{"id":626992,"date":"2026-08-08T11:43:33","date_gmt":"2026-08-08T11:43:33","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/626992\/"},"modified":"2026-08-08T11:43:33","modified_gmt":"2026-08-08T11:43:33","slug":"incredible-photo-collection-featuring-works-by-nan-goldin-and-diane-arbus-goes-on-tour","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/626992\/","title":{"rendered":"Incredible Photo Collection Featuring Works by Nan Goldin and Diane Arbus Goes on Tour"},"content":{"rendered":"<p>      <img src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/01_Mario-Giacomelli_Io-non-ho-mani-che_1961-63-800x601.jpg\" alt=\"Several men in long black cassocks play in the snow, with one figure leaping in the background and another standing in the foreground.\" width=\"800\" height=\"601\" class=\"size-large wp-image-866124\"   loading=\"eager\" fetchpriority=\"high\" decoding=\"sync\"\/>Mario Giacomelli (Italian, 1925\u2013 2000) Io non ho mani che mi accarezzino il volto (There Are No Hands to Caress My Face), 1961\u201363 Gelatin silver print, 11 7\/8 x 15 7\/8 in. Portland Museum of Art, Maine. Promised Gift from the Judy Glickman Lauder Collection, 6.2018.17 Courtesy Archivio Mario Giacomelli \u00a9 Simone Giacomelli <\/p>\n<p>An extraordinary picture collection spanning 100 works by photographers including Diane Arbus, Dorothea Lange, Richard Avedon, Nan Goldin, and Edward Steichen will be on view at museums across the United States.<\/p>\n<p><a href=\"https:\/\/www.amfedarts.org\/\" target=\"_blank\" rel=\"follow external noopener nofollow\" data-wpel-link=\"external\">The American Federation of Arts (AFA)<\/a> announces the launch of the new traveling exhibition <a href=\"https:\/\/www.amfedarts.org\/presence-the-photography-collection-of-judy-glickman-lauder\/\" target=\"_blank\" rel=\"follow external noopener nofollow\" data-wpel-link=\"external\">Presence: The Photography Collection of Judy Glickman Lauder<\/a>, featuring photographs by more than 50 photographers and artists.<\/p>\n<p> <img src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/02_Nan-Goldin_Self-portrait-in-kimono-with-Brian_1983-800x529.jpg\" alt=\"A man and a woman sit back-to-back on a bed in a dimly lit room, with a framed photograph of a man hanging on the wall behind them.\" width=\"800\" height=\"529\" class=\"size-large wp-image-866126\"   loading=\"lazy\" fetchpriority=\"low\" decoding=\"async\"\/>Nan Goldin (American, b. 1953) Self-Portrait in Kimono with Brian, New York, 1983 Cibachrome print, 24 1\/2 x 32 in. Portland Museum of Art, Maine. Promised Gift from the Judy Glickman Lauder Collection, 9.2019.1 \u00a9 Nan Goldin <img src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/06_Norman-Seeff_Robert-Mapplethorpe-and-Patti-Smith_1969-800x533.jpg\" alt=\"A young man and woman pose together in a kitchen, with the woman leaning her arm on the man's shoulder.\" width=\"800\" height=\"533\" class=\"size-large wp-image-866130\"   loading=\"lazy\" fetchpriority=\"low\" decoding=\"async\"\/>Norman Seeff (American, born South Africa, b. 1939) Robert Mapplethorpe and Patti Smith, New York, 1969 Archival pigment print, 15 x 22 in. Portland Museum of Art, Maine. Promised Gift from the Judy Glickman Lauder Collection, 1.2016.1 Courtesy the artist <img src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/10_Steve-Schapiro_Martin-Luther-King-Jr.-Selma-Alabama_1965-534x800.jpg\" alt=\"A close-up, black-and-white portrait of Martin Luther King Jr. looking off to the side, surrounded by other men in a crowd.\" width=\"534\" height=\"800\" class=\"size-large wp-image-866123\"   loading=\"lazy\" fetchpriority=\"low\" decoding=\"async\"\/>Steve Schapiro (American, 1934\u2013 2022) Martin Luther King Jr., Selma, Alabama, 1965 Gelatin silver print, 18 7\/8 x 12 3\/4 in. Portland Museum of Art, Maine. Promised Gift from the Judy Glickman Lauder Collection, 10.2010.8 \u00a9 Steve Schapiro. Courtesy Monroe Gallery, Sante Fe, NM <\/p>\n<p>Spanning movements from Pictorialism and social documentary to Surrealism and street photography, this compelling exploration of photography\u2019s engagement with the human experience features works by some of the most celebrated photographers of the 20th century. Following its world premiere at the Southampton Arts Center in Southampton, New York, Presence will continue traveling to museum audiences across the United States.<\/p>\n<p> <img src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/03_Graciela-Iturbide_Mujer-Angel_1980-1-800x571.jpg\" alt=\"A person with long dark hair, wearing a long skirt and top, stands on a rocky hillside holding a boombox while looking out over a desert landscape.