{"id":84945,"date":"2025-09-25T14:42:09","date_gmt":"2025-09-25T14:42:09","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/84945\/"},"modified":"2025-09-25T14:42:09","modified_gmt":"2025-09-25T14:42:09","slug":"glen-luchfords-new-exhibition-is-a-visual-orgy-of-photography","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/84945\/","title":{"rendered":"Glen Luchford\u2019s new exhibition is a \u2018visual orgy\u2019\u00a0of photography"},"content":{"rendered":"

From his teenage depictions of Brighton\u2019s skateboarders to his Hitchcockian-lit 90s Prada campaigns, Glen Luchford<\/a>\u2019s raw and vivid images have come to redefine a new visual language of fashion photography over the past three decades. Now, a new exhibition, Atlas<\/a>, dedicated to the British-born fashion photographer and portraitist, opens today (September 25) in Milan at the 10-Corso-Como Gallery. Running until November 11, the show marks Luchford\u2019s first-ever solo exhibition, conceived and designed by the photographer himself as a dynamic, site-specific journey through his oeuvre.\u00a0<\/p>\n

With a career spanning 30 years, his work has transgressed many visual binaries. Whether it be a melodramatically supine Stella Tennant bathed in a rosy Wong Kar Wai-esque light, the stony-faced model positioned strikingly next to a stuffed tiger in his SS17 Gucci campaign, or Sonic Youth guitarist Thurston Moore captured in dreamlike motion for the cover of Another Man<\/a>, Luchford\u2019s work is underpinned by a marriage between the cinematic and the subcultural.\u00a0<\/p>\n

Luchford\u2019s expansive visual universe, described by the photographer himself as a \u201cvisual orgy\u201d, will be displayed at 10-Corso-Como in a way that encompasses the full dynamism of his work. The exhibition will showcase some of the photographer\u2019s most famed shots and fashion campaigns, including his now-iconic images of a young Kate Moss<\/a>, taken while Luchford was still a self-taught photographer for The Face magazine.<\/p>\n

Luchford\u2019s distinct editorial imagery will be available to view in conjunction with collages, outtakes, mistakes and personal images, offering a unique and layered perspective into his working practice. Visitors will also be able to view a never-before-seen installation of his most notable fashion films, mirroring a connectivity between the static and the mobile (described by Luchford as \u201can in-between moment\u201d) that reinforces the filmic flavour of much of his work.\u00a0<\/p>\n

Glen Luchford\u2019s Atlas<\/a> is on display at 10-Corso-Como Gallery in Milan until 11 November 2025.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"From his teenage depictions of Brighton\u2019s skateboarders to his Hitchcockian-lit 90s Prada campaigns, Glen Luchford\u2019s raw and vivid…\n","protected":false},"author":2,"featured_media":84946,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[595,365,362,363,364,601,600,602,603,604,605,606,366,18,117,596,597,598,599,19,17,337],"class_list":{"0":"post-84945","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-art","9":"tag-arts","10":"tag-arts-and-design","11":"tag-artsanddesign","12":"tag-artsdesign","13":"tag-dazed","14":"tag-dazed-confused","15":"tag-dazed-confused-magazine","16":"tag-dazed-and-confused","17":"tag-dazed-and-confused-magazine","18":"tag-dazedconfused","19":"tag-dazeddigital","20":"tag-design","21":"tag-eire","22":"tag-entertainment","23":"tag-fashion","24":"tag-film","25":"tag-ideas","26":"tag-ideas-sharing-network","27":"tag-ie","28":"tag-ireland","29":"tag-music"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/84945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=84945"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/84945\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/84946"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=84945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=84945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=84945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}