{"id":61232,"date":"2025-09-13T07:58:09","date_gmt":"2025-09-13T07:58:09","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/61232\/"},"modified":"2025-09-13T07:58:09","modified_gmt":"2025-09-13T07:58:09","slug":"two-more-staffers-fired-from-kennedy-center-after-trump-takeover","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/61232\/","title":{"rendered":"Two More Staffers Fired from Kennedy Center after Trump Takeover"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tGood Morning!<\/p>\n<ul class=\"wp-block-list\">\n<li>In the latest shake-up since President Trump\u2019s takeover of the <a href=\"https:\/\/www.artnews.com\/t\/kennedy-center\/\" id=\"auto-tag_kennedy-center\" data-tag=\"kennedy-center\" rel=\"nofollow noopener\" target=\"_blank\">Kennedy Center<\/a>, two more key staffers have been laid off.<\/li>\n<li>Canadian artist Armand Vaillancourt is demanding San Francisco officials cease and desist from deaccessioning and potentially destroying the 1971 city fountain that bears his name.<\/li>\n<li>Two Nazi-looted still life paintings by 17th-century Dutch artist Abrosius Bosschaert are believed to have surfaced from an abandoned safety deposit box.\u00a0<\/li>\n<\/ul>\n<p>\t\tThe Headlines\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>MORE KENNEDY CENTER CUTS<\/strong>. The\u00a0<strong>Kennedy Center<\/strong>\u00a0has fired the head of its jazz programming, as well as the last member of its social impact team, reports the\u00a0<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D75a59579de142911a62dd7b63effd7c5a20be3a6fa060ad7ff974a0fa8e1f3a003863c7d30af9b279e5c002dc31605497cf29d4f9aa2417f&amp;data=05%7C02%7Chjacobs%40artnews.com%7C5dae44bca5e046966e1e08ddf1fd6f21%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638932793010869647%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=vPyj6ZBOn8bkvqQyrlAoJ%2BJ5P2R9SHY4LBCWOaGkBog%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Washington Post<\/a>.\u00a0<strong>Kevin Struthers<\/strong>, senior director, music programming, and\u00a0<strong>Malka Lasky\u00a0<\/strong>, a social impact staffer and coordinator for the center\u2019s free Millennium Stage shows, were laid off on Wednesday with no explanation, per reports. The firings are the latest shake-ups to roil the center since\u00a0<strong>President Donald Trump<\/strong>\u00a0took over the institution, ousted its former leaders, and replaced them with his own political allies. Trump is currently chairman of the Washington D.C. art center\u2019s board of trustees.<\/p>\n<p>\t\tRelated Articles<\/p>\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/1098021808.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/1098021808.jpg\" alt=\"PARIS, FRANCE - JANUARY 22: Giorgio Armani walks the runway during the Giorgio Armani Prive Spring io 2019 show as part of Paris Fashion Week on January 22, 2019 in Paris, France. (Photo by Pascal Le Segretain\/Getty Images)\" data-lazy- data-lazy- height=\"\" width=\"\"\/><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>CEASE AND DESIST<\/strong>. The Canadian artist who made the iconic\u00a0<strong>Brutalist<\/strong>\u00a0water fountain in San Francisco\u2019s Embarcadero Plaza,\u00a0<strong>Armand Vaillancourt<\/strong>, 96, has sent a cease-and-desist letter via his lawyer, in an attempt to block plans to demolish the art piece made in 1971, reports the\u00a0<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D75a59579de142911306183e13651c413ff77ebd4554c659c75dfb2b4544938b7fd0490b41599149f3bf900f89f0c1f3039adec7723644575&amp;data=05%7C02%7Chjacobs%40artnews.com%7C5dae44bca5e046966e1e08ddf1fd6f21%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638932793010887125%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=bh8ecO2PBEae%2FYkyIQuBXICVjwl1EGfbhXPOwwwUDLs%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Art Newspaper<\/a>. A redevelopment project by the city\u2019s\u00a0<strong>Recreation and Parks Department<\/strong>\u00a0specifically requires that the\u00a0<strong>San Francisco Arts Commission<\/strong>, which owns the sculpture, \u201cproceed with the formal deaccession of the Vaillancourt Fountain \u2026 and its removal.