{"id":93477,"date":"2026-05-01T21:15:31","date_gmt":"2026-05-01T21:15:31","guid":{"rendered":"https:\/\/www.europesays.com\/iran\/93477\/"},"modified":"2026-05-01T21:15:31","modified_gmt":"2026-05-01T21:15:31","slug":"israel-no-longer-excluded-from-new-venice-biennale-awards","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/iran\/93477\/","title":{"rendered":"Israel no longer excluded from new Venice Biennale awards"},"content":{"rendered":"\n<p>The 61st Venice Biennale \u2014 the world\u2019s most celebrated international exhibition of contemporary art \u2014 made headlines Thursday when its awards jury resigned amid a growing controversy over its April 23  decision to exclude countries charged with crimes against humanity by the International Criminal Court. <\/p>\n<p>In the current moment, this specifically meant Israel and Russia, and an uproar ensued \u2014 particularly with regard to Israel. The Israel Foreign Ministry blasted the decision on social media, <a class=\"link\" href=\"https:\/\/x.com\/israelmfa\/status\/2048498283660693827?s=46\" target=\"_blank\" rel=\"nofollow\">writing in an April 26 post <\/a>that the boycott \u201cis a contamination of the art world. The political jury has transformed the Biennale from an open artistic space of free, boundless ideas into a spectacle of false, anti-Israeli political indoctrination.\u201d<\/p>\n<p>The jury posted its brief statement of resignation<a class=\"link\" href=\"https:\/\/www.e-flux.com\/notes\/6783487\/statement-of-resignation\" target=\"_blank\" rel=\"nofollow noopener\"> online four days later<\/a> \u201cin acknowledgment\u201d of its <a class=\"link\" href=\"https:\/\/www.e-flux.com\/notes\/6783485\/statement-of-intention-by-the-international-jury-of-the-61st-international-art-exhibition-in-minor-keys-of-la-biennale-di-venezia\" target=\"_blank\" rel=\"nofollow noopener\">original decree<\/a>, in which it wrote, \u201cAt this edition of the Biennale, we wish to set out our intention \u2014 to express our commitment to the defense of human rights,\u201d before explaining it would not consider certain countries for awards.<\/p>\n<p>The Biennale moved swiftly to reverse course after the jury\u2019s resignation, issuing a news release that noted, \u201cAll National Participations included in the 61st Exhibition &#8230; are eligible &#8230; following the principle of inclusion and equal treatment among all participants. This is consistent with the founding spirit of La Biennale, based on openness, dialogue, and the rejection of any form of closure or censorship. La Biennale seeks to be \u2014 and must remain \u2014 a place of truce in the name of art, culture, and artistic freedom.\u201d<\/p>\n<p>To that end, the awards ceremony originally scheduled to take place on May 9 has been pushed to November 22 \u2014 the last day the exhibition is open to the public. There is precedent for \u201cexceptional circumstances\u201d delays, and the last one took place in 2021 as a result of the COVID-19 pandemic. <\/p>\n<p>Without precedent, however, are the newly established awards, created to replace the coveted Golden Lion awards that the jury traditionally hands out to two winners each year. This year, instead of the Golden Lion for best national participation at the Biennale; and the Golden Lion for best participant in the Biennale\u2019s central exhibition, the Biennale has established two Visitors\u2019 Lions to be awarded in the same categories.<\/p>\n<p>Instead of a jury deciding the winners this year, the honor will be left \u2014 as the new award name specifies \u2014 to the exhibition visitors.<\/p>\n<p>\u201cVisitors eligible to vote for the Visitors\u2019 Lions are ticket holders who have visited both Exhibition venues,\u201d the release reads. <\/p>\n<p>\u201cVisits to both venues will be verified through the ticketing system\u2019s tracking. Each ticket holder may cast one vote for each of the two awards, in one single session.