{"id":664402,"date":"2026-08-31T00:46:14","date_gmt":"2026-08-31T00:46:14","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/664402\/"},"modified":"2026-08-31T00:46:14","modified_gmt":"2026-08-31T00:46:14","slug":"coyote-vs-acme-viewed-as-unreleasable-by-warner-bros-just-beat-a-jacob-elordi-and-ridley-scott-movie-at-the-box-office","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/664402\/","title":{"rendered":"\u2018Coyote vs. Acme,\u2019 Viewed as Unreleasable by Warner Bros., Just Beat a Jacob Elordi and Ridley Scott Movie at the Box Office"},"content":{"rendered":"<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;Coyote vs. Acme,&#8221; a hybrid of animation and live action once deemed unreleasable, edged out an $80 million Jacob Elordi sci-fi adventure at the box office this weekend.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">It caps a stunning revival for the animated film, which Warner Bros. shelved <a data-ylk=\"slk:to use as a $30 million tax write-off;elm:context_link;itc:0;sec:content-canvas;\" data-yga=\"{&quot;yLinkElement&quot;:&quot;link&quot;,&quot;yLinkElementType&quot;:&quot;article_link&quot;}\" href=\"https:\/\/deadline.com\/2023\/11\/coyote-vs-acme-shelved-warner-bros-discovery-writeoff-david-zaslav-1235598676\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">to use as a $30 million tax write-off<\/a> before finally relenting and selling it to a little-known indie distributor, Ketchup Entertainment. Bolstered by an online rescue effort and strong reviews, &#8220;Coyote vs. Acme&#8221; debuted to $15.4 million, topping &#8220;The Dog Stars,&#8221; a $70 million Elordi vehicle that was directed by the legendary Ridley Scott. Despite its pedigree, &#8220;The Dog Stars&#8221; opened to just $8 million domestically for a fifth-place finish. It&#8217;s a huge bomb for Disney and 20th Century and one of the worst financial failures of Scott&#8217;s otherwise glittering career.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">&#8220;Coyote vs. Acme,&#8221; which deploys Looney Tunes characters to satirize the kind of corporate greed it was nearly a victim of, debuted in second place. Now, its grosses are hardly blockbuster level, but Ketchup (the company&#8217;s unusual moniker is a reference to its founder&#8217;s favorite condiment) has wisely limited its financial exposure to give it a greater chance of turning a profit. It spent $50 million to acquire &#8220;Coyote vs. Acme,&#8221; but <a data-ylk=\"slk:Deadline reports;elm:context_link;itc:0;sec:content-canvas;\" data-yga=\"{&quot;yLinkElement&quot;:&quot;link&quot;,&quot;yLinkElementType&quot;:&quot;article_link&quot;}\" href=\"https:\/\/deadline.com\/2026\/08\/box-office-coyote-vs-acme-dog-stars-spider-man-1237061934\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Deadline reports<\/a> that Ketchup sold foreign rights for $20 million. The distributor also didn&#8217;t spend a ton on marketing.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">So was Warner Bros. correct that a high-concept movie stuffed with cartoon characters was too brainy to score big at the box office? Would the studio have struggled to make back more than $70 million it spent to make &#8220;Coyote vs. Acme&#8221; and the tens of millions it would have shelled out to promote it? Possibly. But it&#8217;s not like the films that Warners went on to release this year have done much better commercially. In fact, &#8220;Coyote vs. Acme&#8217;s&#8221; opening is larger than those of many of the studio&#8217;s recent films, besting &#8220;Evil Dead Burn&#8221; ($13.7 million), &#8220;Lee Cronin&#8217;s The Mummy&#8221; ($13.5 million), &#8220;The Bride!&#8221; ($7 million), and &#8220;They Will Kill You&#8221; ($4.9 million). It trails only &#8220;Wuthering Heights&#8221; ($32.8 million), &#8220;Mortal Kombat II&#8221; ($38.5 million), and &#8220;Supergirl&#8221; ($37.1 million) in terms of the inaugural weekends of Warner&#8217;s 2026 offerings.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">For the team behind &#8220;Coyote vs. Acme&#8221; just getting an opportunity to share the film with audiences must <a data-ylk=\"slk:feel like a miracle;elm:context_link;itc:0;sec:content-canvas;\" data-yga=\"{&quot;yLinkElement&quot;:&quot;link&quot;,&quot;yLinkElementType&quot;:&quot;article_link&quot;}\" href=\"https:\/\/www.indiewire.com\/features\/interviews\/coyote-vs-acme-director-interview-1235212507\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">feel like a miracle <\/a>after David Zaslav nearly sentenced it to corporate oblivion. Having the movie actually make some decent money is just gravy.<\/p>\n<p class=\"mb-4 text-lg md:leading-8 break-words\">Sign up for <a data-ylk=\"slk:Indiewire&#039;s Newsletter;elm:context_link;itc:0;sec:content-canvas;\" data-yga=\"{&quot;yLinkElement&quot;:&quot;link&quot;,&quot;yLinkElementType&quot;:&quot;article_link&quot;}\" href=\"https:\/\/cloud.email.indiewire.com\/signup\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Indiewire&#8217;s Newsletter<\/a>. For the latest news, follow us on <a data-ylk=\"slk:Facebook;elm:context_link;itc:0;sec:content-canvas;\" data-yga=\"{&quot;yLinkElement&quot;:&quot;link&quot;,&quot;yLinkElementType&quot;:&quot;article_link&quot;}\" href=\"http:\/\/bit.ly\/31XsHSx\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Facebook<\/a>, <a data-ylk=\"slk:Twitter;elm:context_link;itc:0;sec:content-canvas;\" data-yga=\"{&quot;yLinkElement&quot;:&quot;link&quot;,&quot;yLinkElementType&quot;:&quot;article_link&quot;}\" href=\"http:\/\/bit.ly\/2TkcoeG\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Twitter<\/a>, and <a data-ylk=\"slk:Instagram;elm:context_link;itc:0;sec:content-canvas;\" data-yga=\"{&quot;yLinkElement&quot;:&quot;link&quot;,&quot;yLinkElementType&quot;:&quot;article_link&quot;}\" href=\"http:\/\/bit.ly\/2TntOHq\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Instagram<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"&#8220;Coyote vs. Acme,&#8221; a hybrid of animation and live action once deemed unreleasable, edged out an $80 million&hellip;\n","protected":false},"author":2,"featured_media":664403,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[263],"tags":[279132,41232,18,117,19,17,11490,120965,276123,327,54558,194721,250185,25131],"class_list":["post-664402","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-acme","tag-coyote","tag-eire","tag-entertainment","tag-ie","tag-ireland","tag-jacob-elordi","tag-ketchup","tag-ketchup-entertainment","tag-movies","tag-the-bride","tag-the-dog-stars","tag-warner","tag-warner-bros"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@ie\/117187364934293495","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/664402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=664402"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/664402\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/664403"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=664402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=664402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=664402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}