\u201d The sculpture remains fenced off today, because it is crumbling in parts, and considered a hazardous risk. News of the plans have sparked a fierce outcry from groups demanding the sculpture be preserved. The artist is among them, and his letter sent via a lawyer, dated August 29, demands all those involved, \u201cimmediately cease and desist from taking any steps whatsoever that may endanger or damage the Vaillancourt Fountain.\u201d<\/p>\n<p>\t\tThe Digest\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tTwo floral still life paintings by Dutch artist\u00a0<strong>Abrosius Bosschaert\u00a0<\/strong>(1573-1621), that were looted by Nazis and French collaborators, appear to have surfaced at an Ohio auction house. The paintings were recovered from an abandoned safety deposit box, and if authenticated, will be returned to the descendants of\u00a0<strong>Adolphe and Luci Haas Schloss<\/strong>, a Jewish family of art collectors who lived in Paris during World War II. [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D75a59579de1429111d1d6bacb31bda58b43eea762466aae5733e217ebca6fe6561948c844f0a0d1c00e778862ed16d34e3a31f4da8f92004&amp;data=05%7C02%7Chjacobs%40artnews.com%7C5dae44bca5e046966e1e08ddf1fd6f21%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638932793010925258%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=wHH%2BIbbJnxht%2BHuhUwHj46xKMjwAMLuotrwpyeVfu8U%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">The Columbus Dispatch<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tIn his will,<strong>\u00a0Giorgio Armani<\/strong>\u00a0named\u00a0<strong>LVMH<\/strong>\u00a0and\u00a0<strong>L\u2019Or\u00e9al\u00a0<\/strong>among his preferred buyers of his private luxury label, kicking off a competition to take control of his namesake brand.\u00a0<strong>Luxottica<\/strong>\u00a0was also named among the three preferred buyers. The designer who died last week at the age of 91 was also an active arts patron. [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D75a59579de142911deff14617444111c2df62458a7b7d1143328135669eeee333da3a00f2c4886b549aeb68dfd96a435785cce9cb4319ca9&amp;data=05%7C02%7Chjacobs%40artnews.com%7C5dae44bca5e046966e1e08ddf1fd6f21%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638932793010943712%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=fl%2Fj7%2B8Nu3K%2B06EkqUahO%2FMnwuNPyDDRsxLkiz1lnjI%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">The Financial Times<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe\u00a0<strong>Maison Europ\u00e9enne de la Photographie (MEP)<\/strong>\u00a0in Paris has fired its director,\u00a0<strong>Simon Baker<\/strong>, and is quickly looking for a replacement. Baker was selected to lead the French museum after heading the photography department in London\u2019s\u00a0<strong>Tate Modern<\/strong>, and for seven years, presented acclaimed international exhibitions. According to reports, his firing comes after he was the subject of an internal investigation conducted at the museum for \u201cpsychological harassment,\u201d and the departure of several staff. [\u00a0<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D75a59579de142911b00ab8d938b6bc3d5609a60fba927168393232e3ac021d1f296e9da5809de27e8733ff3aa3bf6f1dca1ab4cda86319d7&amp;data=05%7C02%7Chjacobs%40artnews.com%7C5dae44bca5e046966e1e08ddf1fd6f21%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638932793010968152%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=fR%2FrNO%2BGO7QCU%2F2mZypqPQJInrl3%2BdQlQ93A9tY8jN8%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Le Monde<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tSevere drought in Iraqu\u2019s Khanke northern region is causing a humanitarian crisis, as well as exposing about 40 of ancient tombs believed to be about 2,300 years old, located along the banks of the receding\u00a0<strong>Mosul Dam<\/strong>. More archaeological sites are expected to surface as the water level drops, according to researchers. [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D75a59579de142911ae0d27d99384bc13b607f1c1714827396b083cd07aebad837b42f8a69e337ada5a746f1f94875d62653dcc3b139a24f6&amp;data=05%7C02%7Chjacobs%40artnews.com%7C5dae44bca5e046966e1e08ddf1fd6f21%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638932793010991534%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=5ot9luX%2FjQbEvWfLr2TzRxJXIFncnmmqS%2B0DYUx25k0%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">France 