\u201d<\/p>\n<p>Whether Visitors\u2019 Lions will become a Biennale mainstay remains to be seen \u2014 but I can imagine the democratic idea might keep its place when the Golden Lions make their return next year.<\/p>\n<p>I\u2019m Arts editor Jessica Gelt doing my best to tread water in difficult times. This is your arts and culture news for the week.<\/p>\n<p>        You\u2019re reading Essential Arts     <\/p>\n<p data-element=\"module-description\" class=\"mt-0 mb-4 max-w-150 font-cms-font-service-text text-xs-2 text-cms-color-description-text leading-4.5\">Our critics and reporters guide you through events and happenings of L.A. <\/p>\n<p data-element=\"module-disclaimer\" class=\"inline-block max-w-lg mt-0 mb-3 font-cms-font-service-text text-xs text-cms-color-disclaimer-text [&amp;_a]:text-cms-rich-text-link-color-text\"> By continuing, you agree to our <a class=\"link\" href=\"https:\/\/www.latimes.com\/terms-of-service\" target=\"_blank\" rel=\"nofollow noopener\">Terms of Service<\/a>, which include arbitration and a class action waiver. You agree that we and our third-party vendors may collect and use your information, including through cookies, pixels and similar technologies, for the purposes set forth in our <a class=\"link\" href=\"https:\/\/www.latimes.com\/privacy-policy\" target=\"_blank\" rel=\"nofollow noopener\">Privacy Policy<\/a> such as personalizing your experience and ads. <\/p>\n<p>        The week ahead: A curated calendar<\/p>\n<p>FRIDAY<\/p>\n<p>            <img class=\"image\" alt=\"Quentin Lee and Justin Lin on the set of their debut feature, &quot;Shopping for Fangs.&quot;\"   width=\"1200\" height=\"805\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670127_365_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Quentin Lee and Justin Lin on the set of their debut feature, \u201cShopping for Fangs.\u201d<\/p>\n<p>(Margin Films)<\/p>\n<p>Celebrating 30 Years of Margin Films<br \/>Award-winning filmmaker Quentin Lee and his production company mark three decades in the business with a weeklong screening series. Lee\u2019s breakout 1997 debut \u201cShopping for Fangs,\u201d co-directed by Justin Lin, is the opening film. Also screening: \u201cEthan Mao,\u201d Saturday; \u201cThe People I\u2019ve Slept With,\u201d Sunday; \u201cThe Unbidden,\u201d Monday; \u201cRez Comedy,\u201d Tuesday; \u201cLast Summer of Nathan Lee,\u201d Wednesday; and a sneak peak of three episodes of the Canadian TV series \u201cComedy InvAsian III,\u201d Thursday. Selected screening includes a Q&amp;A. Lee is also releasing a book, \u201cCinemasianamerica,\u201d commemorating the occasion.<br \/>Each film screens one day, 1:30, 4:30 and 7:30 p.m., through Thursday. Laemmle Royal, 11523 Santa Monica Blvd., West L.A. <a class=\"link\" href=\"https:\/\/www.laemmle.com\/series\/cinemasianamerica\" target=\"_blank\" rel=\"nofollow noopener\">laemmle.com<\/a><\/p>\n<p>Dvo\u0159\u00e1k and Korngold<br \/>Conductor Andr\u00e9s Orozco-Estrada and the Los Angeles Philharmonic pay tribute to <a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2026-04-24\/michael-tilson-thomas-embodied-l-a-s-musical-essence\" rel=\"nofollow noopener\" target=\"_blank\">Michael Tilson Thomas<\/a>, who died April 22, with his composition \u201cAgnegram,\u201d and perform Korngold\u2019s \u201cConcerto in D major for Violin and Orchestra\u201d with violinist Mar\u00eda Due\u00f1as. The evening concludes with \u201cSymphony No. 7 in D minor\u201d by Dvo\u0159\u00e1k.<br \/>8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. <a class=\"link\" href=\"https:\/\/www.laphil.com\/events\/performances\/3771\/2026-05-01\/dvorak-and-korngold\" target=\"_blank\" rel=\"nofollow noopener\">laphil.com<\/a> <\/p>\n<p>            <img class=\"image\" alt=\"Anna Van Valin, from left, Elias Scoufaras and Bruce Nozick in &quot;Warsaw&quot; at International City Theatre.