Guardando al futuro, Carpenter \u00e8 determinata a creare le sue canzoni pensando alla loro potenziale longevit\u00e0. \u00abDobbiamo tornare alle origini, essere autentici, se vogliamo essere orgogliosi di ci\u00f2 che creiamo anche in prospettiva, fra vent\u2019anni\u00bb, riflette. Non si tratta solo di spettacolo, ma di stimolare la gioia, nutrire la propria comunit\u00e0. E di lasciare un’opera che possa ancora, in futuro, far ridere o piangere qualcuno.<\/p>\n
In copertina: maglione PRADA.<\/p>\n
L’intervista a Sabrina Carpenter protagonista della cover di Vogue Italia di Ottobre 2025 lo trovate anche in edicola dal 26 settembre<\/p>\n
CREDITS<\/p>\n
PHOTO Steven Meisel
Hair GUIDO PALAU
Make-up PAT McGRATH
Stylist assistants CAROLINE HAMPTON, ADRIAN REYNA, MICHAELA SNAVELY
Tailor RAUL ZEVALLOS
Nails JIN SOON CHOI
Set Designer MARY HOWARD
Production PRODN.<\/p>\n
Qui sotto il testo tradotto in inglese \/ Here is the English translation of the text<\/p>\n
\u201cI\u2019m always packing or unpacking,\u201d Sabrina Carpenter says from her house in Los Angeles, half-laughing as she prepares for yet another flight, another show, another stage. \u201cSo that\u2019s kind of all I do,\u201d she adds, amused by the rhythm of her own rising orbit.
That rhythm has carried her to some of the biggest stages in the world. Carpenter has become known for closing shows with playful, improvised riffs on \u201cNonsense\u201d, turning the song into a signature moment. Earlier in her career, she opened for Taylor Swift on the Eras Tour, and this summer marked her headlining debut at Lollapalooza, a full-circle moment for a star who\u2019s always found ways to balance wit with wonder. \u201cI left feeling really euphoric,\u201d she says of that first appearance. \u201cYou\u2019re just in the middle of the city and you can see everybody and every building and it\u2019s just so cinematic… Now I\u2019m the headliner, so I get to play with the lights off, which is a lot more fun. I like to play in the dark.\u201d
That moment marks a shift, from supporting act to cultural force. But if Carpenter is stepping onto huge stages, she\u2019s doing so without shedding the playfulness that made her stand out in the first place. Performance, for her, has always been about more than music, it is about crafting an image that embraces glamour and irony.<\/p>\n
Her recent Vogue cover shoot with Steven Meisel captured that balance. \u201cInitially, I think they told me they wanted to go very natural,\u201d she recalls, grinning. \u201cAnd then I got there and I had a smoky eye on, I had big hair, and I was like, you know what? This is the way I want to be at this time in my life.\u201d
The shoot, inspired by \u201cGerman girls in the \u201960s\u201d, was moody and black-and-white, part Brigitte Bardot, part Berlin nightclub. She relished the chance to lean into the performance of fashion. \u201cIt looked kind of glamour and \u201960s and black-and-white and really elegant and moody and Brigitte Bardot and very sexy and so it seems quite exciting to me,\u201d she says.
Working with Meisel for the second time felt electric. \u201cHe moves so fast and in such an incredible way. It\u2019s like catching lightning. And I think that\u2019s why. So I just trust him. I don\u2019t really look at the photos. I kind of just take them and then I leave.\u201d
The physicality of the shoot stayed with her too. \u201cI felt like I was bending like a pretzel all day but it was really fun and special and I think they felt really painless in the moment which was cool.\u201d The hair and make up, by Pat McGrath and Guido Palau, let her lean into a look that felt authentically her. \u201cI was so excited to dress up in a way that felt a little bit more like my own personal style. I really resonate with a lot of \u201960s, \u201970s, the cuts of some of the looks, they just really make me feel super confident.\u201d Even monochrome carried vitality. \u201cEven though most of the shots were in black and white, it still felt like it was kind of really\u2026 it was a lot of personality for me.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Guardando al futuro, Carpenter \u00e8 determinata a creare le sue canzoni pensando alla loro potenziale longevit\u00e0. \u00abDobbiamo tornare…\n","protected":false},"author":3,"featured_media":126999,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1451],"tags":[1621,1620,32868,84197,203,1282,204,1537,90,89],"class_list":{"0":"post-126998","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-celebrita","8":"tag-celebrita","9":"tag-celebrities","10":"tag-cover","11":"tag-cover-story","12":"tag-entertainment","13":"tag-intervista","14":"tag-intrattenimento","15":"tag-it","16":"tag-italia","17":"tag-italy"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/posts\/126998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/comments?post=126998"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/posts\/126998\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/media\/126999"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/media?parent=126998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/categories?post=126998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/it\/wp-json\/wp\/v2\/tags?post=126998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}