{"id":88576,"date":"2025-09-27T09:38:10","date_gmt":"2025-09-27T09:38:10","guid":{"rendered":"https:\/\/www.europesays.com\/ie\/88576\/"},"modified":"2025-09-27T09:38:10","modified_gmt":"2025-09-27T09:38:10","slug":"asif-khan-converts-soviet-cinema-in-kazakhstan-into-tselinny-center","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/ie\/88576\/","title":{"rendered":"asif khan converts soviet cinema in kazakhstan into tselinny center"},"content":{"rendered":"

a new landmark opens in almaty, kazakhstan<\/p>\n

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The Tselinny Center of Contemporary Culture has officially opened in Almaty, Kazakhstan, marking the transformation of the city\u2019s historic Tselinny cinema into a new cultural institution. Designed by London-based architect Asif Khan<\/strong><\/a>, the project extends across nearly 6,000 square meters of renovated<\/strong><\/a> interiors and a landscaped site of equal size, signaling a new era for the region\u2019s artistic community.<\/p>\n

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With its undulating facade<\/strong><\/a>, the design integrates contemporary cultural programming with the building\u2019s Soviet-era legacy, offering a space that connects Central Asia\u2019s history and its evolving creative future. Khan\u2019s approach balances structural renewal with symbolic gestures, creating a destination that responds to Almaty\u2019s layered past while welcoming a diverse public.<\/p>\n

\"tselinny
images \u00a9 Laurian Ghinitoiu<\/a><\/p>\n

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a modernist soviet cinema revived<\/p>\n

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The Asif Kahn<\/a><\/strong>-converted Tselinny Center of Contemporary Culture<\/strong><\/a> occupies an historic site in Almaty, Kazakhstan. Built in 1964, the original cinema commemorated the Soviet \u2018Virgin Lands\u2019 campaign, a politically charged project that reshaped the region\u2019s relationship to its steppe landscape. Over the decades, the building fell into disrepair, its monumental auditorium subdivided and its historic sgraffito \u2014 scratched or carved \u2014 artwork partially lost.<\/p>\n

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Beginning in 2017, the Tselinny Center team initiated a careful reconstruction. Khan worked closely with local architect Zaure Aitayeva to stabilize the structure, strengthen it against seismic activity, and reintroduce its original spatial clarity. The rediscovered sgrafitto by Soviet artist Evgeny Sidorkin was restored with a restrained palette, allowing the work to coexist with contemporary art installations.<\/p>\n

\"tselinny
the Tselinny Center opens in Almaty as a new cultural landmark<\/p>\n

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the Tselinny Center renovation by asif kahn<\/p>\n

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The renovation removes intrusive additions while revealing the auditorium\u2019s impressive 18-meter (59-foot) height. Acoustic treatments and integrated systems now support a range of exhibitions and performances. A continuous ribbon of stainless steel and glass wraps the ground floor, introducing daylight and linking the interior to the surrounding landscape.<\/p>\n

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A new \u2018cloudscape\u2019 of embossed symbols spans the north and south facades, drawing from Kazakh ornament and ancient petroglyphs. This abstract language appears in windows, lighting, and staircases, subtly embedding cultural memory into the architecture.<\/p>\n

\"tselinny
Asif Khan restores a Soviet cinema into a contemporary art venue<\/p>\n

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Asif Khan retained the building\u2019s exposed concrete, complemented by geological finishes that ground the project in Kazakhstan\u2019s natural history. Fossil-rich limestone from the Mangystau region forms the reception desk, while earth-toned concrete floors and river stones from Almaty\u2019s terrain extend the connection between interior and landscape.<\/p>\n

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At the entrance, a softly curving, cloud-like threshold introduces a sense of openness and movement, counterbalancing the building\u2019s monumental frame. Inside, a lowered ground plane eliminates level changes, creating a seamless public space that flows outward to adjacent squares and parkland.<\/p>\n

\"tselinny
a stainless steel ribbon brings daylight and 360 degree access<\/p>\n

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The reconfigured interior accommodates a series of flexible galleries and gathering areas, including the vast Orta 3 auditorium, the white-box Capsule gallery, and a rooftop terrace with panoramic views of the Ile-Alatau mountains. A new caf\u00e9, learning atelier, and quiet rooms enhance the Center\u2019s role as a community hub.<\/p>\n

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This design prioritizes adaptable, multi-format spaces, allowing the Tselinny Center to host performances, exhibitions, and interdisciplinary events without fixed orientation. The inaugural program, BARSAKELMES, sets the tone with a live performance staged in the round, drawing on ancient Kazakh traditions.<\/p>\n

\"tselinny
historic sgrafitto artwork is carefully revealed and renewed<\/p>\n","protected":false},"excerpt":{"rendered":"a new landmark opens in almaty, kazakhstan \u00a0 The Tselinny Center of Contemporary Culture has officially opened in…\n","protected":false},"author":2,"featured_media":88577,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[267],"tags":[365,362,363,364,58085,366,18,117,3486,19,17,10911],"class_list":{"0":"post-88576","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-artsdesign","12":"tag-asif-khan","13":"tag-design","14":"tag-eire","15":"tag-entertainment","16":"tag-facades","17":"tag-ie","18":"tag-ireland","19":"tag-renovation-and-restoration-architecture-and-design"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/88576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/comments?post=88576"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/posts\/88576\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media\/88577"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/media?parent=88576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/categories?post=88576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/ie\/wp-json\/wp\/v2\/tags?post=88576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}