\"   width=\"1200\" height=\"799\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670127_563_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Anna Van Valin, from left, Elias Scoufaras and Bruce Nozick in \u201cWarsaw\u201d at International City Theatre. <\/p>\n<p>(Jordan Gohara)<\/p>\n<p>Warsaw<br \/>The world premiere of British playwright and \u201cSelma\u201d screenwriter Paul Webb\u2019s drama about the fate of a woman whose life links two monumental historic moments, World War II and Sept. 11.<br \/>7:30 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 17. International City Theatre, 330 E. Seaside Way, Long Beach. <a class=\"link\" href=\"https:\/\/ictlongbeach.org\/warsaw\/\" target=\"_blank\" rel=\"nofollow noopener\">ictlongbeach.org<\/a> <\/p>\n<p>SATURDAY<\/p>\n<p>            <img class=\"image\" alt=\"The Kronos Quartet, from left: Gabriela D\u00edaz, David Harrington, Ayane Kozasa and Paul Wiancko.\"   width=\"1200\" height=\"1768\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670127_730_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         The Kronos Quartet, from left: Gabriela D\u00edaz, David Harrington, Ayane Kozasa and Paul Wiancko.   <\/p>\n<p>(Danica Taylor)<\/p>\n<p>Kronos Quartet<br \/>The West Coast premiere of the group\u2019s latest large-scale multimedia project, \u201cThree Bones,\u201d which combines live performance, video, visual art, recordings and environmental sound to explore the histories of Indigenous, Gullah Geechee and Chinese American communities in the United States.<br \/>6 p.m. UC Santa Barbara campus, Campbell Hall. <a class=\"link\" href=\"https:\/\/artsandlectures.ucsb.edu\/events-tickets\/events\/25-26\/kronos-quartet\/\" target=\"_blank\" rel=\"nofollow noopener\">artsandlectures.ucsb.edu<\/a> <\/p>\n<p>            <img class=\"image\" alt=\"Michael Caine, from left, Scarlett Johansson and Hugh Jackman in the &quot;The Prestige,&quot; screening Saturday at the Aero.\"   width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670128_231_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Michael Caine, from left, Scarlett Johansson and Hugh Jackman in the \u201cThe Prestige,\u201d screening Saturday at the Aero.<\/p>\n<p>(Francois Duhamel \/ Touchstone &amp; Warner Bros. Pictures)<\/p>\n<p>The Prestige<br \/>Hugh Jackman and Christian Bale square off as rival magicians in a 20th anniversary 35mm screening of Christopher Nolan\u2019s sci-fi thriller.<br \/>7:30 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. <a class=\"link\" href=\"https:\/\/www.americancinematheque.com\/now-showing\/the-prestige-5-2-26\/\" target=\"_blank\" rel=\"nofollow noopener\">americancinematheque.com<\/a> <\/p>\n<p>            <img class=\"image\" alt=\"The cast of &quot;Carlota: Alhajero de Secretos,&quot; opening Saturday at LATC.\"   width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670128_338_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>The cast of \u201cCarlota: Alhajero de Secretos,\u201d opening Saturday at LATC.<\/p>\n<p>(Teatro Alebrijes)<\/p>\n<p>Carlota: Alhajero de Secretos<br \/>Writer-directors Rodrigo Garc\u00eda and Ugho Bad\u00fa reimagine Federico Garc\u00eda Lorca\u2019s tragedy \u201cThe House of Bernarda Alba.\u201d The co-production between San Jos\u00e9-based LGBTQ+ ensemble Teatro Alebrijes and L.A.\u2019s Latino Theater Company is in Spanish with English supertitles.<br \/>8 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 24. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. <a class=\"link\" href=\"https:\/\/www.latinotheaterco.org\/carlota\" target=\"_blank\" rel=\"nofollow noopener\">latinotheaterco.org<\/a> <\/p>\n<p>SUNDAY<\/p>\n<p>            <img class=\"image\" alt=\"Henri Lubatti in &quot;Exit the King&quot; at A Noise Within.