{"id":634161,"date":"2026-08-13T01:37:26","date_gmt":"2026-08-13T01:37:26","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/634161\/"},"modified":"2026-08-13T01:37:26","modified_gmt":"2026-08-13T01:37:26","slug":"marin-weaver-creates-work-for-the-odyssey-marin-independent-journal","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/634161\/","title":{"rendered":"Marin weaver creates work for \u2018The Odyssey\u2019 \u2013 Marin Independent Journal"},"content":{"rendered":"<p>Hanging in the Meinolf Weaving School in San Anselmo is a rare piece of movie history. Surrounded by colorful creations by owner Travis Meinolf and the school\u2019s other weavers, this special purple weaving Meinolf created plays a prominent role in \u201cThe Odyssey,\u201d Christopher Nolan\u2019s recent summer blockbuster.<\/p>\n<p>It\u2019s the piece Penelope, Odysseus\u2019 wife, who awaits his return in Ithaca, works on throughout the film, claiming that she\u2019ll marry one of her suitors once she finishes it, but every night undoes her work. Anne Hathaway, who plays Penelope, learned how to weave with Meinolf to bring this artistic craft authentically to the big screen.<\/p>\n<p>\u201cChristopher Nolan and Emma Thomas found me the most amazing, extraordinary teacher in Northern California who is an expert at weaving thread with ancient kinds of looms,\u201d Hathaway told MEGA Magazine in July. \u201cWe began with a simple starter loom and worked our way up to a much bigger one.<\/p>\n<p>\u201cThere was a moment when everything just clicked, like I was connecting with a skill that is foundational to being a human being. To be clear, it takes years to learn how to make something truly beautiful and intricate with a loom. But I am grateful I learned what I did so I cast the illusion of it and make you believe Penelope herself had spent years at her loom.\u201d<\/p>\n<p>The Lagunitas weaver, who has been teaching the craft for around 20 years, didn\u2019t hesitate when they got a cold call asking if they\u2019d be willing to work on a feature film that involved weaving.<\/p>\n<p>\u201cI love spreading knowledge of this practice through whatever means is made available to me. So I was just like, yes, yes, yes,\u201d said Meinolf, who learned later that the film in question was \u201cThe Odyssey.\u201d<\/p>\n<p>The props department wanted someone to create work for the film as well as teach Hathaway the ancient Greek weaving style that was period-appropriate for the film.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" lazyautosizes lazyload\" alt=\"A weaving made for &quot;The Odyssey&quot; hangs at the Meinolf Weaving School. (Courtesy of Travis Meinolf)\" width=\"4032\" data- src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/MIJ-L-WEAVING-COL-0813-03.jpeg\" data-attachment-id=\"9135368\" \/>A weaving made for &#8220;The Odyssey&#8221; hangs at the Meinolf Weaving School. (Courtesy of Travis Meinolf)<\/p>\n<p>\u201cThey knew me as somebody who was a more flexible weaving teacher, ready to cross cultures and techniques in order to provide the most simplified and best weaving experience for each person.<\/p>\n<p>\u201cThey knew that while I wasn\u2019t specializing in this very niche type of weaving, they knew that I was up for it, and so when I got the call and they described what they needed, I was like, I can bone up on that technique and build one of those kinds of looms, which I hadn\u2019t worked with for maybe over a decade.<\/p>\n<p>Rediscovering it with the help of people in my studio and seeing what I encountered and what they encountered really made me prepared for the intensive,\u201d said Meinolf, who worked with Hathaway for a few days as well as supported her on set during the film, including running over and unweaving what she did during the scene before the start of each new take.<\/p>\n<p>For Meinolf, who spent around two weeks in Los Angeles in early 2025 for the project, it was inspiring to be on set and see the dedication and care given to the movie, from the giant Cyclops Polyphemus being an actual huge puppet to hearing them discuss dyeing bows to get accurate colors and how to get wax into the actors\u2019 ears in another scene.<\/p>\n<p>\u201cIt was really amazing being behind the scenes for an artistic project with that level of detail,\u201d said Meinolf, who did around three months of prep work. \u201cWatching six guys pushing this giant IMAX camera closer and closer to look over Anne\u2019s shoulder at her hands doing the weaving and the details of weaving while she\u2019s having a discussion of royal family politics. Weaving is part of the movie, and I\u2019m very proud of that.\u201d<\/p>\n<p>Meinolf, who taught Hathaway on an ancient Greek-style weighted warp loom that they\u2019d built, was blown away by her acting.<\/p>\n<p>\u201cBefore she knew anything about what she was doing, her face looked like she had been doing it for 20 years,\u201d Meinolf said.<\/p>\n<p>\u201cOf course, designing the weaving pattern to be made was its own thing, looking at mood boards, talking about what kind of patterning I would actually be able to teach and what weavings I would actually be able to produce in the time frame that we had.\u201d<\/p>\n<p>When Meinolf was able to see the final film, they were struck by the \u201cvisual storytelling.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" lazyautosizes lazyload\" alt=\"Lagunitas weaver Travis Meinoff worked on &quot;The Odyssey.&quot; (Alan Dep\/Marin Independent Journal)\" width=\"3600\" data- src=\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/MIJ-L-SNAPMEINOLF-0911-02.jpg\" data-attachment-id=\"7814247\" \/><\/p>\n<p>Alan Dep\/Marin Independent Journal<\/p>\n<p>Lagunitas weaver Travis Meinoff worked on &#8220;The Odyssey.&#8221;  (Alan Dep\/Marin Independent Journal)<\/p>\n<p>\u201cI\u2019m excited that that weaving is recorded there alongside everything else,\u201d Meinolf said. \u201cLooking at the cinematography of the whole film and thinking about people expressing themselves through images on cloth with the weaving in the movie, it made me think about the way film itself is a human expression of culture on textiles because it\u2019s these light images that are getting projected on there.\u201d<\/p>\n<p>Ultimately, Meinolf feels that the students they\u2019ve taught over the years helped prepare them for this opportunity.<\/p>\n<p>\u201cI got to shoot an interview for the film\u2019s extras. They asked me who I would send a thanks shoutout to, and I was like, every person who I have had a teaching experience with has helped me develop the way that I find the different lines into getting different people to understand how to weave, because not everybody conceptualizes it the same way, and especially with this time frame, it was like, OK, what\u2019s her attack? And having done it a thousand times made it possible.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Hanging in the Meinolf Weaving School in San Anselmo is a rare piece of movie history. Surrounded by&hellip;\n","protected":false},"author":2,"featured_media":634162,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[267],"tags":[365,362,7555,363,364,1374,366,18,117,19,17,268068,3521,3136,105154,327,2019,105156,9878,268067,9852,128472],"class_list":["post-634161","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-arts-and-entertainment","tag-artsanddesign","tag-artsdesign","tag-california","tag-design","tag-eire","tag-entertainment","tag-ie","tag-ireland","tag-lagunitas","tag-lifestyle","tag-local-news","tag-marin-county","tag-movies","tag-newsletter","tag-north-bay","tag-northern-california","tag-san-anselmo","tag-things-to-do","tag-west-marin"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/117085644708945211","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/634161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=634161"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/634161\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/634162"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=634161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=634161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=634161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}