![\"Danielle](\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2026\/08\/5191306_4_articleinlinemobile_ECHO_20FEATURES_20DOWNTOWN_20Danielle_20O_27Donovan_2c_20historian_20w.jpeg\" "\\"Danielle")
Danielle O\u2019Donovan, historian, with Michael McCarthy, CIFF digital marketing and development officer.\u00a0<\/p>\nAlongside the tour, CIFF is making a newly restored 1965 archive film about the festival available to watch online, offering a rare glimpse into Cork\u2019s film history and celebrating a legacy that continues to shape the city\u2019s cultural life.<\/p>\n
O\u2019Donovan is the director of the Butter Museum and says the idea to look at Cork\u2019s streets through the lens of film came from previous work she did on MacCurtain Street.<\/p>\n
\u201cWe did a Victorian Quarter (VQ) history trail, which you can see on the VQ website. That was more about the businesses that were on the street and how the street developed.\u201d<\/p>\n
O\u2019Donovan says that experience led naturally to a different way of looking at the street.<\/p>\n
\u201cI was asked to do something similar but in relation to film. The interaction between film and MacCurtain Street is interesting because there was so much. At one end of the street, for example, there is footage from 1902 of a tram travelling down MacCurtain Street, rounding the corner onto Bridge Street and going down Patrick\u2019s Bridge.\u201d<\/p>\n
O\u2019Donovan says that early filmmakers filmed locals coming out of factories, people walking down the street, and even the local fire brigade practising.<\/p>\n
\n \u201cThey tried to capture as many people\u2019s faces as possible, and as many places. Then, within a few days, they would show the film. People were so curious to see themselves and their hometown on the screen that they would come and see it.\u201d\n <\/p>\n
O\u2019Donovan is an architectural historian and says she loves exploring the history of places through a particular theme.<\/p>\n
Danielle O\u2019Donovan, historian, with Michael McCarthy, CIFF digital marketing and development officer.\u00a0<\/p>\n
\u201cFilm is such an amazing lens through which to explore a place. How did people start going to the cinema in Cork? The Cork International Film Festival is 71 years old, so the city had a taste for film. Where does that come from?\u201d<\/p>\n
The historian says there is so much to see in a small geographical area, including the Colosseum Cinema, which she describes as \u201ca beautiful early cinema.\u201d<\/p>\n
The first step on the walk is at the corner of St Patrick\u2019s Quay and Bridge Street, which is where cinema began in Cork, as O\u2019Donovan explains.<\/p>\n
\u201cOne of the earliest cinemas in Cork was the Assembly Rooms on South Mall. The Tivoli Theatre on Merchant\u2019s Quay and the Imperial Cinema on Oliver Plunkett Street opened a few short years later.\u201d<\/p>\n
O\u2019Donovan says the walking tour offers a chance to imagine the city as it was, and to consider what remains of that cinematic past.<\/p>\n
\n \u201cAs we talk about it, we can imagine all these places that were there and have since gone. One of the only buildings that\u2019s still an entertainment venue and publicly accessible is the Opera House. The Everyman is an important stop on the route and an essential part of Cork\u2019s film history.\u201d\n <\/p>\n
The tour is full of nuggets, including a mystery involving a Garda station.<\/p>\n
\u201cThere is a hilarious picture from the festival archive of a party taking place at number 58 MacCurtain Street, which was a Garda station. Why several high-profile film stars were in a Garda station having a sing-song is a mystery, but it\u2019s a fascinating one.\u201d<\/p>\n
The talk, which will be available as a podcast on CIFF\u2019s website, will also include details of the contribution to film by Alexander Wilkie and his son Archibald, who ran Wilkie\u2019s Photographic Studio in what is now the Spar on Patrick\u2019s Street.<\/p>\n
The walk will end at the Metropole, regarded by many as the home of the CIFF, as O\u2019Donovan explains.<\/p>\n
\n \u201cDermot Breen, who founded the festival in 1956, was the manager of the Everyman at the time, the Palace, as it was then, so it was the natural place for people to stay. It was such a luxurious hotel, and a lot of the famous people who came to the festival stayed there.\u201d\n <\/p>\n
A fascinating piece of Cork\u2019s film history, F\u00e9ile Scann\u00e1n Chorcaighe, Cork Film Festival offers a rare glimpse of the city and the festival six decades ago. Made in 1965 to mark the festival\u2019s tenth anniversary, the documentary was directed by Cork librarian and historian P\u00e1draig \u00d3 Maid\u00edn and rediscovered in 2018 by CIFF Director and CEO Fiona Clark during an office move. She says discovering the film was a remarkable moment of serendipity.<\/p>\n
\u201cTo uncover such a vivid record of Cork International Film Festival\u2019s early years, restore it with the IFI Irish Film Archive, and then premiere it during our 70th anniversary celebrations last November was a special milestone for the festival,\u201d she said.<\/p>\n
But the film offers more than a glimpse into the festival\u2019s past. As Clark explains, it also reveals the ambition behind its early years.<\/p>\n
\u201cThe film offers a rare insight into the ambition, energy and international outlook that defined the festival from its earliest days. More than a fascinating piece of archival footage, it is an invaluable record of Cork\u2019s cultural history, capturing not only a moment in time but the enduring vision of our founders.\u201d<\/p>\n
For Clark, that early vision remains evident in the festival today.<\/p>\n
\u201cWatching it today, you can see the foundations of the festival we continue to build on: bringing audiences together, welcoming filmmakers from around the world, and celebrating the power of cinema to connect people across generations.\u201d<\/p>\n