\"   width=\"1200\" height=\"850\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670128_503_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Henri Lubatti in \u201cExit the King\u201d at A Noise Within.<\/p>\n<p>(Daniel Reichert)<\/p>\n<p>Exit the King<br \/>Eug\u00e8ne Ionesco\u2019s classic absurdist comedy about a desperate monarch who refuses to admit his time has come, translated by Donald Watson and directed by Michael Michetti.<br \/>Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday, Thursday and May 8; opening night, 7:30 p.m. May 9; runs through May 31. A Noise Within, 3352 E. Foothill Blvd., Pasadena. <a class=\"link\" href=\"https:\/\/www.anoisewithin.org\/play\/exit-the-king\/\" target=\"_blank\" rel=\"nofollow noopener\">anoisewithin.org<\/a> <\/p>\n<p>            <img class=\"image\" alt=\"Organist Anna Lapwood performs at Walt Disney Concert Hall on Sunday.\"   width=\"1200\" height=\"1799\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670128_215_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Organist Anna Lapwood performs at Walt Disney Concert Hall on Sunday.<\/p>\n<p>(Gerald Matzka \/ Getty Images)<\/p>\n<p>Anna Lapwood<br \/>The popular organist performs work from \u201cThe Da Vinci Code,\u201d \u201cThe Hunchback of Notre Dame,\u201d \u201cThe Lord of the Rings,\u201d \u201cStar Wars Episode I \u2013 The Phantom Menace,\u201d \u201cFlight\u201d and \u201cPirates of the Caribbean,\u201d as well as Olivia Belli\u2019s organ solo \u201cLimina Luminis,\u201d in this recital.<br \/>7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. <a class=\"link\" href=\"https:\/\/www.laphil.com\/events\/performances\/3774\/2026-05-03\/anna-lapwood\" target=\"_blank\" rel=\"nofollow noopener\">laphil.com<\/a> <\/p>\n<p>TUESDAY<\/p>\n<p>            <img class=\"image\" alt=\"Painted papier-m\u00e2ch\u00e9 of a young man sitting on steps reading a book and listening to a radio.\"   width=\"1200\" height=\"1500\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670129_337_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Willie Birch, \u201cUptown Memories (A Day in the Life of the Magnolia Project),\u201d 1995. Painted papier-m\u00e2ch\u00e9 and mixed media, 82 \u00d7 62 \u00d7 60 in. New Orleans Museum of Art.<\/p>\n<p>(Roman Alokhin)<\/p>\n<p>Willie Birch: Stories to Tell<br \/>This career retrospective details Birch\u2019s exploration of the Black American experience since the 1960s, posing difficult questions along the way in his work as an artist, community organizer and \u201ccultural provocateur.\u201d<br \/>10 a.m. to 5 p.m. Tuesdays to Saturdays; 11 a.m. to 5 p.m. Sundays, through Oct. 21. California African American Museum, 600 State Drive, Exposition Park. <a class=\"link\" href=\"https:\/\/caamuseum.org\/exhibitions\/2026\/willie-birch-stories-to-tell\" target=\"_blank\" rel=\"nofollow noopener\">caamuseum.org<\/a> <\/p>\n<p>            <img class=\"image\" alt=\"Luc\u00eda performs Tuesday at the Carpenter Center in Long Beach.\"   width=\"1200\" height=\"982\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670129_99_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Luc\u00eda performs Tuesday at the Carpenter Center in Long Beach.<\/p>\n<p>(Shervin Lainez)<\/p>\n<p>Jazz in Long Beach<br \/>Two jazz-influenced acts come to the Carpenter Center next week. Luc\u00eda brings her signature mix of traditional American jazz and Latin folk in a Spotlight Sessions concert on the Cabaret Stage. She\u2019ll also be performing songs from her forthcoming album. \u201cThe Magic of Manhattan Starring Benny Benack III\u201d is a tribute to the Big Apple and the songs and singers most associated with it, including Blossom Dearie, Frank Sinatra and Billy Joel.