"https:\/\/deadline.com\/tag\/elizabeth-taylor\/\" id=\"auto-tag_elizabeth-taylor\" data-tag=\"elizabeth-taylor\" rel=\"nofollow noopener\" target=\"_blank\">Elizabeth Taylor<\/a> had a brief, uncredited cameo role in the film Scent of Mystery. She played \u201cThe Woman of Mystery,\u201d a character who is being pursued throughout the movie, and her identity is a key part of the plot\u2019s resolution.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/MBDSCOF_EC055.jpg\" alt=\"\" data-lazy- data-lazy- height=\"1024\" width=\"808\"\/><\/p>\n<p>\t\t\t\t\tSCENT OF MYSTERY, Elizabeth Taylor, making a cameo appearance in her son-in-law Michael Todd, Jr.\u2019s, film, Scent of Mystery<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tAlthough Taylor\u2019s fragrance for her character, Sally Kennedy, was trademarked and teased for commercial release, the fragrance was never brought to market, and thus, the scent was lost to the silver screen.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSix decades later, the Olfactory Art Keller gallery exhibition, Her Scent of Mystery,\u00a0 centered on the rediscovery and reimagining of Scent of Mystery, the long-lost perfume originally created for the 1960 Smell-O-Vision film of the same name, co-curated by scent historians Jas Brooks and Tammy Burnstock.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/NadiaRoden2.jpeg\" alt=\"A Nadia Roden animated cel from the documentary film, \u201cIn Glorious Smell-O-Vision! The True Story of the Godfather of Scented Cinema\u201d (2019)\" data-lazy- data-lazy- height=\"744\" width=\"1024\"\/><\/p>\n<p>\t\t\t\t\tA Nadia Roden animated cel from the documentary film, \u201cIn Glorious Smell-O-Vision! The True Story of the Godfather of Scented Cinema\u201d (2019)<\/p>\n<p>\t\t\t\t\t\t\t\t\tOlfactory Art Keller<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBrooks and Burnstock partnered with acclaimed perfumer Marissa Zappas to reconstruct the scent using archival research, chemical analysis, and creative interpretation. Inspired by a surviving sample of Raoul Pantaleoni\u2019s lost 60-ingredient formulation, the revived perfume captures what the film\u2019s novelization described as \u201cthe girl at the far end of the rainbow:\u201d an unattainable ideal glimpsed only in passing. The reconstructed fragrance is presented in a custom handblown flacon by glass artist Mark Eliott, accompanied by a sample of the original oxidized perfume used in the analysis.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/MBDSCOF_EC065.jpg\" alt=\"\" data-lazy- data-lazy- height=\"826\" width=\"1024\"\/><\/p>\n<p>\t\t\t\t\tproducer Mike Todd Jr. with Han Laube and his invention, which allowed audiences to experience odors while viewing the film, 1960<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe exhibition presents this reinterpretation alongside archival material that traces the perfume\u2019s curious journey: from cinematic plot point to unrealized product. Highlights include illustrations by Nadia Roden showing the mechanics of the original Smell-O-Vision system, rare promotional items, and evidence suggesting the perfume may have been developed to be distributed by a major perfume house (Schiaparelli).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOne original bottle, preserved by Susan Todd (daughter of producer Mike Todd Jr.), hints at a commercial vision that never came to be. Her Scent of Mystery also illuminates Taylor\u2019s connection to the original film. More than a cameo, she was a major financial backer of Scent of Mystery and its Smell-O-Vision technology, reportedly investing between $1.5 and $2 million in the production. Her belief in the emotional power of fragrance would reemerge decades later with her own perfume line.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/GettyImages-515257788.jpg\" alt=\"\" data-lazy- data-lazy- height=\"1019\" width=\"1024\"\/><\/p>\n<p>\t\t\t\t\tActress Elizabeth Taylor and husband Eddie Fisher, are shown as they attended the premiere of Mike Todd Jr.\u2019s \u201cSmell-O-Vision\u201d scented mystery movie, Scent of Mystery, at the Warner Theater.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tHowever, it\u2019s worth noting that other films have used similar scent-based gimmicks. The most famous of these is the 1981 John Waters film Polyester, which used a \u201cscratch-and-sniff\u201d card system called \u201cOdorama.\u201d More recently, the 2011 film Spy Kids 4: All the Time in the World also used a scratch-and-sniff card system, which it called \u201cAroma-Scope.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIn November 2017, the Hollywood Bowl presented a \u201clive-to-film\u201d event for Willy Wonka &amp; the Chocolate Factory. As part of a \u201cSmell-O-Rama\u201d experience, audience members were given Scratch-N-Sniff Golden Tickets. These cards contained different scents that were cued to specific moments in the film, allowing viewers to smell along with the movie.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tDecades before celebrity fragrances became mainstream, Scent of Mystery envisioned scent as both a storytelling tool and a brand extension. As Brooks and Burnstock suggest, this forgotten perfume marks a singular moment in cinematic history: when perfume, persona, and projection first collided on-screen.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe exhibition is on display at Olfactory Art Keller, located at 25A Henry Street in New York City, and will run through September 20.<\/p>\n","protected":false},"excerpt":{"rendered":"Going to the cinema today has become a multisensory experience as filmmakers push the boundaries of engaging audiences&hellip;\n","protected":false},"author":2,"featured_media":56912,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[263],"tags":[18,25635,117,19,17,327,41123],"class_list":{"0":"post-56911","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-eire","9":"tag-elizabeth-taylor","10":"tag-entertainment","11":"tag-ie","12":"tag-ireland","13":"tag-movies","14":"tag-scent-of-mystery"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/56911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=56911"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/56911\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/56912"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=56911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=56911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=56911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}