24 and AFP<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tFive people have pulled out of a September 15th seminar about Jews living in Paris, to be held at the\u00a0<strong>Mus\u00e9e d\u2019art et d\u2019histoire du Judaisme<\/strong>\u00a0in the French capital. They said the cancellation was in protest against\u00a0<strong>Hebrew University of Jerusalem\u2019s<\/strong>\u00a0funding for the travel expenses of another researcher and participant,\u00a0<strong>Elisheva Baumgarten<\/strong>. However, Baumgarten and several Israeli universities have been outspoken against\u00a0<strong>Benjamin Netanyahu\u00a0<\/strong>\u2019s government and have publicly called for a ceasefire in Gaza. \u201cThe university is one of the strongest forces against the current government and the war,\u201d said two Israeli academics in a\u00a0Le Monde\u00a0editorial. \u201cBy boycotting us, our colleagues are not helping the Palestinians of Gaza.\u201d [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D75a59579de142911e5394d13a52c6145a591da54eba8ee9f8264bd412f0d5e1fdcfba5a832a582ad393ddbac7406e4ade8088ec2ba5712a1&amp;data=05%7C02%7Chjacobs%40artnews.com%7C5dae44bca5e046966e1e08ddf1fd6f21%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638932793011014281%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=kMfXu7gYSvK4iAxJUB37%2B%2BCKp6hD75LUBi6t2RNDkao%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Le Monde<\/a>]<\/p>\n<p>\t\tThe Kicker\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t<strong>WHAT ABOUT HUMANITY?\u00a0<\/strong>Art critic<strong>\u00a0<\/strong>Emily Watlington takes readers on a tour of the\u00a0<strong>S\u00e3o Paul Bienal<\/strong>\u00a0\u00a0and the central themes it explores, for her latest\u00a0<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D75a59579de142911d981d1d91eb4df1c12abd283cbe8bfeefae6a284cd6a0922435f5ee4c1e5928b9d9e867fea3d35ee2de250dceb0d85cf&amp;data=05%7C02%7Chjacobs%40artnews.com%7C5dae44bca5e046966e1e08ddf1fd6f21%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638932793011032038%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=h8YEbFIa4pZF0UejSnqJoUw%2BjSivdD1qLI8YQgtOyMQ%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Art in America<\/a>\u00a0read. The broad question of \u201cwhat it means to be human\u201d is certainly at the crux of the exhibition, but so is the way birds ignore borders, and how estuaries and tributaries are structured. On that note, connections between waterways reaching from \u201cthe river to the sea,\u201d were also repeatedly mentioned by show organizers, in an echo of the pro-Palestinian slogan, Watlington notes. \u201cThe show is more about thriving than surviving, with a selection of works that insist emphatically on all of humanity\u2019s right to beauty and dreaming and play,\u201d she observes. Watlington goes on to give her thoughtful takes on outstanding works by Brazilian artist\u00a0<strong>Gervane de Paula<\/strong>, Hatian painter and poet\u00a0<strong>Frank\u00e9tienne<\/strong>,\u00a0<strong>Sharon Hayes<\/strong>,\u00a0\u00a0<strong>Nguyen Trinh-Thi, Leonel V\u00e1squez<\/strong>, and\u00a0<strong>Myriam Omar Awadi,\u00a0<\/strong>to name a few.<\/p>\n","protected":false},"excerpt":{"rendered":"Good Morning! In the latest shake-up since President Trump\u2019s takeover of the Kennedy Center, two more key staffers&hellip;\n","protected":false},"author":2,"featured_media":61233,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[365,362,363,364,366,18,117,19,17,43593,43594],"class_list":{"0":"post-61232","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-artsdesign","12":"tag-design","13":"tag-eire","14":"tag-entertainment","15":"tag-ie","16":"tag-ireland","17":"tag-kennedy-center","18":"tag-morning-links"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/61232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=61232"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/61232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/61233"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=61232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=61232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=61232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}