<br \/>Luc\u00eda, 8 p.m. Tuesday; Benny Benack III, 7 p.m. Wednesday and Thursday. Carpenter Center, 6200 E. Atherton St., Long Beach. <a class=\"link\" href=\"https:\/\/www.carpenterarts.org\/\" target=\"_blank\" rel=\"nofollow noopener\">carpenterarts.org<\/a> <\/p>\n<p>Smith, Cabezas &amp; Childs<br \/>Molly Turner conducts the LA Phil New Music Group, with multi-instrumentalist and vocalist Gabriella Smith, cellist Gabriel Cabezas and jazz pianist Billy Childs in a program of eco-friendly music curated by Smith, including compositions by Smith, Childs, Michael Gordon, John Cage and Esa-Pekka Salonen.<br \/>8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. <a class=\"link\" href=\"https:\/\/www.laphil.com\/events\/performances\/3775\/2026-05-05\/smith-cabezas-childs\" target=\"_blank\" rel=\"nofollow noopener\">laphil.com<\/a> <\/p>\n<p>WEDNESDAY<br \/>Andr\u00e9s Jaramillo: A Journey of Immigrants, Part II<br \/>The Colombian American pianist follows up on his January 2025 program with a celebration of the global cultural exchange created by immigrants, placing Latin American composers within the Romantic tradition. Featuring works by Chopin, Calvo, Mej\u00eda, Barber, Lecuona, Friedhoff-Calvo and Pinz\u00f3n-Arroyo. Presented by Piano Spheres.<br \/>8 p.m. Wednesday. Thayer Hall at Colburn School, 200 S. Grand Ave., downtown L.A. <a class=\"link\" href=\"https:\/\/pianospheres.org\/event\/andres-jaramillo-a-journey-of-immigrants-part-ii\/\" target=\"_blank\" rel=\"nofollow noopener\">pianospheres.org<\/a> <\/p>\n<p>            <img class=\"image\" alt=\"Morgan Freeman, left, and Brad Pitt star in David Fincher's 1995 film &quot;Seven.&quot;\"   width=\"1200\" height=\"796\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670129_680_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Morgan Freeman, left, and Brad Pitt star in David Fincher\u2019s 1995 film \u201cSeven.\u201d<\/p>\n<p>(Robert Isenberg \/ New Line Cinema)<\/p>\n<p>Seven<br \/>A 4k screening of David Fincher\u2019s 1995 thriller about two cops on the trail of a serial killer. Appearances by production designer Arthur Max and set decorator Clay Griffith.<br \/>7:30 p.m. Academy Museum, 6067 Wilshire Blvd. <a class=\"link\" href=\"https:\/\/www.academymuseum.org\/programs\/detail\/seven-in-4-k-019be210-21c0-88ad-89bc-194de79f8e24\" target=\"_blank\" rel=\"nofollow noopener\">academymuseum.org<\/a> <\/p>\n<p>THURSDAY<\/p>\n<p>            <img class=\"image\" alt=\"&quot;Dancing with Bob: Rauschenberg, Brown &amp; Cunningham Onstage&quot; at the Wallis, May 7 to 9.\"   width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670129_49_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>\u201cDancing with Bob: Rauschenberg, Brown &amp; Cunningham Onstage\u201d at the Wallis, May 7 to 9.<\/p>\n<p>(The Wallis Annenberg Center for the Performing Arts)<\/p>\n<p>Dancing With Bob: Rauschenberg, Brown &amp; Cunningham Onstage<br \/>This kinetic retrospective captures the cross-disciplinary collaborations between vanguard artist Robert Rauschenberg and choreographers Trisha Brown (\u201cSet and Reset,\u201d with an electronic score by Laurie Anderson) and Merce Cunningham (\u201cTravelogue,\u201d created with John Cage).<br \/>7:30 p.m. Thursday and May 8; 2 p.m. May 9. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. <a class=\"link\" href=\"https:\/\/thewallis.org\/show-details\/dancing-with-bob-rauschenberg-brown-cunningham-onstage\" target=\"_blank\" rel=\"nofollow noopener\">thewallis.org<\/a> <\/p>\n<p>The Physicists<br \/>Albert Einstein and Isaac Newton are residents of an insane asylum beset by murder, mayhem, espionage and questions about the morality and ethics of science in this 1962 German satire by Friedrich D\u00fcrrenmatt. Directed by Brent Hinkley.