\u00a0<\/p>\n
From the moment visitors enter the MIT Museum, their attention is drawn upward to Echelman\u2019s expansive net sculpture. Braided and hand-spliced fibers<\/strong><\/a> in shifting hues of orange and blue stretch across the atrium to form a canopy of color that hovers above the staircase. The multi-layered netting creates a sense of movement as natural light filters through during the day and programmed illumination activates the piece after dark, casting soft reflections on the surrounding walls.<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n janet echelman works with professor caitlin mueller<\/p>\n \u00a0<\/p>\n The MIT Museum<\/a><\/strong> installation is the result of an intensive partnership between artist<\/strong><\/a> Janet Echelman and architect<\/strong><\/a> Caitlin Mueller, whose work at MIT\u2019s Digital Structures group informed the project\u2019s structural innovation. Together, they developed a new technology that expands the geometric possibilities of tension-based forms. The collaboration demonstrates how architectural engineering and artistic expression can merge to produce lightweight structures that maintain strength and equilibrium.<\/p>\n \u00a0<\/p>\n Remembering the Future draws its form from climate records spanning the last ice age through projections of potential futures. MIT climate scientist Raffaele Ferrari provided data modeling support, using a climate model emulator connected to the En-ROADS platform to simulate regional changes in temperature and atmosphere. This scientific framework shapes the sculpture\u2019s curves and layers, embedding climate research directly into its physical design.<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n structural dynamics virtually illustrated<\/p>\n \u00a0<\/p>\n Alongside Janet Echelman\u2019s installation, a digital kiosk created by Mueller allows visitors to the MIT Museum to explore the structural dynamics of the work. Through an interactive interface, guests can adjust a virtual version of the net, observing how tension and balance respond to their input. This hands-on experience reveals the engineering principles that stabilize the sculpture and highlights the precision required to achieve its seemingly effortless suspension.<\/p>\n \u00a0<\/p>\n The work inaugurates the MIT Museum\u2019s thematic season TIME, a year-long program examining the nature of temporal change through art, science, and technology. Large-scale video projections accompany the sculpture, presenting Echelman\u2019s previous civic projects around the world and situating Remembering the Future within her broader practice of creating soft, floating forms that redefine public space.<\/p>\n![\"janet](\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/janet-echelman-MIT-museum-remembering-future-designboom-01.jpg\")
images \u00a9 Anna Olivella<\/a>, courtesy MIT Museum<\/p>\n![\"janet](\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/janet-echelman-MIT-museum-remembering-future-designboom-02.jpg\")
Janet Echelman creates a large-scale fiber installation at the MIT Museum<\/p>\n![\"janet](\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/janet-echelman-MIT-museum-remembering-future-designboom-03.jpg\")
the sculpture is suspended above the museum lobby staircase<\/p>\n![\"janet](\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/janet-echelman-MIT-museum-remembering-future-designboom-04.jpg\")
braided and hand-spliced fibers shift in color from orange to blue<\/p>\n![\"janet](\"https:\/\/www.europesays.com\/ie\/wp-content\/uploads\/2025\/09\/janet-echelman-MIT-museum-remembering-future-designboom-05.jpg\")
Professor Caitlin Mueller collaborates on new tension-based structural technology<\/p>\n","protected":false},"excerpt":{"rendered":"\u2018remembering the future\u2019 floats within MIT museum atrium \u00a0 The MIT Museum presents Remembering the Future, a monumental…\n","protected":false},"author":2,"featured_media":86854,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[365,362,363,364,366,18,117,19,17,17958,57172,23820],"class_list":{"0":"post-86853","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-artsdesign","12":"tag-design","13":"tag-eire","14":"tag-entertainment","15":"tag-ie","16":"tag-ireland","17":"tag-mit-news","18":"tag-studio-echelman","19":"tag-thread-art-and-installations"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/86853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=86853"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/86853\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/86854"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=86853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=86853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=86853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}