\" width=\"800\" height=\"571\" class=\"size-large wp-image-866138\"   loading=\"lazy\" fetchpriority=\"low\" decoding=\"async\"\/>Graciela Iturbide (Mexican, b. 1942) Mujer \u00c1ngel (Angel Woman), Sonora Desert, 1980 Gelatin silver print, 16 x 22 3\/8 in. Portland Museum of Art, Maine. Promised Gift from the Judy Glickman Lauder Collection, 4.2008.3 Courtesy the artist <\/p>\n<p>\u201cThis collection brings together some of the most influential voices in 20th century photography, offering a powerful reflection on how we see and understand one another. As Presence travels to museums across the country, it affirms the AFA\u2019s belief that art should be accessible to communities everywhere. We hope visitors leave with a deeper appreciation for photography\u2019s ability to connect us across time and place,\u201d says Pauline Forlenza, the Director and CEO of the American Federation of Arts.<\/p>\n<p>Judy Glickman Lauder is internationally recognized as an acclaimed photographer, philanthropist, and author known for her significant contributions to photography and history. Glickman Lauder\u2019s early years involved posing for her photographer father Irving Bennett Ellis who documented her growth from infancy to adulthood, resulting in the iconic <a href=\"https:\/\/www.youtube.com\/watch?v=qBWVWjdNWC0\" target=\"_blank\" rel=\"follow external noopener nofollow\" data-wpel-link=\"external\">\u201cTurn Around\u201d television commercial for Kodak<\/a> in the 1960s. The experience sparked her own lifelong passion for the medium.<\/p>\n<p><img src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/13_Melonie-Bennett_Suzie-Bahama-Beach-Club-Portland-Maine_1996-800x535.jpg\" alt=\"A woman laughs with her head tilted back in front of an air hockey table, while two men stand nearby in a dimly lit room with a Smirnoff sign on the wall.\" width=\"800\" height=\"535\" class=\"aligncenter size-large wp-image-866134\"   loading=\"lazy\" fetchpriority=\"low\" decoding=\"async\"\/><\/p>\n<p> <img src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/15_Lotte-Jacobi_Head-of-a-Dancer_1929-800x639.jpg\" alt=\"A close-up, black-and-white portrait of a woman wearing a large, dark, wide-brimmed hat that frames her face.\" width=\"800\" height=\"639\" class=\"size-large wp-image-866137\"   loading=\"lazy\" fetchpriority=\"low\" decoding=\"async\"\/>Lotte Jacobi (American, 1896\u2013 1990) Head of a Dancer (Niura Norskaya), Berlin, 1929 Gelatin silver print, 7 1\/2 x 9 3\/8 in. Portland Museum of Art, Maine. Promised Gift from the Judy Glickman Lauder Collection, 7.1998.32 <\/p>\n<p>\u201cI hope that visitors are moved by the emotional presence and lasting power of these images,<br \/>just as I was,\u201d says Judy Glickman Lauder. \u201cPhotography connects us to history while reminding us that we are a part of its ongoing story. It has the power to tell authentic, compassionate stories about what it means to be human. <\/p>\n<p>\u201cWorking with the American Federation of Arts has been a true collaboration, rooted in a shared belief of access, connection, and dialogue. I\u2019ve been thrilled to work with the AFA team,\u201d  Glickman Lauder. <\/p>\n<p><a href=\"https:\/\/www.amfedarts.org\/presence-the-photography-collection-of-judy-glickman-lauder\/\" target=\"_blank\" rel=\"follow external noopener nofollow\" data-wpel-link=\"external\">Presence: The Photography Collection of Judy Glickman Lauder <\/a>will travel to the Southampton Arts Center (July 25\u2013September 27), Sarasota Art Museum (October 18, 2026\u2013April 4, 2027), the Gibbes Museum of Art in Charleston (May 28\u2013August 29, 2027), and the Lowe Art Museum at the University of Miami (September 30, 2027\u2013February 26, 2028).<\/p>\n<p> Affiliate Disclosure PetaPixel articles may include affiliate links; we may earn a commission if you buy through one. <\/p>\n","protected":false},"excerpt":{"rendered":"Mario Giacomelli (Italian, 1925\u2013 2000) Io non ho mani che mi accarezzino il volto (There Are No Hands&hellip;\n","protected":false},"author":2,"featured_media":626993,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[267],"tags":[365,362,363,364,366,184332,18,117,101049,19,17,138005,145894,68910,38641],"class_list":["post-626992","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-dianearbus","tag-eire","tag-entertainment","tag-exhibit","tag-ie","tag-ireland","tag-nangoldin","tag-photocollection","tag-streetphotography","tag-surrealism"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/117059715955891685","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/626992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=626992"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/626992\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/626993"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=626992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=626992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=626992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}