<br \/>8 p.m. Thursdays and Saturdays; 2 p.m. Sundays, through June 20. The Actors\u2019 Gang Theater, 9070 Venice Blvd., Culver City. <a class=\"link\" href=\"https:\/\/www.theactorsgang.com\" target=\"_blank\" rel=\"nofollow noopener\">theactorsgang.com<\/a> <\/p>\n<p>Arts anywhere<\/p>\n<p>New and recent releases of arts-related media.<\/p>\n<p>The Adding Machine<br \/>Currently running at the Theater at St. Clement\u2019s in Hell\u2019s Kitchen, New York City, through May 17, this New Group production with a revised script by Thomas Bradshaw receives a one-time livestream next week. \u201c[Elmer] Rice\u2019s expressionist drama is known for being a tale of man vs. machine in an age of merciless efficiency, but inhumanity in a broader sense is its true core subject,\u201d wrote Laura Collins-Hughes in a recent <a class=\"link\" href=\"https:\/\/www.nytimes.com\/2026\/04\/15\/theater\/the-adding-machine-review-daphne-rubin-vega.html\" target=\"_blank\" rel=\"nofollow noopener\">New York Times review<\/a>. \u201cThe happy news about Scott Elliott\u2019s handsome yet under-realized revival \u2026 is what a delight Daphne Rubin-Vega is to watch as Mr. Zero.\u201d The cast also features Sarita Choudhury, Michael Cyril Creighton and Jennifer Tilly. <a class=\"link\" href=\"https:\/\/www.lolst.org\/addingmachine\" target=\"_blank\" rel=\"nofollow noopener\">The League of Live Stream Theater: 4 p.m. Tuesday. $40, includes 24-hour replay.<\/a> <\/p>\n<p>Art Work<br \/>Photographer and writer Sally Mann weighs in on the creative process with stories, advice and life lessons, all illustrated with photos, journal entries and letters, making for a compelling, often surprising journey. <a class=\"link\" href=\"https:\/\/store.abramsbooks.com\/products\/art-work\" target=\"_blank\" rel=\"nofollow noopener\">Abrams Books: 272 pages, $35<\/a> <\/p>\n<p>            <img class=\"image\" alt=\"&quot;Insomnia &amp; Seven Steps to Grace&quot; by Joy Harjo.\"   width=\"1200\" height=\"1200\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670130_483_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>\u201cInsomnia &amp; Seven Steps to Grace\u201d by Joy Harjo.<\/p>\n<p>(Smithsonian Folkways Recordings)<\/p>\n<p>Insomnia and Seven Steps to Grace<br \/>The new album by Joy Harjo, the first Native American to be named United States Poet Laureate, serving from 2019 to 2022, combines jazz, funk, rock and Native music sounds with her signature \u201cvibration of love\u201d as she boldly confronts injustice and draws inspiration from ancestral memory and the political turmoil of the moment. The double LP\u2019s packaging features original art by Harjo and the poet\u2019s extensive liner notes. Five-time Grammy winner Esperanza Spalding produced as well as contributed vocals and played bass on the project. <a class=\"link\" href=\"https:\/\/folkways.si.edu\/joy-harjo\/insomnia-and-seven-steps-to-grace\" target=\"_blank\" rel=\"nofollow noopener\">Smithsonian Folkways: Double vinyl LP ($33), CD ($17), hi-res digital download ($13), digital download ($10). <\/a> <\/p>\n<p>\u2014 Kevin Crust<\/p>\n<p>Culture news and the SoCal scene            <img class=\"image\" alt=\"A conductor.\"   width=\"1200\" height=\"786\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670130_446_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Michael Tilson Thomas in 2018.<\/p>\n<p>(Paul Marotta\/Getty Images)<\/p>\n<p>Times classical music critic Mark Swed wrote <a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2026-04-24\/michael-tilson-thomas-embodied-l-a-s-musical-essence\" rel=\"nofollow noopener\" target=\"_blank\">a lovely appreciation of conductor Michael Tilson Thomas, <\/a>who died last week at the age of 81. Tilson Thomas, Swed wrote, \u201cmade music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.\u201d<\/p>\n<p><a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2026-04-29\/james-conlon-begins-his-final-stretch-as-la-opera-music-director\" rel=\"nofollow noopener\" target=\"_blank\">LA Opera music director James Conlon<\/a> is preparing to step down after a record 20 seasons with the company, and in a recent story, Swed cataloged his impressive numbers: \u201cMore than 500 performances of 70 different operas at the Dorothy Chandler Pavilion and occasional neighboring venues, such as the Cathedral of Our Lady of the Angels.\u201d Swed attended a recent farewell gala and noted some highlights, including excerpts from \u201cThe Marriage of Figaro.\u201d<\/p>\n<p>Times theater critic Charles McNulty spent a recent trip to New York almost entirely in various Broadway theaters, catching up on what he says is a \u201cstrange season by all accounts.\u201d McNulty notes that <a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2026-04-29\/broadway-reviews-adrien-brody-nathan-lane-john-lithgow-laurie-metcalf\" rel=\"nofollow noopener\" target=\"_blank\">Broadway is still the place acting powerhouses <\/a>like Adrien  Brody, John Lithgow and Laurie Metcalf go in search of the kind of depthy material increasingly unavailable onscreen. He looks at four such shows \u2014 and their epic leading actors \u2014 including \u201cDeath of a Salesman,\u201d \u201cGiant,\u201d \u201cThe Fear of 13\u201d and \u201cDog Day Afternoon.\u201d<\/p>\n<p>            <img class=\"image\" alt=\"Two people in a park.\"   width=\"1200\" height=\"1414\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670130_960_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>David Henry Hwang (book adapter, \u201cFlower Drum Song\u201d) and Alexandra Silber (book adapter, \u201cBrigadoon\u201d) at the James Irvine Japanese Garden in Little Tokyo. <\/p>\n<p>(Jason Armond\/Los Angeles Times)<\/p>\n<p>Malia Mendez wrote a great piece about a <a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2026-04-27\/rodgers-hammerstein-flower-drum-song-the-sound-of-music-lerner-loewe-brigadoon-la\" rel=\"nofollow noopener\" target=\"_blank\">trio of classic musicals running concurrently in L.A.<\/a> She takes a closer look at \u201cFlower Drum Song,\u201d adapted for East West Players by David Henry Hwang; \u201cBrigadoon,\u201d adapted for Pasadena Playhouse by Alexandra Silber; and \u201cThe Sound of Music\u201d at the Hollywood Pantages. All three were originally written by two of the 20th century\u2019s most dynamic and celebrated writing duos: Rodgers and Hammerstein (\u201cFlower Drum Song\u201d and \u201cThe Sound of Music\u201d) and Lerner and Loewe (\u201cBrigadoon\u201d). And all still resonate in modern times.<\/p>\n<p>Mendez also wrote about a special event taking place this weekend called <a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2026-04-28\/la-public-library-foundation-night-at-the-library-art-festival\" rel=\"nofollow noopener\" target=\"_blank\">Night at the Library<\/a> \u2014 held as part of the downtown Central Library\u2019s centennial celebration. \u201cThe four-hour extravaganza Saturday will feature more than 200 artists and 25 to 30 activations peppered throughout the library campus, plus DJ sets and local food truck fare. Highlighted performers include Bob Baker Marionette Theater and Los Angeles Master Chorale,\u201d Mendez writes.<\/p>\n<p>            <img class=\"image\" alt=\"Art from &quot;Star Wars.&quot;\"   width=\"1200\" height=\"537\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670130_435_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Doug Chiang, Podrace Crash, production art for \u201cStar Wars: Episode I &#8211; The Phantom Menace,\u201d 1995-99. <\/p>\n<p>(Lucas Museum of Narrative Art)<\/p>\n<p><a class=\"link\" href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2026-04-30\/lucas-museum-first-exhibitions-star-wars-indiana-jones-narrative-art\" rel=\"nofollow noopener\" target=\"_blank\">The Lucas Museum of Narrative Art unveiled its inaugural exhibitions this week<\/a> \u2014 noting that all 20 were curated by George Lucas himself. The $1-billion museum will open to the public on the first day of fall and the exhibits will be shown in more than 30 galleries spread over 100,000 square feet of exhibition space. And, yes, \u201cStar Wars\u201d memorabilia will be part of the \u201ccinema\u201d exhibit with large-scale vehicle installations, production designs, props and costumes.<\/p>\n<p class=\"infobox-title\">Enjoying this newsletter? Consider subscribing to the Los Angeles Times<\/p>\n<p class=\"infobox-description\">Your support helps us deliver the news that matters most. <a class=\"link\" href=\"https:\/\/www.latimes.com\/subscriptions\/digital-only.html?pid_campaigns=7442_MTRDigitalWB2,7443_MTRDigitalWB2\" target=\"_blank\" rel=\"nofollow noopener\">Become a subscriber.<\/a><\/p>\n<p>                  <img class=\"image\" alt=\"Lincoln Clauss, center, as the Emcee in Asolo Repertory Theatre's &quot;Cabaret.&quot;\"   width=\"1200\" height=\"791\" src=\"https:\/\/www.europesays.com\/iran\/wp-content\/uploads\/2026\/05\/1777670131_429_.jpeg\" decoding=\"async\" loading=\"lazy\"\/>         <\/p>\n<p>Lincoln Clauss, center, as the Emcee in Asolo Repertory Theatre\u2019s \u201cCabaret,\u201d at the Old Globe.<\/p>\n<p>(Courtesy of Cliff Roles)<\/p>\n<p>The board of directors of <a class=\"link\" href=\"https:\/\/www.theoldglobe.org\/news--media\/latest-news\/\" target=\"_blank\" rel=\"nofollow noopener\">San Diego\u2019s Old Globe named Trish Santini as the theater\u2019s new managing director.<\/a> Santini joins Artistic Director Barry Edelstein as a co-chief executive, and enters her new role on July 1. Among other arts leadership posts, Santini was the inaugural executive director of Little Island in New York City, and led the launch of the $250-million public park and performance venue.<\/p>\n<p>\u2014 Jessica Gelt<\/p>\n<p>And last but not least<\/p>\n<p>The Times Food section calls to me yet again with this headline: <a class=\"link\" href=\"https:\/\/www.latimes.com\/food\/story\/2026-04-30\/loli-farms-peruvian-rotisserie-chicken-review\" rel=\"nofollow noopener\" target=\"_blank\">\u201cL.A.\u2019s best rotisserie chicken may be at this former gas station in Pasadena.\u201d<\/a> <\/p>\n","protected":false},"excerpt":{"rendered":"The 61st Venice Biennale \u2014 the world\u2019s most celebrated international exhibition of contemporary art \u2014 made headlines Thursday&hellip;\n","protected":false},"author":2,"featured_media":93478,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[32977,32981,32982,37,32978,9681,32979,32974,32976,23000,32980,32975,9416,273,5094,10556],"class_list":{"0":"post-93477","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-israel","8":"tag-design-columnist-carolina-a-miranda","9":"tag-existential-questions","10":"tag-group-show","11":"tag-israel","12":"tag-l-a-museum","13":"tag-los-angeles-times","14":"tag-matthew-lopez","15":"tag-opera","16":"tag-pauline","17":"tag-performance","18":"tag-private-jet","19":"tag-schindler-house","20":"tag-show","21":"tag-story","22":"tag-week","23":"tag-work"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@iran\/116501395864609563","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/posts\/93477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/comments?post=93477"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/posts\/93477\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/media\/93478"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/media?parent=93477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/categories?post=93477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/iran\/wp-json\/wp\/v2\/tags?post=93477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}